Turkish Metal journeys deep into the heart of the Turkish heavy metal scene, uncovering the emergence, evolution, and especially the social implications of this controversial musical genre in a Muslim society. The book applies an ethnographic approach in order to study social and cultural change in a Muslim society that is stricken with conflict over the, by turns, religious or secular nature of the state. Turkish Metal explores how Turkish metalheads, against all odds, manage to successfully claim public spaces of their own, thereby transforming the public face of the city. The book raises the question of how and why the young dare to rebel against the prevalent social and moral restrictions in Turkish society; and it examines whether they succeed in asserting their individual freedom in a society that is still well-known for sanctioning any kind of behaviour deviating from the norm. Above all, the book investigates the Turkish metal scene's potential for contesting Islamic concepts of morality, its relevance within the field of female emancipation, and its capacity to foster social relations that cut across national, religious and ethnic boundaries.

Turkish Metal journeys deep into the heart of the Turkish heavy metal scene, uncovering the emergence, evolution, and especially the social implications of this controversial musical genre in a Muslim society. The book applies an ethnographic approach in order to study social and cultural change in a Muslim society that is stricken with conflict over the, by turns, religious or secular nature of the state. Turkish Metal explores how Turkish metalheads, against all odds, manage to successfully claim public spaces of their own, thereby transforming the public face of the city. The book raises the question of how and why the young dare to rebel against the prevalent social and moral restrictions in Turkish society; and it examines whether they succeed in asserting their individual freedom in a society that is still well-known for sanctioning any kind of behaviour deviating from the norm. Above all, the book investigates the Turkish metal scene's potential for contesting Islamic concepts of morality, its relevance within the field of female emancipation, and its capacity to foster social relations that cut across national, religious and ethnic boundaries.

This book offers a range of trajectories of academic thought and musical practice in Turkey. It adopts a multidisciplinary approach, with chapters exploring the question posed by its title from the perspectives of ethnomusicology, historical musicology, neurology, psychology, social science, gender studies, acoustics, and linguistics. Some studies are experimental and scientific in nature, ranging from a friends focus on tonality, using EEG to investigate differences in the cognitive responses of musicians and non-musicians listening to tonal and atonal chords, to an examination of brain activation in response to reverberation time differences resulting from room acoustics. Another essay assesses the psychometric properties and effectiveness of the new Turkish version of the Music Performance Anxiety Inventory for Adolescents (MPAI-A), designed to survey performance anxiety and determine its severity in adolescent musicians. On a completely different tack, two studies investigate Turkey’s heavy metal scene. The first explores the social forces propelling the “moral panic” over Satanism and heavy metal, generated by the national press in response to a gory murder in the 1990s. Through field interviews, this study examines the impact of this on the public perception and stereotypes of metal fans, and its effects on the fans themselves. The second contribution examines gender codes within the global extreme metal scene, looking specifically at the barriers faced – and overcome – by female Turkish extreme metal musicians. Setting Turkish music practices today in their historical context, a further contribution offers a critical appraisal of the mission to “contemporize” music, expounded (though ineffectually carried out) by the founding ideologies of Early Republican Turkey. A similar chapter discusses how even Anatolian folk music, when examined more closely, caused consternation, looking at the change in the Turkish state’s attitude towards the multicultural structure of Anatolia during the last decade. The final article in this volume focuses on how Turkish musicians use the term “sound” – the English word, as borrowed in Turkish – to discuss elements of music. Beyond the physical meaning of the word, the essay explores the ways the word is used by musicians to describe the timbre of instruments, the production quality of recordings, the application of music technology, the aural aesthetics of an album, and the distinctive and unique elements of an artist's performance.

Turkey’s new presidential regime, promoted and shaped by the Justice and Development Party (AKP), has become a global template for rising authoritarianism. Its violence intensifi es the exigency for critical analysis. By focusing on neoliberal authoritarian, hegemonic and Islamist aspects, this book sheds light on long- term dynamics that resulted in the regime transformation. It presents a comprehensive study at a time when rising authoritarianism challenges liberal democracies on a global scale. Reaching from critical political economy and state theory to media, gender and cultural studies, this volume covers a range of studies that transcend disciplinary boundaries. These essays challenge the narrative of an "authoritarian turn" that splits the AKP era into democratic and authoritarian periods. Hence, recent transformation is analyzed in a broad historical framework which is sensitive to both continuities and shifts. Studies that explore moments of resistance and relate the political development in Turkey to rising authoritarianism and the crisis- driven trajectory of neoliberalism on a global scale are included in this effort. Since the advancement of neoliberal policies in conjunction with the religious project that is pushed forward by the AKP suggests that the ongoing transformation may well advance into a more totalitarian regime, this book strives to inform struggles that are trying to resist and reverse this development. By reviewing the dynamics and impacts of recent authoritarian developments, it calls on critical scholars to further seek out potentials and dynamics of opposition in the current authoritarian era.

From "green" pop and "clean" cinema to halal songs, Islamic soaps, Muslim rap, Islamist fantasy serials, and Suficized music, the performing arts have become popular and potent avenues for Islamic piety movements, politically engaged Islamists, Islamic states, and moderate believers to propagate their religio-ethical beliefs. Muslim Rap, Halal Soaps, and Revolutionary Theater is the first book that explores this vital intersection between artistic production and Islamic discourse in the Muslim world. The contributors to this volume investigate the historical and structural conditions that impede or facilitate the emergence of a "post-Islamist" cultural sphere. They discuss the development of religious sensibilities among audiences, which increasingly include the well-to-do and the educated young, as well as the emergence of a local and global religious market. At the heart of these essays is an examination of the intersection between cultural politics, performing art, and religion, addressing such questions as where, how, and why pop culture and performing arts have been turned into a religious mission, and whether it is possible to develop a new Islamic aesthetic that is balanced with religious sensibilities. As we read about young Muslims and their quest for a "cool Islam" in music, their struggle to quell their stigmatized status, or the collision of morals and the marketplace in the arts, a vivid, varied new perspective on Muslim culture emerges.

This book presents intricate, backstage negotiations of interests and compromises between diplomats and lobbyists through the corridors of power, which drove Turkey both closer to and farther apart from the EU.

Many middle-income countries (MICs) that saw rapid growth in the 1990s and 2000s have been facing the danger of remaining in the 'middle-income trap' unless they shift from labour-intensive, low value-added production to higher value-added activities that require more advanced skills. Intermediate skills and vocational education and training (VET) systems that generate these skills are critical for addressing the challenges for MICs in achieving high-road development. This book examines the skill systems in Mexico and Turkey, with a focus on auto parts producers, and the implications of these systems for these countries' development. It adopts a multi-layered understanding of the term 'skill system', which comprises firm-level hiring and training practices as well as the national and global dynamics that influence these practices. Drawing on discussions around globalization and the convergence of economic activity vs. national institutions and divergence, as well as interviews with auto parts producers and stakeholders of the skill systems, the book examines how the participation of local firms in global supply chains and these firms' institutional environment affect the firm-level skilling practices. It highlights key differences in the role of the state in the skills systems of Mexico and Turkey and investigates the implications of skilling practices for the high/low-road development prospects of both nations.

For decades the partnership between North America and Europe has been a steady anchor in a world of rapid change. Today, however, the transatlantic partnership itself has become unsettled and uncertain. Nowhere is this clearer than in the economic sphere. Nonetheless, the European Union and the United States remain each other’s largest and most profitable markets. And as Europe changes, extended value chains across non-EU Europe have become important to the bottom line of many companies from the United States, Europe, and other parts of the world. Given both the danger of fragmentation and opportunities that exist for deeper economic interaction, it is time to consider new initiatives that include, but go beyond the U.S.-EU partnership to embrace allies and partners across the entire North Atlantic space. The concept of the North Atlantic Marketplace would include non-EU European countries in a broad North Atlantic commercial architecture. Turkey’s evolving commercial ties to the EU and the United States are central to such considerations. In this book, leading experts develop possible ways forward to anchor Turkey in the West by further deepening economic ties between Turkey and its transatlantic partners in the North Atlantic Marketplace.

He tells of architecture, calligraphy, woodworking, and earthenware, but lays particular emphasis on the brilliant, underglaze-painted ceramics of Kutahya and the rich, piled carpets for which Turkey has been famed for centuries. While searching for the traits that define art and the stylistic complexities that characterize Turkish creativity, Glassie focuses on the artists and their theories and practices as well as the works they produce.