Chenille Rizzo loves God. It's people she has a problem with sometimes, especially after the death of her beloved husband. People such as her star account--a demanding bride long on money and short on tact--make Chenille feel more blue than she'd like to admit. The groom, a homegrown pediatrician, is just the opposite. He has wise eyes, a love for babies, and a comforting voice--a tenor, like Chenille's late husband. And he's just as quiet. Maddeningly so. Does he really love the spoiled diva Chenille is trimming a wedding dress for? Or does his gaze hold the longing she both hopes for . . . and fears? Will she risk losing her business for a chance at happiness with the gentle doctor? Fans of the Shades of Style series will love this satisfying conclusion.

Turquoise and silver is an icon of the American Southwest. For generations, people have ogled these gemstones in pawn shops, jewelry shops and antiques stores, looking for a special piece of Native American jewelry that speaks to their heart. Southwest jewelry is now valued and collected around the world. Photographs of collectible pieces reveal what the attraction is about. Whether in shades of pale aqua or deeper aquamarine, blue or jade green, Mary Emmerling reveals that the collector's hunt is about color. And beyond jewelry, the color turquoise appears throughout the Southwest in architecture and decoration. After all, it's the color of calm.

All that glitters isn’t gold. All that shimmers isn’t innocent. In her sophomore year at Ocean View College, an institution for training those with magical abilities, Shade is assigned to the Ghost Whisperers House. Likewise, her friends are assigned to houses dedicated to their unique types of magical ability. No longer freshmen, they get to see more of the inner workings of Ocean View: the good, the bad and the ugly. Shade faces several major challenges this year. She supports her selkie friend Apple as she undergoes a difficult surgery. She helps solve the mystery of local children who have gone missing, some returning to their parents in disturbing condition. Learning that the pure-blood faeries wield way too much power in a system that holds others back, Shade also begins fighting to change the status quo. This becomes a pivotal year in Shade’s life as she grows into her destiny as a ghost whisperer. SHADE AND THE PURE-BLOOD FAERIES is Book #4 in a YA Paranormal Mystery / YA Urban Fantasy series.

What big teeth you have…a fairytale retelling of Little Red Riding Hood with a little bit of magick, a whole lot of wolf, and a howling good mystery! I’m the witchy version of Little Red Riding Hood, and I have the red cloak to prove it. My garment has healing powers, but neither it nor my personal magick can treat the injured wolf I find on my doorstep. He’s the stuff of legends—a shifter who also happens to be the new town veterinarian I’ve been anxious to meet. His past, however, is as clouded as his memory. As I teach him about his true nature and uncover his deepest secrets, a murder rocks our sleepy town. All evidence points to a forest creature with sharp claws and big teeth. The full moon is rising, and it looks like it’s up to me to prevent further harm. Can I uncover the culprit behind the killing? Or will I end up a snack for a hungry wolf? Read this magickal tale today!

Touchstone, together with Viewpoint, is a six-level English program, based on research from the Cambridge English Corpus. Touchstone uses a corpus-informed syllabus ensuring students are learning the language that people really use. Activities include a strong focus on inductive learning, personalized practice, and encouraging learner autonomy. Each Student's Book contains approximately 90 hours of material across 12 topic-based units - with additional grammar and pronunciation practice added for the Second Edition. Student's Book, Level 4 is at the intermediate CEFR level (B1-B2).

Touchstone, together with Viewpoint, is a six-level English program, based on research from the Cambridge English Corpus. Touchstone uses a corpus-informed syllabus ensuring students are learning the language that people really use. Activities include a strong focus on inductive learning, personalized practice, and encouraging learner autonomy. Student's Book, Level 4A includes Units 1-6 of the Level 4 Student's Book and is at the intermediate CEFR level (B1-B2).

The hilarious, colorful #1 New York Times bestselling phenomenon that every kid wants! Gift a copy to someone you love today. Poor Duncan just wants to color. But when he opens his box of crayons, he finds only letters, all saying the same thing: His crayons have had enough! They quit! Blue crayon needs a break from coloring all those bodies of water. Black crayon wants to be used for more than just outlining. And Orange and Yellow are no longer speaking—each believes he is the true color of the sun. What can Duncan possibly do to appease all of the crayons and get them back to doing what they do best? With giggle-inducing text from Drew Daywalt and bold and bright illustrations from Oliver Jeffers, The Day the Crayons Quit is the perfect gift for new parents, baby showers, back-to-school, or any time of year! Perfect for fans of Don't Let the Pigeon Drive the Bus by Mo Willems and The True Story of the Three Little Pigs by Jon Sciezka and Lane Smith. Praise for The Day the Crayons Quit: Amazon’s 2013 Best Picture Book of the Year A Barnes & Noble Best Book of 2013 Goodreads’ 2013 Best Picture Book of the Year Winner of the E.B. White Read-Aloud Award * “Hilarious . . . Move over, Click, Clack, Moo; we’ve got a new contender for the most successful picture-book strike.” –BCCB, starred review “Jeffers . . . elevates crayon drawing to remarkable heights.” –Booklist “Fresh and funny.” –The Wall Street Journal "This book will have children asking to have it read again and again.” –Library Media Connection * “This colorful title should make for an uproarious storytime.” –School Library Journal, starred review * “These memorable personalities will leave readers glancing apprehensively at their own crayon boxes.” –Publishers Weekly, starred review “Utterly original.” –San Francisco Chronicle