This book is written for and dedicated to the many people and businesses thinking of, or already doing, business in the Arab world. Of course, there is no shortage of books advising Westerners on what they should do when they are in the Arab world, but this book differs by making it easier for you to put the advice into practice; this book is a current and up to date comparative guide of the differences between the Western and Arab worlds. It addresses the real, day to day problems that businesses face in the Arab world, for example, how to sign a contract and enforce it when you know that your Arab partner will not abide by it. Trust me, I'm an Arab, will help you to understand the Arab world in just a few words and through a small graphics sum up in single images what some studies spend thousands of words trying to explain. an infographic series of 46 images designed with a minimalistic visualisation using simple shapes and symbols to convey the deference between the two cultures. The information in this book focuses on the differences you will see and face as a Westerner in the Arab world or dealing with Arab people. It will walk you through the differences between the two cultures and what to do to reduce the chance of cultural blunders. The book will show you the value of understanding these differences as well as what is and is not acceptable to Arabs and what their expectations from you. You will learn how to make friends with Arab people and how to negotiate with them. It is the aim that through explanation of background behaviours and rationale for Arab attitudes, which can be confusing to Westerns, this book will lead readers to understand the Arab culture. It is the hope of this book that will help people to create successful partnerships between the Western and Arab world.

Why should we trust scientists? What happens to trust when scientists are seduced by politics, religion, money or glory? Public trust in scientists may be waning - is this simply a longterm shift or does it tell us something important about our societies and our world?

"This book was originally published in two volumes in Great Britain under the titles At bonus time, no one can hear you scream and Trust me, I'm a banker by Elliot and Thompson Limited"--T.p. verso.

A handsome sheik named Akbar notices Henry in distress. He’ll happily help the broke Western boy, but Henry must first agree to becoming Akbar’s girl. Henry never expects to end up robbed and broke during his study abroad trip in the Middle East, but that’s exactly what happens. They can’t go back to Akbar’s compound together unless Henry can fool the guards into thinking he’s Akbar’s female escort. Henry wishes it weren’t like this, but getting help from Akbar might be his best way home. Arabian Nights is a gay feminization romance about a young man who gets turned into a woman during a study abroad trip.

A.02 - About The Book - Psychology of Arab Management Thinking M For a long time now, I have been putting off the idea of writing this book - though it had been on my mind for a long time now. The mere idea of writing this book scared me to bits and pieces - for many valid and pertinent reasons. As Arabs, work is worshipped (Islamic Religion calls on us to respect work like as if it is in praying). We are also brought up to be polite, courteous and decent (at least a majority of us). Abrupt, ugly, rudeness and distort are discouraged. Also it is not easy to say NO - as part of the culture, customs, traditions and heritage. So what went wrong here - especially in Management circles? Why are we behind the rest of the world, despite all our riches and resources? I hope you will enjoy the book. I have tried to be as frank, open, forthright, honest, sincere and genuine as I can - as Readers who know me can give credence and credibility to me and will vouch and authenticate my works. It is a no punch-spared, no barrels held stiff, no frills - play but to be as frank, open and honest as possible - so it can be a learning process for this generation and others to come in the future. I have not spared myself, so there is just for it to be honest, sincere, genuine and hard hitting - sparing no one. Just No One.

This book reveals key untold stories and scenes from the life of a Palestinian who comes from the Palestinian village of Hamama. The book unfolds its stories through the different stages and diverse contexts the author has been through. It is neither a historical record nor an autobiography as it may appear at first sight, rather an intricate account of the tragedies and calamities endured by tens of thousands of Palestinians. The book is neither written as a political discourse, analysis, or a criticism, nor is it a description of battles and behaviors. It is a whoop of sadness and grief of a people whose homeland was usurped and is still living in them. In preparing this book, it was meant to be free of any derogation or belittlement of anybody. I did not communicate everything and was content with such allusions that maintain ones dignity. Indeed, this bookby uncovering the misfortunes and atrocities Palestinian children, men, and women went through is profoundly a message to the future generations of Arabs who did not see these scenes into reality. The book is a flash of knowledge, a document for researchers, and a source of enlightenment for readers and students alike. It contains invaluable scenes from a substantial span of time since Field Marshal Edmund Allenby entered Jerusalem after his triumph over the Ottoman armies in World War I and said, Today, the crusades have ended.

A hood novel based on a urban story of treachery, treason, disloyalty, deceit, and grime. It's an honor amongst thieves where no honor exists, except between the main two characters Hitta and Bags. Their homework done prior to a lick (robbery) was faulty at best and they go from the hunters to the haunted when Fats, the dude they braced (robbed), places a bet ( murder for hire price) on their heads. Please leave a review after reading.

What is Israeli theatre? Is it only a Hebrew theatre staged in Israel? Are performances by Arab Israelis working in an Arabic theatre framework not part of the repertoire of Israeli theatre? Do they perhaps belong to the Palestinian theatre? What are the "borders" of Palestinian theatre? Are not theatrical works created in East Jerusalem by Arab Israeli playwrights and actors, and staged on occasion before Jewish Israeli audiences, part of a dialogue between Palestinian and Israeli cultures? Does "theatre" only include works staged under that title? These and other similarly absorbing questions arise in Dan Urian's wide-ranging and detailed study of the image of the Arab in Israeli drama and theatre. By the use of extensive examples to show how theatre, politics and personal perceptions intertwine, the author presents us with a model which can be used as a basis for the further discussion and study of similar social and artistic phenomena in other cultures in relation to their theatre and drama.