In 1840, the theatre world in London is shocked by the brutal killing of one of its youngest and most successful entrepreneurs. Inspector Owen Endersby, of the recently formed London Detective Police Force, is called upon to apprehend the culprit before Christmas Eve.

A demanding feminist, devout Christian, and savvy grassroots civil rights organizer, Anna Arnold Hedgeman played a key role in over half a century of social justice initiatives. Like many of her colleagues, including A. Philip Randolph, Betty Friedan, and Martin Luther King, Jr., Hedgeman ought to be a household name, but until now has received only a fraction of the attention she deserves. In Until There Is Justice, author Jennifer Scanlon presents the first-ever biography of Hedgeman. Through a commitment to faith-based activism, civil rights, and feminism, Hedgeman participated in and led some of the 20th century's most important developments, including advances in education, public health, politics, and workplace justice. Simultaneously a dignified woman and scrappy freedom fighter, Hedgeman's life upends conventional understandings of many aspects of the civil rights and feminist movements. She worked as a teacher, lobbyist, politician, social worker, and activist, often crafting and implementing policy behind the scenes. Although she repeatedly found herself a woman among men, a black American among whites, and a secular Christian among clergy, she maintained her conflicting identities and worked alongside others to forge a common humanity. From helping black and Puerto Rican Americans achieve critical civil service employment in New York City during the Great Depression to orchestrating white religious Americans' participation in the 1963 March on Washington, Hedgeman's contributions transcend gender, racial, and religious boundaries. Engaging and profoundly inspiring, Scanlon's biography paints a compelling portrait of one of the most remarkable yet understudied civil rights leaders of our time. Until There Is Justice is a must-read for anyone with a passion for history, biography, and civil rights.

Between 1936 and 1941 Walker Evans and James Agee collaborated on one of the most provocative books in American literature, Let Us Now Praise Famous Men (1941). While at work on this book, the two also conceived another less well-known but equally important book project entitled Many Are Called. This three-year photographic study of subway passengers made with a hidden camera was first published in 1966, with an introduction written by Agee in 1940. Long out of print, Many Are Called is now being reissued with a new foreword and afterword and with exquisitely reproduced images from newly prepared digital scans. Many Are Called came to fruition at a slow pace. In 1938, Walker Evans began surreptitiously photographing people on the New York City subway. With his camera hidden in his coat—the lens peeking through a buttonhole—he captured the faces of riders hurtling through the dark tunnels, wrapped in their own private thoughts. By 1940-41, Evans had made over six hundred photographs and had begun to edit the series. The book remained unpublished until 1966 when The Museum of Modern Art mounted an exhibition of Evans’s subway portraits. This beautiful new edition—published in the centenary year of the NYC subway—is an essential book for all admirers of Evans’s unparalleled photographs, Agee’s elegant prose, and the great City of New York.

Twenty-one of today's most respected prophecy experts join forces in this definitive and compelling work, a powerful, concise, and readable summary of the points of conflict and resolution. With a Foreword by Charles Ryrie, noted contributors include Dwight Pentecost, John Walvoord, Tim LaHaye, Larry Crutchfield, and Paul Feinberg.