Thirty years ago, the only planets we knew were the ones orbiting our own sun; we now know of thousands of other worlds orbiting distant stars. In this book, astronomer Niall Deacon journeys to twenty of these globes: from giant, blisteringly hot planets orbiting close to their parent stars to planets that float through the cold wilderness of space alone, and from dead stars shredding asteroids to worlds made of diamond—and even planets that may be similar to the Earth. Deacon also takes in the latest exoplanet discoveries and explains how astronomers have come to learn so much about these strange and distant worlds. Twenty Worlds tells a sweeping story, of real planets around other stars, and it will fascinate a universe of fans of popular science and astronomy.

Thirty years ago, the only planets we knew were the ones orbiting our own sun; we now know of thousands of other worlds orbiting distant stars. In this book, astronomer Niall Deacon journeys to twenty of these globes: from giant, blisteringly hot planets orbiting close to their parent stars to planets that float through the cold wilderness of space alone, and from dead stars shredding asteroids to worlds made of diamond—and even planets that may be similar to the Earth. Deacon also takes in the latest exoplanet discoveries and explains how astronomers have come to learn so much about these strange and distant worlds. Twenty Worlds tells a sweeping story, of real planets around other stars, and it will fascinate a universe of fans of popular science and astronomy.

Perhaps while reading Shakespeare you've asked yourself, What exactly is Hamlet trying to tell me? Why must he mince words and muse in lyricism and, in short, whack about the shrub? But if the Prince of Denmark had a Twitter account and an iPhone, he could tell his story in real time--and concisely! Hence the genius of Twitterature. Hatched in a dorm room at the brain trust that is the University of Chicago, Twitterature is a hilarious and irreverent re-imagining of the classics as a series of 140-character tweets from the protagonist. Providing a crash course in more than eighty of the world's best-known books, from Homer to Harry Potter, Virgil to Voltaire, Tolstoy to Twilight and Dante to The Da Vinci Code. It's the ultimate Cliffs Notes. Because as great as the classics are, who has time to read those big, long books anymore? Sample tweets: From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN??? From the Harry Potter series: Oh man big tournament at my school this year!! PSYCHED! I hope nobody dies this year, and every year as if by clockwork. From The Great Gatsby: Gatsby is so emo. Who cries about his girlfriend while eating breakfast...IN THE POOL?

Works of genre fiction are a source of enjoyment, read during cherished leisure time and in incidental moments of relaxation. This original book takes readers inside three popular genres of fiction, including crime, fantasy, and romance, to reveal how personal tastes, social connections, and industry knowledge shape genre worlds. Attuned to both the pleasure and the profession of producing genre fiction, the authors investigate contemporary developments in the field?the rise of Amazon, self-publishing platforms, transmedia storytelling, and growing global publishing conglomerates?and show how these interact with older practices, from fan conventions to writers? groups. Sitting at the intersection of literary studies, genre studies, fan studies, and studies of the book and publishing cultures, Genre Worlds considers how contemporary genre fiction is produced and circulated on a global scale. Its authors propose an innovative theoretical framework that unfolds genre fiction?s most compelling characteristics: its connected social, industrial, and textual practices. As they demonstrate, genre fiction books are not merely texts; they are also nodes of social and industrial activity involving the production, dissemination, and reception of the texts.

A realistic yet encouraging look at how society can change in ways that will allow us to feed an expanding global population. This book addresses the question of how we can best feed the ten billion or so people who will likely inhabit the Earth by the middle of the twenty-first century. He asks whether human ingenuity can produce enough food to support healthy and vigorous lives for all these people without irreparably damaging the integrity of the biosphere. What makes this book different from other books on the world food situation is its consideration of the complete food cycle, from agriculture to post-harvest losses and processing to eating and discarding. Taking a scientific approach, Smil espouses neither the catastrophic view that widespread starvation is imminent nor the cornucopian view that welcomes large population increases as the source of endless human inventiveness. He shows how we can make more effective use of current resources and suggests that if we increase farming efficiency, reduce waste, and transform our diets, future needs may not be as great as we anticipate. Smil's message is that the prospects may not be as bright as we would like, but the outlook is hardly disheartening. Although inaction, late action, or misplaced emphasis may bring future troubles, we have the tools to steer a more efficient course. There are no insurmountable biophysical reasons we cannot feed humanity in the decades to come while easing the burden that modern agriculture puts on the biosphere.

Wikipedia's first twenty years: how what began as an experiment in collaboration became the world's most popular reference work. We have been looking things up in Wikipedia for twenty years. What began almost by accident--a wiki attached to an nascent online encyclopedia--has become the world's most popular reference work. Regarded at first as the scholarly equivalent of a Big Mac, Wikipedia is now known for its reliable sourcing and as a bastion of (mostly) reasoned interaction. How has Wikipedia, built on a model of radical collaboration, remained true to its original mission of "free access to the sum of all human knowledge" when other tech phenomena have devolved into advertising platforms? In this book, scholars, activists, and volunteers reflect on Wikipedia's first twenty years, revealing connections across disciplines and borders, languages and data, the professional and personal.

James Twitchell takes an in-depth look at the ads and ad campaigns—and their creators—that have most influenced our culture and marketplace in the twentieth century. P. T. Barnum’s creation of buzz, Pepsodent and the magic of the preemptive claim, Listerine introducing America to the scourge of halitosis, Nike’s “Just Do It,” Clairol’s “Does She or Doesn’t She?,” Leo Burnett’s invention of the Marlboro Man, Revlon’s Charlie Girl, Coke’s re-creation of Santa Claus, Absolut and the art world—these campaigns are the signposts of a century of consumerism, our modern canon understood, accepted, beloved, and hated the world over.

Islands have an irresistible attraction and an enduring appeal. Naturalist Roger Lovegrove has visited many of the most remote islands in the world, and in this book he takes the reader to twenty that fascinate him the most. Some are familiar but most are little known; they range from the storm-bound island of South Georgia and the ice-locked Arctic island of Wrangel to the wind-swept, wave-lashed Mykines and St Kilda. The range is diverse and spectacular; and whether distant, offshore, inhabited, uninhabited, tropical or polar, each is a unique self-contained habitat with a delicately-balanced ecosystem, and each has its own mystique and ineffable magnetism. Central to each story is also the impact of human settlers. Lovegrove recounts unforgettable tales of human endeavour, tragedy, and heroism. But consistently, he has to report on the mankind's negative impact on wildlife and habitats — from the exploitation of birds for food to the elimination of native vegetation for crops. By looking not only at the biodiversity of each island, but also the uneasy relationship between its wildlife and the involvement of man, he provides a richly detailed account of each island, its diverse wildlife, its human history, and the efforts of conservationists to retain these irreplaceable sites.

Explores globalization, its opportunities for individual empowerment, its achievements at lifting millions out of poverty, and its drawbacks--environmental, social, and political.

When faced with climate change, the biggest threat that our planet has ever confronted, it's easy to feel as if nothing you do can really make a difference . . . but this book proves that individual people can change the world. With twenty inspirational stories celebrating the pioneering work of a selection of Earth Heroes from all around the globe, from Greta Thunberg and David Attenborough to Yin Yuzhen and Isatou Ceesay, each tale is a beacon of hope in the fight for the future of our planet, proving that one person, no matter how small, can make a difference. Featuring Amelia Telford, Andrew Turton and Pete Ceglinski, Bittu Sahgal, Chewang Norphel, David Attenborough, Doug Smith, Ellen MacArthur, Greta Thunberg, Isabel Soares, Isatou Ceesay, Marina Silva, Melati and Isabel Wijsen, Mohammed Rezwan, Renée King-Sonnen, Rok Rozman, Sheila Watt-Cloutier, Stella McCartney, William Kamkwamba, Yin Yuzhen and Yvon Chouinard. Featuring illustrations by Jackie Lay.