"The story of Turin's transformation is well told. . . . Pollak's account of the financial machinations of the Dukes in their efforts to acquire properties, and to pay for fortifications by taxing betterment on enclosed land, is one of the best parts of the book."—Simon Pepper, Times Literary Supplement

A deadly continental struggle, the Thirty Years War devastated seventeenth-century Europe, killing nearly a quarter of all Germans and laying waste to towns and countryside alike. In a major reassessment, Wilson argues that religion was not the catalyst, but one element in a lethal stew of political, social, and dynastic forces that fed the conflict--a conflict that ultimately transformed the map of the modern world.

An examination of Inigo Jones's work within the context of the European early seventeenth century classicist movement. Includes a broad survey of contemporary architecture in Italy, Germany, France and the Netherlands, as well as a close examination of Jones's buildings.

Winner of the 2022 Roland H. Bainton Book Prize from the Sixteenth Century Society & Conference In 1578, a fourteen-foot linen sheet bearing the faint bloodstained imprint of a human corpse was presented to tens of thousands of worshippers in Turin, Italy, as one of the original shrouds used to prepare Jesus Christ’s body for entombment. From that year into the next century, the Shroud of Turin emerged as Christianity’s preeminent religious artifact. In an unprecedented new look, Andrew R. Casper sheds new light on one of the world’s most famous and controversial religious objects. Since the early twentieth century, scores of scientists and forensic investigators have attributed the Shroud’s mysterious images to painterly, natural, or even supernatural forces. Casper, however, shows that this modern opposition of artifice and authenticity does not align with the cloth’s historical conception as an object of religious devotion. Examining the period of the Shroud’s most enthusiastic following, from the late 1500s through the 1600s, he reveals how it came to be considered an artful relic—a divine painting attributed to God’s artistry that contains traces of Christ’s body. Through probing analyses of materials created to perpetuate the Shroud’s cult following—including devotional, historical, and theological treatises as well as printed and painted reproductions—Casper uncovers historicized connections to late Renaissance and Baroque artistic cultures that frame an understanding of the Shroud’s bloodied corporeal impressions as an alloy of material authenticity and divine artifice. This groundbreaking book introduces rich, new material about the Shroud’s emergence as a sacred artifact. It will appeal to art historians specializing in religious and material studies, historians of religion, and to general readers interested in the Shroud of Turin.

This collection of interdisciplinary essays introduce the history and culture of the lands ruled by the sovereign house of Savoy during the late medieval and early modern periods, territories now part of France, Italy, and Switzerland. Because the Sabaudian realms were geographically, linguistically, and culturally diverse and did not evolve into a single modern nation-state, their early history has been overlooked by historians whose perspectives were often informed by a narrow, national framework. An international team of scholars offers new research that de-provincializes many of the existing rich scholarly assessments of the historical significance of these lands, which were important for rulers and subjects throughout early modern Europe. The volume explores the concept of “Sabaudian studies” and identifies historiographic developments and current trends in the field. Beginning with the geography and the history of the area, the essays examine Sabaudian political culture (diplomatic practice, judicial institutions, and political thought), dynastic representation (court festivals and celebrations, and the projection of dynastic prestige abroad, with attention to the sacred heritage of the house), and territorial domination (its fiscal, religious, feudal, and composite dimensions). Contributors include Eva Pibiri, Laurent Perrillat, Rebecca Boone, Alessandro Celi, Thalia Brero, Stéphane Gal and Preston Perluss, Michel Merle, Toby Osborne, Kristine Kolrud, Guido Alfani, Marco Battistoni, Matthew Vester, and Blythe Alice Raviola.

European Military Rivalry, 1500–1750: Fierce Pageant examines more than 200 years of international rivalry across Western, Central, and Eastern Europe and the Mediterranean rim. The book charts the increasing scale, expenditure and duration of early modern wars; the impact of modern fortification on strategy and the movement of armies; the incidence of guerrilla war and localized conflict typical of the French wars of religion; the recourse by warlords to private financing of troops and supplies; and the creation of disciplined standing armies and navies in the age of Absolutism, made possible by larger bureaucracies. In addition to discussing key events and personalities of military rivalry during this period, the book describes the operational mechanics of early modern warfare and the crucial role of taxation and state borrowing. The relationship between the Christian West and the Ottoman Empire is also extensively analysed. Drawing heavily upon international scholarship over the past half-century, European Military Rivalry, 1500–1750: Fierce Pageant will be of great use to undergraduate students studying military history and early modern Europe.

A fascinating study of how British travellers experienced, described and represented the cities they visited on the Grand Tour.

First published in 2002. This work of military history integrates the Italian dimension into the wider political and military history of early modern Europe.

The early modern period saw gunpowder weapons reach maturity and become a central feature of European warfare, on land and at sea. This exciting collection of essays brings together a distinguished and varied selection of modern scholarship on the transformation of war”often described as a ’military revolution’”during the period between 1450 and 1660.

Martha Pollak offers a pan-European, richly illustrated study of early modern military urbanism, an international style of urban design.