Published to accompany the exhibition held at the Art Gallery of Ontario, Toronto, 12 June - 12 September 2004, the Galeries nationales du Grand Palais, Paris, 12 October 2004 - 17 January 2005, and Tate Britain, London, 10 February - 15 May 2005.

Focusing on the painting of the artists JMW Turner, Turner Monet Twombly, and Cy Twombly (1928-2011), this title highlights interests and themes they share, despite the differences in time and geography that separated them that include Romanticism, the sublime, memory and mourning.

Join Turner (1775-1851) as he progresses through the city, beginning at St. Mark's Basilica with the campanile towering above and the coral-colored exterior of the Doge's Palace. Drift onward toward the Bridge of Sighs and take a detour past the Hotel Europa, where Turner preferred to stay. Travel onward past the Giardini Reali, the Punta della Dogana and Santa Maria della Salute on your way to San Giorgio Maggiore and the Accademia. Drift away from the bustling markets around the Rialto on the Grand Canal heading toward the Frari and the Scuola Grande di San Rocco, taking in the inspirations for Venetian masters such as Tintoretto and Veronese.

Extraordinarily inventive and enduringly influential, J. M. W. Turner (1775–1851) produced his most important and famous pictures after the age of sixty, in the last fifteen years of his life. Demonstrating ongoing radicalism of technique and ever-original subject matter, these works show Turner constantly challenging his contemporaries while remaining keenly aware of the market for his art. Bringing together over sixty key oil paintings and watercolors, this major international loan exhibition is the first to focus on the unfettered creativity of Turner's final years.

As well as his fellow Impressionists -- in particular Renoir, Pissarro, Sisley, Degas and Cezanne --

The Great Artists introduces readers to 100 of the world's most important artists, from the 13th century to the present, concentrating on their lives, works, ideas, influences, artistic development, contributions, creative output and where they fit in history. Concise and readable, The Great Artists is an interesting, informative and authoritative history of 700 years of fine art for the general reader. Writing with verve and passion, Susie Hodge presents, in chronological order, elegant and often affectionate biographical profiles of 100 of the greatest artists in the history of art. The biographies not only describe the life, development and creations of each artist, but also set these visual composers and their compositions within a broader historical and cultural context. Furthermore, shortlists of 'must-see' masterpieces for each artist give the reader all the information they need to appreciate and understand great art. From the great artists of the high renaissance art to the Dutch maters, and from the rococo and neoclassical movements of the 18th century to romanticism, modernism and contemporary art, the lives of the great artists are as varied and multifaceted as the works of creative genius they produced. A selection of featured artists includes: Mantegna, El Greco, Pissarro, Turner, Seurat, Bellini, Caravaggio, Leighton, Constable, Mucha, Botticelli, Rubens, Manet, Ingres, Klimt, Bosch, Gentileschi, Degas, Géricault, Munch, da Vinci, Poussin, Whistler, Corot, Kandinsky, Grünewald, Velazquez, Homer, Hiroshige, Matisse, Dürer, Rembrandt, Cézanne, Delacroix, Mondrian, Michelangelo, Steenwyck, Monet, Millet, Malevich, Raphael, de Hooch, Rodin, Courbet, Klee, Titian, Vermeer, Renoir, Bouguereau, Marc, Holbein, Canaletto, Gauguin, Rossetti, Picasso, Bronzino, Hogarth, van Gogh, Millais, Hopper.

David Milne (1882-1953) has long been recognized as one of Canada's most innovative painters. Although major exhibitions have been devoted to his paintings and prints, his brilliant watercolours, arguably his most beautiful and important works, have never before been revealed in depth. This lavishly illustrated book, which features essays and an annotated chronology by six Milne experts who consider the artist from international and Canadian perspectives, will accompany the first major exhibition of his work in any medium to travel outside Canada. Contributors to the book include: John O'Brian, Dennis Reid, David P. Silcox, Rosemarie LeSueur Tovell and Carol Troyen. This book was published in partnership with the Art Gallery of Ontario.

Planning a brief stay in Venice to create twelve commissioned etchings, Whistler became enchanted with the beauty of the city in 1879 and remained there for more than a year. He worked in all areas of the city, producing about fifty etchings, a few oils, and, most remarkably, one hundred pastels. This beautifully illustrated book is the first to follow Whistler's progress through Venice as he made his powerful and evocative portraits of the city. Alongside each of Whistler's etchings, pastels, and oils are photographs of the actual sites where he made them. Alastair Grieve's detailed comparisons of Whistler's works and their corresponding sites reveal much about the artist's methods and techniques, about the changing fabric of the city, and about Whistler's genius as a topographical artist. Grieve also compares Whistler's approach with that of other artists and photographers working in Venice at the same time. Whistler arrived in Venice bankrupt in the wake of a sensational libel trial against John Ruskin in London. Venice proved both restorative and transforming for Whistler -- it released a flood of creativity that enabled him to reestablish his finances, his reputation, and to a degree his personal life. His representations of well-known landmarks, including the church of Santa Maria della Salute and the Rialto Bridge, as well as many minor courts, alleys, and back canals, established a new and original iconography of the city. Upon his return to London, Whistler exhibited his Venice works and gradually reassumed a leading place in the Victorian art avant-garde.

From rolling meadows to moody skies, how does the beauty, complexity, and dimensions of the world translate to artistic expression? Explore the evolution and importance of the landscape genre from the late Middle Ages to modern times in this selection of some of the most important landscapes in history from practitioners as diverse as Titian, ..