A telephone caller to a radio show in October of 1969 told the disc jockey that Paul McCartney was dead and that playing a Beatles album backwards would provide substantial clues. The "cluesters" kept the "Paul-is-dead" rumor alive even after Life magazine followed Paul and his family and used the pictures for a cover story in November.

Free to Vote Able to Vote Ready to Vote Anthony English, born in Canada, became a naturalized citizen of the United States of America on November 22nd, 1963, having been sworn in at the Los Angeles County Courthouse at almost the precise time that President John F. Kennedy was assassinated. This terrible and cataclysmic event was to influence forever his interest in his new country and his passion as a new citizen. This pivotal event drove his interest in his new country resulting in his consistently voting in every election since being sworn in as a citizen. While he voted, he was astonished that so few of the qualified voters bothered to go to the polls, and so many incompetents have been elected. As a result he has published this book in an effort to encourage everyone to exercise their earned privilege and their right as a US citizen to cast a ballot for our governing officials. You can make a difference is his theme.

An incessantly ringing cell phone in a quiet caf. A stranger at the next table who has had enough. And a dead man - with a lot of loose ends. So begins Dead Man's Cell Phone, a wildly imaginative new comedy by playwright Sarah Ruhl, recipient of a MacArthur ''Genius'' Grant and Pulitzer Prize finalist for her play The Clean House. A work about how we memorialize the dead - and how that remembering changes us - it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world. Sarah Ruhl's plays have been produced at theaters around the country, including Lincoln Center Theater, the Goodman Theatre, Arena Stage, South Coast Repertory, Yale Repertory Theatre, Berkeley Repertory Theatre, among others, and internationally. She is the recipient of the Susan Smith Blackburn Prize (for The Clean House, 2004), the Helen Merrill Emerging Playwrights Award, and the Whiting Writers' Award. The Clean House was a Pulitzer Prize finalist in 2005. She is a member of 13P and New Dramatists.

#1 NATIONAL BESTSELLER • A profoundly moving spiritual journey through our system of capital punishment and an unprecedented look at the human consequences of the death penalty • "Stunning moral clarity.” —The Washington Post Book World • Basis for the award-winning major motion picture starring Susan Sarandon and Sean Penn "Sister Prejean is an excellent writer, direct and honest and unsentimental. . . . She almost palpably extends a hand to her readers.” —The New York Times Book Review In 1982, Sister Helen Prejean became the spiritual advisor to Patrick Sonnier, the convicted killer of two teenagers who was sentenced to die in the electric chair of Louisiana’s Angola State Prison. In the months before Sonnier’s death, the Roman Catholic nun came to know a man who was as terrified as he had once been terrifying. She also came to know the families of the victims and the men whose job it was to execute—men who often harbored doubts about the rightness of what they were doing. Out of that dreadful intimacy comes a profoundly moving spiritual journey through our system of capital punishment. Here Sister Helen confronts both the plight of the condemned and the rage of the bereaved, the fears of a society shattered by violence and the Christian imperative of love. On its original publication in 1993, Dead Man Walking emerged as an unprecedented look at the human consequences of the death penalty. Now, some two decades later, this story—which has inspired a film, a stage play, an opera and a musical album—is more gut-wrenching than ever, stirring deep and life-changing reflection in all who encounter it.

William Shepherd ("Billy Shears") took over The Beatles and the McCartney estate on 16 September 1966, going from "Billy Pepper" of Billy Pepper and the Pepper Pots, to The Beatles' new "Sgt. Pepper" of Sgt. Pepper's Lonely Hearts Club Band. Taking creative control of the band from John made William "the new boss," saving the band, but tormenting all involved. The Memoirs is the source of the "Paul is Dead" material reprinted in Billy's Back! and of the insights in Beatles Enlightenment, but also includes the darker aspects: Paulism, Satanism, and Biblical humor--calling The Beatles the four-headed 666 Beast. The Memoirs is the first fully encoded full-length book. As part of that encoding, it contains the world's largest acrostic, and is the world's premier of word-stacking. By reading The Memoirs, you will learn the secret meanings of their songs, and will recognize Paul and William's distinct physical differences, personality differences, and vast differences in musical skills.

A guide to the hoax that Paul McCartney was killed in an automobile accident in 1966 and replaced by a look-a-like.

The third novel starring Montana's fly fisherman-cum-detective Sean Stranahan, for fans of C. J. Box and Craig Johnson Wolves howl as a riderless horse returns at sunset to the Culpepper Dude Ranch in the Madison Valley. The missing woman, Nanika Martinelli, is better known as the Fly Fishing Venus, a red-haired river guide who lures clients the way dry flies draw trout. As Sheriff Martha Ettinger follows hoof tracks in the snow, she finds one of the men who has fallen under the temptress’s spell impaled on the antler tine of a giant bull elk, a kill that’s been claimed by a wolf pack. An accident? If not, is the killer human or animal? With painter, fly fisherman, and sometimes private detective Sean Stranahan’s help, Ettinger will follow clues that point to an animal rights group called the Clan of the Three-Clawed Wolf and to their svengali master, whose eyes blaze with pagan fire. In their most dangerous adventure yet, Stranahan and Ettinger find themselves in the crossfire of wolf lovers, wolf haters, and a sister bent on revenge, and on the trail of an alpha male gone terribly wrong.

It’s All Just a Show...Right? “This is an authentic old west ghost town, son. Around these parts the dead don’t stay dead.” Nick Caden’s vacation at Deadwood Canyon Ghost Town takes a deadly turn toward trouble when the fifteen-year-old finds himself trapped in a livery stable with the infamous outlaw Jesse James. The shooter whirls, aims and... vanishes. Great theatrics, Nick thinks, except now he’s alone in the hayloft with the bullet-riddled body of Billy the Kid. And by the time the sheriff arrives, the body disappears. Soon Nick is caught in a deadly chase—from an abandoned gold mine, through forbidden buffalo hunting grounds, and across Rattlesnake Gulch. Around every turn he finds another suspect. Will Nick solve the murder? Will his parents have him committed? Or will the town's infatuation with Hollywood theatrics conceal the real truth about souls, spirits and the destiny that awaits those who die.

When the necrons rise, a mining planet descends into a cauldron of war and the remorseless foes decimate the human defenders. Salvation comes in an unlikely form – the Death Korps of Kreig, a force as unfeeling as the Necrons themselves. When the two powers go to war, casualties are high and the magnitude of the destruction is unimaginable.