Trolls have trampled through popular fairy tales for many years. Have you ever wondered what trolls look like, where they hide out, or why they like darkness? Stomp through the pages of this book to find out the truth about trolls.

Trolls & Truth is the story of a local church of homeless people, college students, middle-class Christians, some poor and some rich, black, white, and brown, drunks, materialists, mentally ill, and former inmates who meet beneath the noise of 18-wheelers and rushing traffic under an interstate bridge in Waco, Texas. As they live out biblical mandates across racial and cultural barriers and institutional baggage, they remind us that the gospel cannot be shaped by socially accepted values and remain "good news."

Trolls have trampled through popular fairy tales for many years. Have you ever wondered what trolls look like, where they hide out, or why they like darkness? Stomp through the pages of this book to find out the truth about trolls.

“Amanda Marcotte drains the swamp and reveals a Republican Party hijacked by grifters and frauds.” ?David Daley The election of Donald Trump in 2016, like most of his campaign, came as a shock to many Americans. How could a man so lacking in capacity, so void of any intellectual heft, become the president of the United States? How did Trump, a man with no detectable personal qualities outside of resentment and the will to dominate, appeal to millions of Americans and win the highest office in the land? The American right has spent decades turning away from reasoned discourse toward a rhetoric of pure resentment—it’s this shift that laid the groundwork for Trump’s ascendency. In Troll Nation, journalist Amanda Marcotte outlines how Trump was the inevitable result of American conservatism’s degradation into an ideology of blind resentment. For years now, the purpose of right wing media, particularly Fox News, has not been to argue for traditional conservative ideals, such as small government or even family values, so much as to stoke bitterness and paranoia in its audience. Traditionalist white people have lost control over the culture, and they know it, and the only option they feel they have left is to rage at a broad swath of supposed enemies ? journalists, activists, feminists, city dwellers, college professors ? that they blame for stealing “their” country from them. Conservative pundits, politicians, and activists have abandoned any hope of winning the argument through reasoned discourse, and instead have adopted a series of bad faith claims, conspiracy theories, and culture war hysterics. Decades of these antics created a conservative voting base that was ready to elect a mindless bully like Donald Trump.

Amanda Hocking, the New York Times bestselling author of The Kanin Chronicles, returns to the magical world of the Trylle Trilogy with The Lost City, the first novel in The Omte Origins—and the final story arc in her beloved series. The storm and the orphan Twenty years ago, a woman sought safety from the spinning ice and darkness that descended upon a small village. She was given shelter for the night by the local innkeepers but in the morning, she disappeared—leaving behind an infant. Now nineteen, Ulla Tulin is ready to find who abandoned her as a baby or why. The institution and the quest Ulla knows the answers to her identity and heritage may be found at the Mimirin where scholars dedicate themselves to chronicling troll history. Granted an internship translating old documents, Ulla starts researching her own family lineage with help from her handsome and charming colleague Pan Soriano. The runaway and the mystery But then Ulla meets Eliana, a young girl who no memory of who she is but who possesses otherworldly abilities. When Eliana is pursued and captured by bounty hunters, Ulla and Pan find themselves wrapped up in a dangerous game where folklore and myth become very real and very deadly—but one that could lead Ulla to the answers she’s been looking for.

This is a bank of ideas designed to help teachers to develop the writing of primary-school pupils. It is concerned mainly with the compositional aspects of writing, rather than spelling, handwriting and punctuation, and consists of five main sections, dealing with writing stories and poems, writing for information, writing from reading, writing from personal experience, and redrafting and proof-reading.

Tells the story from the trolls perspective. Beginner reader. Col. illus. 5-7 yrs.

Internet trolls live to upset as many people as possible, using all the technical and psychological tools at their disposal. They gleefully whip the media into a frenzy over a fake teen drug crisis; they post offensive messages on Facebook memorial pages, traumatizing grief-stricken friends and family; they use unabashedly racist language and images. They take pleasure in ruining a complete stranger's day and find amusement in their victim's anguish. In short, trolling is the obstacle to a kinder, gentler Internet. To quote a famous Internet meme, trolling is why we can't have nice things online. Or at least that's what we have been led to believe. In this provocative book, Whitney Phillips argues that trolling, widely condemned as obscene and deviant, actually fits comfortably within the contemporary media landscape. Trolling may be obscene, but, Phillips argues, it isn't all that deviant. Trolls' actions are born of and fueled by culturally sanctioned impulses -- which are just as damaging as the trolls' most disruptive behaviors. Phillips describes, for example, the relationship between trolling and sensationalist corporate media -- pointing out that for trolls, exploitation is a leisure activity; for media, it's a business strategy. She shows how trolls, "the grimacing poster children for a socially networked world," align with social media. And she documents how trolls, in addition to parroting media tropes, also offer a grotesque pantomime of dominant cultural tropes, including gendered notions of dominance and success and an ideology of entitlement. We don't just have a trolling problem, Phillips argues; we have a culture problem. This Is Why We Can't Have Nice Things isn't only about trolls; it's about a culture in which trolls thrive.

After finding a human baby in the realm of trolls, Bera sets out to protect it from the other trolls by returning the baby to its own world.

Gaming while female is enough to incur the wrath of the dude-bros, and they’ve come for me. Instead of fighting back, I’ve created an alternate account. Male name, male pronouns. And I’ve met this girl. I’ve always liked girls, and Laura’s adorable and smart and never gives up, and she likes me back. Or rather, she likes the man I’m pretending to be. But I can’t tell her I’m a woman without the mob coming after her too. And besides: I might not be a woman, not really. The truth is, I don’t know what I am anymore. I’ve spent my whole life being told how I’m supposed to act and what I’m supposed to be, but none of it feels right. And my lie is starting to feel truer than anything I’ve ever been. There’s a convention coming up, but the closer it gets, the more I have to choose: lie or fight. But if I don’t stand my ground as a girl, am I letting the haters win? Then again, those aren’t the only two ways to live. **See this title's page on RiptidePublishing.com for content warnings.**