"One of the best storytellers who ever lived."--Arthur C. Clarke In one dazzling decade, French novelist Jules Verne took readers places they'd never gone before. . .the age of dinosaurs. . .the undersea realm of Atlantis. . .the craters and crevices of the moon. . .and a whirlwind aerial tour of the planet earth! Though he penned his unforgettable yarns in French, Verne plunked big parts of them down in America. And he himself possessed an American sassiness, nerve, and sense of humor, so Americans have returned the compliment: we've released dozens of Hollywood films based on his astonishing tales, and we've created the U.S.S. Nautilus, the NASA space missions, and other technological triumphs that have turned Verne's visions into practical reality. Here are Jules Verne's best-loved novels in one convenient omnibus volume, but with a huge difference. This book features new, accurate, accessible, and unabridged translations of these five visionary classics, translations that are complete down to the smallest substantive detail, that showcase Verne's farseeing science with unprecedented clarity and accuracy, capture the wit, prankishness, and showbiz flamboyance of one of literature's leading humorists and satirists. This is a Verne almost completely unknown to Americans. . .yet a Verne who has an uncannily American mindset! So these heroes and happenings are part of our heritage: Phileas Fogg chugging across the wild, wild west. . .the impossible underground journey of Professor Lidenbrock. . . the deep-sea exploits of secretive Captain Nemo. . .and a moon shot so realistic, it inspired U.S. astronaut Frank Borman a full century later. Jules Verne was a science buff with a showbiz background, and finally these classic storiess have a translator with the same orientation: Frederick Paul Walter is one of America's foremost Verne scholars. . . But he's also a scriptwriter, broadcaster, and part-time fossil hunter! Enriched with dozens of classic illustrations, The Amazing Journeys of Jules Verne will be a family favorite in every home library. Jules Verne was born in 1828 into a French lawyering family in the Atlantic coastal city of Nantes. Though his father sent him off to a Paris law school, young Jules had been writing on the side since his early teens, and his pet topics were the theater, travel, and science. Predictably enough, his legal studies led nowhere, so Verne took a day job with a stock brokerage, in his off hours penning scripts for farces and musical comedies while also publishing short stories and novelettes of scientific exploration and adventure. His big breakthrough came when he combined his theatrical knack with his scientific bent and in 1863 published an African adventure yarn, Five Weeks in a Balloon. After that and till his death in 1905, Jules Verne was one of the planet's best-loved and best-selling novelists, publishing over sixty books. In addition to the five visionary classics in this volume, other imaginative favorites by him include The Mysterious Island, Hector Servadac, the Begum's Millions, Master of the World, and The Meteor Hunt. Verne ranks among the five most translated authors in history, along with Mark Twain and the Bible .Frederick Paul Walter is a scriptwriter, broadcaster, librarian, and amateur paleontologist. A Trustee of the North American Jules Verne Society, he served as its Vice President from 2000 to 20008. Walter has produced many media programs, articles, reviews, and papers on aspects of Jules Verne and has collaborated on translations and scholarly editions of three Verne novels: The Meteor Hunt, The Mighty Orinoco, and a special edition of 20,000 Leagues Under the Seas for the U.S. Naval Institute in Annapolis. Known to friends as Rick Walter, he lives in Albuquerque, New Mexico.

"First Mate Shandon receives a mysterious letter asking him to construct a reinforced steamship in Liverpool. As he heads out for Melville Bay and the Arctic labyrinth, a crewman reveals himself to be John Hatteras, and his lifelong obsession, the Pole. Despite experiencing appalling cold and hunger, the captain treks across the frozen wastes in search of fuel. Abandoned by his crew, Hatteras remains without resources at the coldest spot on earth. How can he find food and explore the Polar Sea? And what will he find at the top of the world?"--Back cover.

Decades after Edgar Allan Poe's longest and weirdest tale, The Narrative of Arthur Gordon Pym, was published—the protagonist disappearing into the misty, mystifying Antarctic seas; his fate unknown—Jules Verne took up the challenge to answer what had happened to him. In The Sphinx of the Ice Realm, he penned the most amazing journey of his fabled career: a voyage across the bottom of the world! An astonishing mix of manhunt, sea story, scientific speculation, and polar nightmare, Verne's epic fantasy novel appears here for the first time as a new and complete translation by noted Verne expert Frederick Paul Walter. The book is a treat for any fan of science fiction and fantasy, and includes many fascinating notes for students and scholars alike. In addition, the book features a complete, reader-friendly rendition of the original Poe tale that sparked Verne's uniquely imaginative response.

Twenty Thousand Leagues Under the Sea is one of the most thrilling books ever wrote…but it’s also difficult for some younger readers. This book takes the classic novels and retells it for modern readers as a beginning reader chapter book! The story tells of the adventures of Captain Nemo and his submarine Nautilus in a way that beginning readers can understand. KidLit-O’s newest series helps introduce younger readers to classic works of literature by retelling them as beginning reader chapter books.

A stylish and otherworldly underwater puzzle book Inspired by Jules Verne’s iconic novel, this puzzle book is a treat for readers of all ages. Aleksandra Artymowska has created a volume bursting with wild creatures, strange landscapes, and mechanical contraptions that will take readers on an underwater adventure like no other. Each scene contains hidden symbols and keys to uncover, as well as a series of challenges guaranteed to fascinate and amaze.

A graphic novel version of Jules Verne's Twenty thousand leagues under the sea.

“The deepest parts of the ocean are totally unknown to us,” admits Professor Aronnax early in this novel. “What goes on in those distant depths? What creatures inhabit, or could inhabit, those regions twelve or fifteen miles beneath the surface of the water? It’s almost beyond conjecture.” Jules Verne (1828-1905) published the French equivalents of these words in 1869, and little has changed since. 126 years later, a Time cover story on deep-sea exploration made much the same admission: “We know more about Mars than we know about the oceans.” This reality begins to explain the dark power and otherworldly fascination of Twenty Thousand Leagues Under the Seas. Born in the French river town of Nantes, Verne had a lifelong passion for the sea. First as a Paris stockbroker, later as a celebrated author and yachtsman, he went on frequent voyages — to Britain, America, the Mediterranean. But the specific stimulus for this novel was an 1865 fan letter from a fellow writer, Madame George Sand. She praised Verne’s two early novels Five Weeks in a Balloon (1863) and Journey to the Center of the Earth (1864), then added: “Soon I hope you’ll take us into the ocean depths, your characters traveling in diving equipment perfected by your science and your imagination.” Thus inspired, Verne created one of literature’s great rebels, a freedom fighter who plunged beneath the waves to wage a unique form of guerilla warfare. Initially, Verne’s narrative was influenced by the 1863 uprising of Poland against Tsarist Russia. The Poles were quashed with a violence that appalled not only Verne but all Europe. As originally conceived, Verne’s Captain Nemo was a Polish nobleman whose entire family had been slaughtered by Russian troops. Nemo builds a fabulous futuristic submarine, the Nautilus, then conducts an underwater campaign of vengeance against his imperialist oppressor. But in the 1860s France had to treat the Tsar as an ally, and Verne’s publisher Pierre Hetzel pronounced the book unprintable. Verne reworked its political content, devising new nationalities for Nemo and his great enemy — information revealed only in a later novel, The Mysterious Island (1875); in the present work Nemo’s background remains a dark secret. In all, the novel had a difficult gestation. Verne and Hetzel were in constant conflict and the book went through multiple drafts, struggles reflected in its several working titles over the period 1865-69: early on, it was variously called Voyage Under the Waters, Twenty-five Thousand Leagues Under the Waters, Twenty Thousand Leagues Under the Waters, and A Thousand Leagues Under the Oceans. Verne is often dubbed, in Isaac Asimov’s phrase, “the world’s first science-fiction writer.” And it’s true, many of his sixty-odd books do anticipate future events and technologies: From the Earth to the Moon (1865) and Hector Servadac (1877) deal in space travel, while Journey to the Center of the Earth features travel to the earth’s core. But with Verne the operative word is “travel,” and some of his best-known titles don’t really qualify as sci-fi: Around the World in Eighty Days (1872) and Michael Strogoff (1876) are closer to “travelogs” — adventure yarns in far-away places. These observations partly apply here. The subtitle of the present book is An Underwater Tour of the World, so in good travelog style, the Nautilus’s exploits supply an episodic story line. Shark attacks, giant squid, cannibals, hurricanes, whale hunts, and other rip-roaring adventures erupt almost at random. Yet this loose structure gives the novel an air of documentary realism. What’s more, Verne adds backbone to the action by developing three recurring motifs: the deepening mystery of Nemo’s past life and future intentions, the mounting tension between Nemo and hot-tempered harpooner Ned Land, and Ned’s ongoing schemes to escape from the Nautilus. These unifying threads tighten the narrative and accelerate its momentum. Other subtleties occur inside each episode, the textures sparkling with wit, information, and insight. Verne regards the sea from many angles: in the domain of marine biology, he gives us thumbnail sketches of fish, seashells, coral, sometimes in great catalogs that swirl past like musical cascades; in the realm of geology, he studies volcanoes literally inside and out; in the world of commerce, he celebrates the high-energy entrepreneurs who lay the Atlantic Cable or dig the Suez Canal. And Verne’s marine engineering proves especially authoritative. His specifications for an open-sea submarine and a self-contained diving suit were decades before their time, yet modern technology bears them out triumphantly. True, today’s scientists know a few things he didn’t: the South Pole isn’t at the water’s edge but far inland; sharks don’t flip over before attacking; giant squid sport ten tentacles not eight; sperm whales don’t prey on their whalebone cousins. This notwithstanding, Verne furnishes the most evocative portrayal of the ocean depths before the arrival of Jacques Cousteau and technicolor film. Lastly the book has stature as a novel of character. Even the supporting cast is shrewdly drawn: Professor Aronnax, the career scientist caught in an ethical conflict; Conseil, the compulsive classifier who supplies humorous tag lines for Verne’s fast facts; the harpooner Ned Land, a creature of constant appetites, man as heroic animal. But much of the novel’s brooding power comes from Captain Nemo. Inventor, musician, Renaissance genius, he’s a trail-blazing creation, the prototype not only for countless renegade scientists in popular fiction, but even for such varied figures as Sherlock Holmes or Wolf Larsen. However, Verne gives his hero’s brilliance and benevolence a dark underside — the man’s obsessive hate for his old enemy. This compulsion leads Nemo into ugly contradictions: he’s a fighter for freedom, yet all who board his ship are imprisoned there for good; he works to save lives, both human and animal, yet he himself creates a holocaust; he detests imperialism, yet he lays personal claim to the South Pole. And in this last action he falls into the classic sin of Pride. He’s swiftly punished. The Nautilus nearly perishes in the Antarctic and Nemo sinks into a growing depression. Like Shakespeare’s King Lear he courts death and madness in a great storm, then commits mass murder, collapses in catatonic paralysis, and suicidally runs his ship into the ocean’s most dangerous whirlpool. Hate swallows him whole. For many, then, this book has been a source of fascination, surely one of the most influential novels ever written, an inspiration for such scientists and discoverers as engineer Simon Lake, oceanographer William Beebe, polar traveler Sir Ernest Shackleton. Likewise Dr. Robert D. Ballard, finder of the sunken Titanic, confesses that this was his favorite book as a teenager, and Cousteau himself, most renowned of marine explorers, called it his shipboard bible. The present translation is a faithful yet communicative rendering of the original French texts published in Paris by J. Hetzel et Cie. — the hardcover first edition issued in the autumn of 1871, collated with the softcover editions of the First and Second Parts issued separately in the autumn of 1869 and the summer of 1870. Although prior English versions have often been heavily abridged, this new translation is complete to the smallest substantive detail. Because, as that Time cover story suggests, we still haven’t caught up with Verne. Even in our era of satellite dishes and video games, the seas keep their secrets. We’ve seen progress in sonar, torpedoes, and other belligerent machinery, but sailors and scientists — to say nothing of tourists — have yet to voyage in a submarine with the luxury and efficiency of the Nautilus...FROM THE BOOKS.

A huge sea monster has attacked and wrecked several ships from beneath the sea.

A man discovers the planet’s destiny in the ocean’s depths in this near-future novel by one of the twentieth century’s greatest science fiction authors. In the very near future, humanity has fully harnessed the sea’s immense potential, employing advanced sonar technology to control and harvest untold resources for human consumption. It is a world where gigantic whale herds are tended by submariners and vast plankton farms stave off the threat of hunger. Former space engineer Walter Franklin has been assigned to a submarine patrol. Initially indifferent to his new station, if not bored by his daily routines, Walter soon becomes fascinated by the sea’s mysteries. The more his explorations deepen, the more he comes to understand man’s true place in nature—and the unique role he will soon play in humanity’s future. A lasting testament to Arthur C. Clarke’s prescient and powerful imagination, The Deep Range is a classic work of science fiction that remains deeply relevant to our times.