Edward Estlin Cummings (1894–1962), a native of Cambridge, Massachusetts, and a Harvard University graduate, is best known for his rejection of traditional poetic forms. As e. e. cummings, he conducted radical experiments with spelling, syntax, and punctuation that inspired a revolution in twentieth-century literary expression and excited the admiration and affection of poetry lovers of all ages. With his 1923 debut, Tulips & Chimneys, the 25-year-old poet rattled the conservative literary scene, directing his avant-garde approach to the traditional subjects of love, life, time, and beauty. His playful treatment of punctuation and language adds enduring zest to such popular and oft-anthologized poems as "All in green went my love riding," "in Just-," "Tumbling-hair," "O sweet spontaneous," "Buffalo Bill's," and "the Cambridge ladies who live in furnished souls." This edition presents complete and textually accurate editions of Cummings's work, in keeping with the original manuscripts and the poet's intentions.

Intransigent and honest, e.e. cummings’ first collection of poetry, Tulips and Chimneys, is an early example of his masterful linguistic skill and artistic use of free verse. Over 80 poems are included in this prolific poetry collection, and many highlight early evidence of cummings’ famous experiments with form and grammar. The modernist poet enjoyed writing in avante-garde styles and would regularly disregard syntax rules or utilise his love of painting to improve his poetry’s typographical presentation. Originally published in 1923, this early work reflects many of the themes that cummings’ became known for exploring. His experiments in eroticism and exploration of nature’s beauty accompany his sensitive analysis of fleeting life and mortality. This volume features titles such as: - ‘Puella Mea’ - ‘All in green went my love riding’ - ‘Thy fingers make early flowers of’ - ‘Buffalo Bill’s’ Tulips and Chimneys has been republished in a beautiful new edition by the specialist poetry imprint, Ragged Hand. The volume is candid, beautiful, and an essential bookshelf addition for all lovers of poetry and e.e. cummings collectors.

Popular and oft-anthologized selections include "All in green went my love riding," "in Just-," "Tumbling-hair," "O sweet spontaneous," "Buffalo Bill's," and "the Cambridge ladies who live in furnished souls."

Other People’s Comfort Keeps Me Up at Night—the book that launched the career of one of our most important young American poets—is back in print. The debut collection from award-winning poet Morgan Parker demonstrates why she’s become one of the most beloved writers working today. Her command of language is on full display. Parker bobs and weaves between humor and pathos, grief and anxiety, Gwendolyn Brooks and Jay-Z, the New York School and reality television. She collapses any foolish distinctions between the personal and the political, the “high” and the “low.” Other People’s Comfort Keeps Me Up at Night not only introduced an essential new voice to the world, it contains everything readers have come to love about Morgan Parker’s work.

e.e. cummings is without question one of the major poets of this century, and this volume, first published in 1959, is indispensable for every lover of modern lyrical verse. It contains one hundred of cummings’s wittiest and most profound poems, harvested from thirty-five of the most radically creative years in contemporary American poetry. These poems exhibit all the extraordinary lyricism, playfulness, technical ingenuity, and compassion for which cummings is famous. They demonstrate beautifully his extrapolations from traditional poetic structures and his departures from them, as well as the unique synthesis of lavish imagery and acute artistic precision that has won him the adulation and respect of critics and poetry lovers everywhere.

Fresh and candid, by turns earthy, tender, defiant, and romantic, Cummings's poems celebrate the uniqueness of each individual, the need to protest the dehumanizing force of organizations, and the exuberant power of love.

Reissued in an edition newly offset from the authoritative Complete Poems 1904-1962, edited by George James Firmage. E. E. Cummings, along with Pound, Eliot, and Williams, helped bring about the twentieth-century revolution in literary expression. He is recognized as the author of some of the most beautiful lyric poems written in the English language and also as one of the most inventive American poets of his time. Fresh and candid, by turns earthy, tender, defiant, and romantic, Cummings's poems celebrate the uniqueness of each individual, the need to protest the dehumanizing force of organizations, and the exuberant power of love. No Thanks was first published in 1935; although Cummings was by then in mid-career, he had still not achieved recognition, and the title refers ironically to publishers' rejections. No Thanks contains some of Cummings's most daring literary experiments, and it represents most fully his view of life—romantic individualism. The poems celebrate an openly felt response to the beauties of the natural world, and they give first place to love, especially sexual love, in all its manifestations. The volume includes such favorites as "sonnet entitled how to run the world)," "may I feel said he," "Jehovah buried. Satan dead," "be of love (a little)," and the now-famous grasshopper poem.

Presented here in a bold new edition, E. E. Cummings: Complete Poems 1904–1962 showcases Cummings’s transcendent body of work, collected in its entirety. Combining Thoreau’s controlled belligerence with the brash abandon of an uninhibited bohemian, E. E. Cummings, together with Ezra Pound, T. S. Eliot, and William Carlos Williams, helped bring about the twentieth-century revolution in literary expression. Today Cummings is recognized as the author of some of the most sensuous lyric poems in the English language, as well as one of the most inventive American poets of his time. Formally fractured and yet gleefully alive and whole, at once cubistic and figurative, Cummings’s work expanded the boundaries of what language is and can do. With a new introduction by Pulitzer Prize–winning poet Stephen Dunn, this redesigned, newly corrected, and fully reset edition of Complete Poems collects and presents all the poems published or designated for publication by E. E. Cummings in his lifetime. It includes 36 poems that were first collected in the 1991 edition and 164 unpublished poems issued in 1983 under the title Etcetera. It spans his earliest creations, his vivacious linguistic acrobatics, up through his last valedictory sonnets. In the words of Randall Jarrell, “No one else has ever made avant-garde, experimental poems so attractive to the general and special reader.”

Fresh and candid, by turns earthy, tender, defiant, and romantic, Cummings's poems celebrate the uniqueness of each individual, the need to protest the dehumanizing force of organizations, and the exuberant power of love.