Tulip Sees America (PB)

This book will help teachers solve the dilemma: What does the rest of my class do while I'm working with a small reading group? Debbie Diller offers practical suggestions for over a dozen literacy work stations that link to instruction and make preparation and management easy for teachers. Learn how to set up work stations, how to manage them, and how to keep them going throughout the year. Each chapter includes: how to introduce each station;materials to include at each station;what to model;how to solve problems;how to differentiate;how to assess and keep students accountable;reflection questions for professional development. Materials in both English and Spanish are provided in the extensive resource section. Throughout the book the author has included photos of literacy workstations from a variety of classrooms in which she has worked to illustrate the methods discussed in the text.

On April 26, 1927, Lida Rogers, a Holland High School biology teacher, suggested an idea to members of the Holland, Michigan Women's Literary Club. The idea was that the city present a "Tulip Day" every spring. Two years later, on May 18, 1929, after scores of visitors viewed more than 100,000 tulips along Holland's curbs, Tulip Time became an annual event. The 1930 Holland Evening Sentinel banner headline read: "Tulip Reigns as Queen of City." Throughout the decade, motion picture and radio personalities visited to promote the festival. The Holland Furnace Company, then the city's largest corporation, sponsored special radio programs that were broadcast nationwide. After World War II, Holland saw the festival grow into the nation's third largest annual event. Visitors have enjoyed parades that included street scrubbing, "klompen" dancing, floats, and more than 50 bands. When Tulip Time began, 85 percent of the names in the Holland telephone directory were Dutch. Over time, the community's cultural diversity has evolved and is now reflected in the festival.

In a riveting exploration of the power the past wields over the present, critically acclaimed author Antoinette van Heugten writes the story of a woman whose child's life hangs in the balance, forcing her to confront the roots of her family's troubled history in the dark days of World War II… It's the stuff of nightmares: Nora de Jong returns home from work one ordinary day to find her mother has been murdered. Her infant daughter is missing. And the only clue is the body of an unknown man on the living-room floor, clutching a Luger in his cold, dead hand. Frantic to find Rose, Nora puts aside her grief and frustration with the local police to start her own search. But the contents of a locked metal box she finds in her parents' attic leave her with as many questions as answers—and suggest the killer was not a stranger. Saving her daughter means delving deeper into her family's darkest history, leading Nora half a world away to Amsterdam, where her own unsettled past and memories of painful heartbreak rush back to haunt her. As Nora feverishly pieces together the truth from an old family diary, she's drawn back to a city under Nazi occupation, where her mother's alliances may have long ago sealed her own–and Rose's—fate.

Brief biographies and primary / secondary source bibliographies are presented for each author. Authors of note are Harriette Simpson Arnow, Annie Dillard, Wilma Dykeman, Denise Giardina, Barbara Kingsolver, and George Ella Lyon.

Introduction -- Great objectives -- Great books -- Great instruction -- Great discussions -- Great answers -- Forming a general understanding -- Developing an interpretation -- Connecting and reacting to text --Examining the content and structure of text.

In the 1630s the Netherlands was gripped by tulipmania: a speculative fever unprecedented in scale and, as popular history would have it, folly. We all know the outline of the story—how otherwise sensible merchants, nobles, and artisans spent all they had (and much that they didn’t) on tulip bulbs. We have heard how these bulbs changed hands hundreds of times in a single day, and how some bulbs, sold and resold for thousands of guilders, never even existed. Tulipmania is seen as an example of the gullibility of crowds and the dangers of financial speculation. But it wasn’t like that. As Anne Goldgar reveals in Tulipmania, not one of these stories is true. Making use of extensive archival research, she lays waste to the legends, revealing that while the 1630s did see a speculative bubble in tulip prices, neither the height of the bubble nor its bursting were anywhere near as dramatic as we tend to think. By clearing away the accumulated myths, Goldgar is able to show us instead the far more interesting reality: the ways in which tulipmania reflected deep anxieties about the transformation of Dutch society in the Golden Age. “Goldgar tells us at the start of her excellent debunking book: ‘Most of what we have heard of [tulipmania] is not true.’. . . She tells a new story.”—Simon Kuper, Financial Times