This is a much-needed new overview of Spanish social and political history which sets developments in twentieth-century Spain within a broader European context. Julián Casanova, one of Spain's leading historians, and Carlos Gil Andrés chart the country's experience of democracy, dictatorship and civil war and its dramatic transformation from an agricultural and rural society to an industrial and urban society fully integrated into Europe. They address key questions and issues that continue to be discussed and debated in contemporary historiography, such as why the Republic was defeated, why Franco's dictatorship lasted so long and what mark it has left on contemporary Spain. This is an essential book for students as well as for anyone interested in Spain's turbulent twentieth century.

Spain and the Great Powers in the Twentieth Centuryexamines the international context to, and influences on, Spanish history and politics from 1898 to the present day. Spanish history is necessarily international, with the significance of Spain's neutrality in the First World War and the global influences on the outcome of the Spanish Civil War. Taking the Defeat in the Spanish American war of 1898 as a starting point, the book includes surveys on: *the crisis of neutrality during the First World War *foreign policy under the dictatorship of Primo de Rivera *the allies and the Spanish Civil War *Nazi Germany and Franco's Spain *Spain and the Cold War *relations with the United States This book traces the important topic of modern Spanish diplomacy up to the present day

Selected as the Sunday Times History Book of the Year for 2012, this is a meticulous work of scholarship from the foremost historian of 20th-century Spain.

A much-needed new overview of twentieth-century Spanish social and political history which sets developments within a European context.

From the exhilarating impact of Isaac Albeniz at the beginning of the century to today's complex and adventurous avant-garde, this complete interpretive history introduces twentieth-century Spanish music to English-speaking readers. With graceful authority, Tomas Marco, award-winning composer, critic, and bright light of Spanish music since the 1960s, covers the entire spectrum of composers and their works: trends and movements, critical and popular reception, national institutions, influences from Europe and beyond, and the effect of such historic events as the Spanish Civil War and the death of Franco. Marco's penetrating aesthetic critiques are threaded throughout each phase of this rich account. Marco provides detailed coverage of the key figures, induding a chapter devoted entirely to Manuel de Falla--Spain's most celebrated twentieth-century composer--and a panoramic survey of recent arrivals on the contemporary music scene. Exploring the rise and fall of the zarzuela, the author highlights innovative works in this authentic Spanish genre. He analyzes the attempts to find an audience for Spanish opera; demonstrates the flowering of symphonic and chamber music at the beginning of this century; traces currents such as romanticism, impressionism, and neoclassicism; and tracks the influence of Spain's distinctive regional folk traditions. Covering musical innovation after Spain's emergence from its period of isolation, Marco notes the speed with which many composers absorbed the work of Stravinsky and Bartok, the twelve-tone system, aleatory forms, electronic techniques, and other European developments. English-speaking scholars, musicians, critics and general readers have for decades been without full information on the rich and varied work coming out of Spain in this century. This lively history fills a long-felt need and fills it superbly, with the knowledge and insights of a major figure in the musical world.

Bringing together readings of Spanish intellectuals and New Education theorists, Anna Kathryn Kendrick argues that Spanish pedagogues drew upon, and in part secularized, 'catholic' notions of wholeness and totality.

A succinct and disturbing account of the role of the Spanish Right in the course of the twentieth century.

In Spain today, its civil war remains 'the past that will not pass away.' The long shadow of World War II also brings back to central focus its most disquieting aspects, revealing to a broader public the stark truth already known by specialist historians - that in Spain, as in the many other internecine wars that would soon convulse Europe, war was waged predominantly upon civilians: millions were killed, not by invaders and strangers, but by their own compatriots, including their own neighbors. Across the continent, Hitler's war of territorial expansion after 1938 would detonate a myriad 'irregular wars' of culture, as well as of politics, which took on a 'cleansing' intransigence, as those driving them sought to make 'homogeneous' communities, whether ethnic, political, or religious. So much of this was prefigured with primal intensity in Spain in 1936, where, on July 17-18, a group of army officers rebelled against the socially-reforming Republic. Saved from almost certain failure by Nazi and Fascist military intervention, and by a British inaction amounting to complicity, these army rebels unleashed a conflict in which civilians became the targets of mass killing. The new military authorities authorized and presided over an extermination of those sectors associated with Republican change, especially those who symbolized cultural change and thus posed a threat to old ways of being and thinking: progressive teachers, self-educated workers, 'new' women. In the Republican zone, resistance to the coup also led to the murder of civilians. This extrajudicial and communal killing in both zones would fundamentally make new political and cultural meanings that changed Spain's political landscape forever. The War and Its Shadow explores the origins, nature, and long-term consequences of this exterminatory war in Spain, charting the resonant forms of political, social, and cultural resistance to it and the memory/legacy these have left behind in Europe and beyond. Not least is our growing sense of the enormity of what, in greater European terms, the Republican war effort resisted: Nazi adventurism and the continent-wide wars of ethnic and political 'purification' it would unleash.

The history of twentieth-century Spanish nationalism is a complex one, placing a set of famously distinctive regional identities against a backdrop of religious conflict, separatist tensions, and the autocratic rule of Francisco Franco. And despite the undeniably political character of that story, cultural history can also provide essential insights into the subject. Metaphors of Spain brings together leading historians to examine Spanish nationalism through its diverse and complementary cultural artifacts, from “formal” representations such as the flag to music, bullfighting, and other more diffuse examples. Together they describe not a Spanish national “essence,” but a nationalism that is constantly evolving and accommodates multiple interpretations.

Developing a knowledge of the Spanish-Italian connection between right-wing extremist groups is crucial to any detailed understanding of the history of fascism. Transnational Fascism in the Twentieth Century allows us to consider the global fascist network that built up over the course of the 20th century by exploring one of the significant links that existed within that network. It distinguishes and analyses the relationship between the fascists of Spain and Italy at three interrelated levels - that of the individual, political organisations and the state - whilst examining the world relations and contacts of both fascist factions, from Buenos Aires to Washington and Berlin to Montevideo, in what is a genuinely transnational history of the fascist movement. Incorporating research carried out in archives around the world, this book delivers key insights to further the historical study of right-wing political violence in modern Europe.