Two Tudor stories by Alison Prince in a gorgeous paperback format. My Tudor Queen is the diary of Eva De Puebla who comes to England as lady-in-waiting to Catherine of Aragon. Anne Boleyn and Me is the story of Elinor Valjean, Eva's daughter, who serves in Henry VIII's court. A must for every fan of historical fiction

The turbulent Tudor Age never fails to capture the imagination. But what was it truly like to be a woman during this era? The Tudor period conjures up images of queens and noblewomen in elaborate court dress; of palace intrigue and dramatic politics. But if you were a woman, it was also a time when death during childbirth was rife; when marriage was usually a legal contract, not a matter for love, and the education you could hope to receive was minimal at best. Yet the Tudor century was also dominated by powerful and dynamic women in a way that no era had been before. Historian Elizabeth Norton explores the life cycle of the Tudor woman, from childhood to old age, through the diverging examples of women such as Elizabeth Tudor, Henry VIII’s sister; Cecily Burbage, Elizabeth's wet nurse; Mary Howard, widowed but influential at court; Elizabeth Boleyn, mother of a controversial queen; and Elizabeth Barton, a peasant girl who would be lauded as a prophetess. Their stories are interwoven with studies of topics ranging from Tudor toys to contraception to witchcraft, painting a portrait of the lives of queens and serving maids, nuns and harlots, widows and chaperones. Norton brings this vibrant period to colorful life in an evocative and insightful social history.

The final book of the Tudor series from #1 New York Times bestselling author Philippa Gregory features one of the most famous women in history, Lady Jane Grey, and her two sisters, each of whom dared to defy her queen. Jane Grey was queen of England for nine days. Her father and his allies crowned her instead of the dead king’s half-sister Mary Tudor, who quickly mustered an army, claimed her throne, and locked Jane in the Tower of London. When Jane refused to betray her Protestant faith, Mary sent her to the executioner’s block, where Jane transformed her father’s greedy power-grab into tragic martyrdom. “Learn you to die,” was the advice Jane wrote to her younger sister Katherine, who has no intention of dying. She intends to enjoy her beauty and her youth and fall in love. But she is heir to the insecure and infertile Queen Mary and then to her sister Queen Elizabeth, who will never allow Katherine to marry and produce a Tudor son. When Katherine’s pregnancy betrays her secret marriage, she faces imprisonment in the Tower, only yards from her sister’s scaffold. “Farewell, my sister,” writes Katherine to the youngest Grey sister, Mary. A beautiful dwarf, disregarded by the court, Mary keeps family secrets, especially her own, while avoiding Elizabeth’s suspicious glare. After seeing her sisters defy their queens, Mary is acutely aware of her own danger, but determined to command her own life. What will happen when the last Tudor defies her ruthless and unforgiving cousin Queen Elizabeth?

England 1525. Allegiances are divided. Henry VIII wants to divorce his devoted wife Catherine of Aragon and marry Anne Boleyn. For young Elinor Valjean, the conflict is a personal one: she loves Queen Catherine, but is forced to wait upon the queen's supplanter. Elinor's diary chronicles the turbulent years of Henry's divorce and Elinor's role as an observer of the stormiest marriage in history.

The daughters of a ruthlessly ambitious family, Mary and Anne Boleyn are sent to the court of Henry VIII to attract the attention of the king, who first takes Mary as his mistress, in which role she bears him an illegitimate son, and then Anne as his wife. Reprint. 250,000 first printing. (A Columbia Pictures film, written by Peter Morgan, directed by Justin Chadwick, releasing Fall 2007, starring Natalie Portman, Scarlett Johansson, Eric Bana, and others) (Historical Fiction)

** SOON TO BE A PARAMOUNT+ ORIGINAL SERIES STARRING SAMANTHA MORTON AND RUBY STOKES** The chilling RICHARD & JUDY BOOK CLUB PICK from the Sunday Times bestselling author of The Chalk Man If you see the Burning Girls something bad will befall you... 'A mesmerising and atmospheric page-turner, with plenty of shocks and a surprise twist for a finale. Her best novel yet' SUNDAY EXPRESS 'Hypnotic and horrifying . . . Without doubt her best yet, The Burning Girls left me sleeping with the lights on' CHRIS WHITAKER _________ 500 years ago: eight martyrs burned 30 years ago: two teenagers vanished Two months ago: a vicar died mysteriously Welcome to Chapel Croft. For Rev Jack Brooks and teenage daughter Flo it's a fresh start. New job, new home. But in a close-knit community old superstitions and a mistrust of outsiders mean treading carefully. Yet right away Jack has more frightening concerns. Why did no one say the last vicar killed himself? Why is Flo plagued by visions of burning girls? And who is sending them threatening messages? Old ghosts with scores to settle can never rest. And Jack is standing in their way . . . _________ 'Tudor operates on the border between credulity and disbelief, creating an atmosphere of menace' Sunday Times 'A gothic, spine-tingling roller-coaster of a story . . . CJ Tudor is a master of horror' C.J. COOKE, author of The Nesting 'The best book yet from C. J. Tudor' Best Praise for C. J. Tudor: 'C. J. Tudor is terrific. I can't wait to see what she does next' Harlan Coben 'Britain's female Stephen King' Daily Mail 'A mesmerizingly chilling and atmospheric page-turner' J.P. Delaney 'Her books have the ability to simultaneously make you unable to stop reading while wishing you could bury the book somewhere deep underground where it can't be found. Compelling and haunting' Sunday Express 'Some writers have it, and some don't. C. J. Tudor has it big time' Lee Child 'A dark star is born' A. J. Finn

An introduction to the life of Mary I, who earned the name Bloody Mary after she adopted the habit of burning Protestants at the stake.

The Tudors are England’s most notorious royal family. But, as Leanda de Lisle’s gripping new history reveals, they are a family still more extraordinary than the one we thought we knew. The Tudor canon typically starts with the Battle of Bosworth in 1485, before speeding on to Henry VIII and the Reformation. But this leaves out the family’s obscure Welsh origins, the ordinary man known as Owen Tudor who would fall (literally) into a Queen’s lap—and later her bed. It passes by the courage of Margaret Beaufort, the pregnant thirteen-year-old girl who would help found the Tudor dynasty, and the childhood and painful exile of her son, the future Henry VII. It ignores the fact that the Tudors were shaped by their past—those parts they wished to remember and those they wished to forget. By creating a full family portrait set against the background of this past, de Lisle enables us to see the Tudor dynasty in its own terms, and presents new perspectives and revelations on key figures and events. De Lisle discovers a family dominated by remarkable women doing everything possible to secure its future; shows why the princes in the Tower had to vanish; and reexamines the bloodiness of Mary’s reign, Elizabeth’s fraught relationships with her cousins, and the true significance of previously overlooked figures. Throughout the Tudor story, Leanda de Lisle emphasizes the supreme importance of achieving peace and stability in a violent and uncertain world, and of protecting and securing the bloodline. Tudor is bristling with religious and political intrigue but at heart is a thrilling story of one family’s determined and flamboyant ambition.

If your school’s homecoming king had a little too much in common with Henry VIII, would you survive with your head still attached? You’d think being the new girl in a tiny town would equal one very boring senior year. But if you’re me—Annie Marck, alias Cleves—and you accidentally transform into teenage royalty by entering Lancaster High on the arm of the king himself? Life becomes the exact opposite of boring. Henry has it all: he’s the jock, the genius and the brooding bad boy all in one. Which sort of explains why he’s on his sixth girlfriend in two years. What it doesn’t explain is why two of them—two of us—are dead. My best friend thinks it’s Henry’s fault, which is obviously ridiculous. My nemesis says we shouldn’t talk about it, which is straight-up sketchy. But as the resident nosy new girl, I’m determined to find out what really happened to Lancaster’s dead queens…ideally before history repeats itself.

THREE WOMEN WHO SHARE ONE FATE: THE BOLEYN INHERITANCE ANNE OF CLEVES She runs from her tiny country, her hateful mother, and her abusive brother to a throne whose last three occupants are dead. King Henry VIII, her new husband, instantly dislikes her. Without friends, family, or even an understanding of the language being spoken around her, she must literally save her neck in a court ruled by a deadly game of politics and the terror of an unpredictable and vengeful king. Her Boleyn Inheritance: accusations and false witnesses. KATHERINE HOWARD She catches the king's eye within moments of arriving at court, setting in motion the dreadful machine of politics, intrigue, and treason that she does not understand. She only knows that she is beautiful, that men desire her, that she is young and in love -- but not with the diseased old man who made her queen, beds her night after night, and killed her cousin Anne. Her Boleyn Inheritance: the threat of the axe. JANE ROCHFORD She is the Boleyn girl whose testimony sent her husband and sister-in-law to their deaths. She is the trusted friend of two threatened queens, the perfectly loyal spy for her uncle, the Duke of Norfolk, and a canny survivor in the murderous court of a most dangerous king. Throughout Europe, her name is a byword for malice, jealousy, and twisted lust. Her Boleyn Inheritance: a fortune and a title, in exchange for her soul. The Boleyn Inheritance is a novel drawn tight as a lute string about a court ruled by the gallows and three women whose positions brought them wealth, admiration, and power as well as deceit, betrayal, and terror. Once again, Philippa Gregory has brought a vanished world to life -- the whisper of a silk skirt on a stone stair, the yellow glow of candlelight illuminating a hastily written note, the murmurs of the crowd gathering on Tower Green below the newly built scaffold. In The Boleyn Inheritance Gregory is at her intelligent and page-turning best.