An encyclopedic, biographical survey of the genre. The entry for each writer consists of a biography, a complete list of separately published books, and a signal critical essay. In addition, living entrants were invited to comment on their work. Series characters and locales have been indicated. Also included are notations of available bibliographies, manuscript collections, and critical studies. Acidic paper. Annotation copyrighted by Book News, Inc., Portland, OR

Easy to use, competently indexed, and fun to explore, this bibliography is an irresistible antidote for all forms of gothic snobbery. Recommended for gothophiliacs, gothophobiacs, and readers with idle nights and empty weekends.

The most extensive and up-to-date volume of essays on the Gothic mode in twentieth century culture. During the latter half of the twentieth century the Gothic emerged as one of the liveliest and most significant areas of academic inquiry within literary, film, and popular culture studies. This volume covers the key concepts and developments associated with Twentieth-Century Gothic, tracing the development of the mode from the fin de siècle to 9/11. The eighteen chapters reflect the interdisciplinary and ever-evolving nature of the Gothic, which, during the century, migrated from literature and drama to the cinema and television. The volume has both a chronological and thematic focus and particular attention is paid to topics and themes related to race, identity, marginality and technology. Chapters on ecogothic, Gothic Studies as a discipline, Medical Humanities, Queer Studies, African American Studies and Russian Gothic ensure that the collection is up-to-date and wide-ranging. Suggested further readings at the end of each chapter are intended to facilitate further independent research by readers and researchers. Sorcha Ní Fhlainn is Senior Lecturer in Film Studies and American Studies, and a founding member of the Manchester Centre for Gothic Studies, in the Department of English at Manchester Metropolitan University. Her recent books include Clive Barker: Dark Imaginer (2017) and Postmodern Vampires: Film, Fiction, and Popular Culture (2019). Bernice M. Murphy is an Associate Professor and Lecturer in Popular Literature at the School of English, Trinity College, Dublin. She has published extensively on topics related to Gothic and horror fiction and film. Her latest monograph is entitled The California Gothic in Fiction and Film.

A history of the 'thriller' from myth and folk-tale through Walpole and Mrs Radcliffe to Poe and Le Fanu.

"Written with an undergraduate audience in mind, this text offers a synthesis of the main topics of Gothic interest and clearly argued summaries of critical debate. It signals its difference from recent psychoanalytic readings of Gothic and argues instead for a more complex, multilayered approach via an historicist reading of gothic fiction. Illustrated with ten black and white plates and including an up-to-date bibliography, this will be an ideal text for all those with an interest in the Gothic."--BOOK JACKET.

Stephen King is the world's best-selling horror writer. His work is ubiquitous on bookstore, supermarket, and personal library shelves and has been faithfully adapted into some of the most iconic horror films of the twentieth century. This study explores his writing through the lenses of contemporary literary and cultural theory. Through analyses of some of his best-known work, including "Carrie" and "Misery," the authors argue that King offers ways of encountering and understanding some of our deepest fears about life and death, the past and the future, technological change, other people, monsters, ghosts, and the supernatural.This is the first extended critical-theoretical engagement with King's writing, and will be of interest to students, academics, and fans of horror fiction.

"Traces the Gothic impulses in proto-Romantic and Romantic British, American and European culture, 1740-1830"--Quatrième de couverture.