Trailing the success of the movie based on Clowes' graphic novel GhostWorld (1997) comes this collection of shorter stories from his alternativecomic book Eightball. Many of the pieces are tirades, albeit entertainingones, about things Clowes despises (perhaps the comic should have been calledHateball). "On Sports" details his contempt for professional athletics,and "Art School Confidential" is an expose of pretentious, talentless poseurs.This approach is carried to its logical peak in "I Hate You Deeply," a litany ofthe "types" that annoy Clowes, from "fashion plates" to "crybabies, whiners, andsensitive people." Clowes puts his misanthropy in abeyance for slice-of-lifestories in which he ruminates during a stroll around his neighborhood orfantasizes about his fellow passengers on a subway. Worthwhile enough, theseearlier stories merely presage Clowes' far-more-impressive recent work in whichcynicism is presented more subtly, leavened with sympathy, and voiced bywell-developed characters. If these pieces lack the heft of Clowes' longer, moreambitious efforts, the best of them are still masterful miniatures.

Trailing the success of the movie based on Clowes' graphic novel GhostWorld (1997) comes this collection of shorter stories from his alternativecomic book Eightball. Many of the pieces are tirades, albeit entertainingones, about things Clowes despises (perhaps the comic should have been calledHateball). "On Sports" details his contempt for professional athletics,and "Art School Confidential" is an expose of pretentious, talentless poseurs.This approach is carried to its logical peak in "I Hate You Deeply," a litany ofthe "types" that annoy Clowes, from "fashion plates" to "crybabies, whiners, andsensitive people." Clowes puts his misanthropy in abeyance for slice-of-lifestories in which he ruminates during a stroll around his neighborhood orfantasizes about his fellow passengers on a subway. Worthwhile enough, theseearlier stories merely presage Clowes' far-more-impressive recent work in whichcynicism is presented more subtly, leavened with sympathy, and voiced bywell-developed characters. If these pieces lack the heft of Clowes' longer, moreambitious efforts, the best of them are still masterful miniatures.

This is a two-volume, slipcased facsimile edition of the Daniel Clowes comics anthology; it contains the original installments of Ghost World, the short that the film Art School Confidential was based on, and much more.

This collection from the New York Times–bestselling graphic novelist includes his most beloved illustrations and rare, previously unpublished works. Throughout his decades-long career, alternative cartoonist and screenwriter Daniel Clowes has always been ahead of artistic and cultural movements. The creator of acclaimed graphic novels like Ghost World and David Boring, Clowes is widely praised for his emotionally compelling narratives that reimagine the ways that stories can be told in comics. The Art of Daniel Clowes: Modern Cartoonist is the first monograph on this award-winning, New York Times–bestselling creator. It includes all of Clowes’s best-known illustrations, rare and previously unpublished work, as well as interviews and essays by Chip Kidd, Chris Ware, and others.

Hot on the heels of Clowes' phenomenal GHOST WORLD success, soon to be made into a film, CARICATURE is a collection of nine dramatic short stories culled from EIGHTBALL and ESQUIRE magazine. This is his first collection since GHOST WORLD. Clowes has been described as the most respected American cartoonist after R.Crumb'. A film based on GHOST WORLD will be released in 1999, directed by Terry Zwigoff and starring Christina Ricci.'

This career overview of one of comics' greatest creators collects raw, un-retouched original pages from the very beginning of Daniel Clowes's career (1986's Lloyd Llewelyn) to his one-man anthology, Eightball, in which his groundbreaking graphic novel Ghost World was originally serialized. It follows his work into the 21st century, up to his 2016 graphic novel about time travel, Patience, which spent 20+ weeks on the New York Times Best-Seller list. This is a must-have book for students, fans, and collectors.

The author of Ghost World presents an offbeat tour of the sleepy Midwestern town of Ice Haven and its unusual inhabitants, including Random Wilder, the narrator and would-be poet laureate of the town; his arch-rival Ida Wentz; the lovelorn Violet Van der Plazt and Vida Wentz; Mr. and Mrs. Ames, a detective team; and others. Mature.

A completely redesigned issue of Daniel Clowes masterpiece of surrealistic and cinematic low-life drama which collects together all 10 chapters of Eightball's terrifying and fascinating journey into madness. As Clay Loudermilk attempts to unravel the mysteries behind a snuff film, he finds himself involved with an increasingly bizarre cast of characters. Clowes reputation as a graphic novel artist is renowned throughout the comic world, and he is set to reach a wider audience next year with the release of the film Ghost World, directed by Terry Zwigoff.

A central figure in the emergence of the graphic novel, Daniel Clowes has set the standard for literary cartooning. The Daniel Clowes Reader, a landmark critical compilation, introduces new readers to the cartoonist's award-winning comics and provides those familiar with Clowes new ways of appreciating his visual and literary achievement. Parille organises 10 Clowes narratives into three thematic sections and supplies each story with an introduction and annotations that will open up its complexities.

2020 Eisner Award for Best Academic/Scholarly Work Entertaining Comics Group (EC Comics) is perhaps best-known today for lurid horror comics like Tales from the Crypt and for a publication that long outlived the company’s other titles, Mad magazine. But during its heyday in the early 1950s, EC was also an early innovator in another genre of comics: the so-called “preachies,” socially conscious stories that boldly challenged the conservatism and conformity of Eisenhower-era America. EC Comics examines a selection of these works—sensationally-titled comics such as “Hate!,” “The Guilty!,” and “Judgment Day!”—and explores how they grappled with the civil rights struggle, antisemitism, and other forms of prejudice in America. Putting these socially aware stories into conversation with EC’s better-known horror stories, Qiana Whitted discovers surprising similarities between their narrative, aesthetic, and marketing strategies. She also recounts the controversy that these stories inspired and the central role they played in congressional hearings about offensive content in comics. The first serious critical study of EC’s social issues comics, this book will give readers a greater appreciation of their legacy. They not only served to inspire future comics creators, but also introduced a generation of young readers to provocative ideas and progressive ideals that pointed the way to a better America.