Traces the history of North Carolina pottery from the nineteenth century to the present day, demonstrating the intriguing historic and aesthetic relationships that link pots produced in North Carolina to pottery traditions in Europe and Asia, in New England, and in the neighboring state of South Carolina.

First published in 1993, this was the first authoritative study of South Carolina stoneware and its history, including he methods used to throw, glaze, decorate, and fire the vessels. Illustrated with nearly two hundred photographs (including fifteen color plates), maps, and drawings, plus an index of potters.

This richly illustrated portrait of North Carolina's pottery traditions tells the story of the generations of 'tuners and burners' whose creation are much admired for their strength and beauty. The first comprehensive ceramic history for the state, this book examines the largely vanished world of folk potters and the continuing achievements of their descendants.

DANIEL JOHNSTON, raised on a farm in Randolph County, returned from Thailand with a new way to make monumental pots. Back home in North Carolina, he built a log shop and a whale of a kiln for wood-firing. Then he set out to create beautiful pots, grand in scale, graceful in form, and burned bright in a blend of ash and salt. With mastery achieved and apprentices to teach, Daniel Johnston turned his brain to massive installations. First, he made a hundred large jars and lined them along the rough road that runs past his shop and kiln. Next, he arranged curving clusters of big pots inside pine frames, slatted like corn cribs, to separate them from the slick interiors of four fine galleries in succession. Then, in concluding the second phase of his professional career, Daniel Johnston built an open-air installation on the grounds around the North Carolina Museum of Art, where 178 handmade, wood-fired columns march across a slope in a straight line, 350 feet in length, that dips and lifts with the heave while the tops of the pots maintain a level horizon. In 2000, when he was still Mark Hewitt's apprentice, Daniel Johnston met Henry Glassie, who has done fieldwork on ceramic traditions in the United States, Brazil, Italy, Turkey, Bangladesh, China, and Japan. Over the years, during a steady stream of intimate interviews, Glassie gathered the understanding that enabled him to compose this portrait of Daniel Johnston, a young artist who makes great pots in the eastern Piedmont of North Carolina.

A grand epic saga by Robert McKenzie, The Chair series spans centuries, touching the lives of 22 generations of related mothers and daughters, their stories witnessed by a simple pine chair. Resolute, strong, loving, and fiercely protective, these women must strive to pass their values to new generations in a world of racism and sexism, politics, scandal, fashion—even the rise and dominance of baseball. They live in privilege and poverty, with faith and despair, relishing every moment of love even as they suffer abiding grief. In Volume III: Seven, Eight, & Nine, the chair flashes back to pre-Civil War America, featuring a woman from the second Mayflower, her daughter the black-market Irish lace importer, and a Canadian World War I fighter pilot. A blend of history and philosophy told through satire and parody, the story of The Chair could be found in some old trunk in any dusty old attic, but McKenzie breathes it alive with riveting tales that span the real and the imagined.

In the wake of Hurricane Katrina, Al Gore's summer blockbuster An Inconvenient Truth, and crude oil prices soaring to all-time highs, more people than ever know the truth about our oil addiction. Global warming is here. M. King Hubbert's oil peak is fast approaching (or may already have arrived). The secret's out: fossil fuel reserves are dwindling and popular interest has created the need for accessible, realistic solutions. The Citizen-Powered Energy Handbook, a clear-eyed view of the critical situation we face, offers ways out. Greg Pahl examines energy technologies currently available and homes in on renewable energy strategies that can be adopted by individuals and communities. Such cooperative initiatives have been common in Europe for years and are beginning to gain a foothold in the US. Each chapter focuses on a different renewable energy category--solar, wind, water, biomass, liquid biofuels, and geothermal--then reviews their advantages and disadvantages and desccribes numerous examples of successful, proven local initiatives. The Citizen-Powered Energy Handbook is an eloquent appeal for community and regional action to initiate an array of solutions to energy needs until now controlled by large, distant utilities and consortiums. It is time to take back control of the energy and environmental challenges ahead; this book will help people do just that. It is a handbook for anyone ready to take the first steps towards a more sustainable future.