Detroit and its strong Polish community share in America's rich history of Polish music and customs. This work documents that history and details the development of the Polish-American musicians in Detroit who became known as polka musicians, even though their music was very diversified.

Author Keith Maillard received critical acclaim with his novel Gloria, which told the story of a young woman on the cusp of womanhood in a town called Raysburg, West Virginia. In this book, The Clarinet Polka, Maillard turns that same eagle-eyed attention to the other side of the tracks of that very same town and creates a stunning portrait of Polish America and of one man's struggle to find meaning in his life and roots. The year is 1969, and young Jimmy Koprowski returns from his stint in the airforce to Raysburg, his blue-collar Polish American hometown where nothing much happens beyond working at the steel mill, going to Mass, and getting drunk at the local PAC. Jimmy's efforts at rebuilding his life result in sleeping off hangovers in his parents' attic and drifting into a destructive affair with a married woman. But things change when his younger sister Linda decides to start an all-girl polka band, and Jimmy falls for the band's star clarinetist, Janice, whose young life is haunted by tragic events that happened before she was born. The threads of Jimmy's family life, the legacy of WWII Poland, and the healing power of music, language, and tradition all begin to converge. At once gritty and compassionate, moving and witty, The Clarinet Polka showcases the emotional and perfectly pitched voice of a lost soul finding his way.

This volume makes available the full range of the American/Canadian musical experience, covering-for the first time in print-all major regions, ethnic groups, and traditional and popular contexts. From musical comedy to world beat, from the songs of the Arctic to rap and house music, from Hispanic Texas to the Chinese communities of Vancouver, the coverage captures the rich diversity and continuities of the vibrant music we hear around us. Special attention is paid to recent immigrant groups, to Native American traditions, and to such socio-musical topics as class, race, gender, religion, government policy, media, and technology.