Explore the international headlines and the little-known crimes, the solved and the wrongly solved, in these tales of the North Carolina mountains. Western North Carolina is known for mountain vistas and wild, rocky rivers, but remote wilderness and quaint small towns can have a dark side. Learn the truth behind the famous murder ballad Tom Dooley. Delve into the criminal history of moonshine, and the tales of two unexpected bombers in idyllic Mayberry. Crime writer Cathy Pickens brings a novelist's eye to Western North Carolina's crime stories that define the sinister--and quirky--side of the mountains.

Eastern North Carolina is a land of contrasts, and its crime stories bear this out. A lovelorn war hero or a stalker? Conniving wife or consummate homemaker? Murder or suicide? The answers can be as puzzling as the questions. Mystery author Cathy Pickens details an assortment of quirky cases, including a duo of poisoning cases more than one hundred years apart, a band of folk hero swamp outlaws, sex swingers and a couple of mummies. Each story has, in its way, helped define Eastern North Carolina and its history.

Did the phrase "That's what I was wondering..." solve a murder? In the morning hours of July 16, 1936, Helen Clevenger's uncle discovered her bloodied body crumpled on the floor of her small room in Asheville's grand Battery Park Hotel. She had been shot through the chest. Buncombe County Sheriff Laurence Brown, up for reelection, desperately searched for the teenager's killer as the public clamored for answers. Though witnesses reported seeing a white man leave the scene, Brown's focus turned instead to the hotel's Black employees and on August 9 he arrested bell hop Martin Moore. After a frenzied four-day trial that captured the nation's attention, Moore was convicted of Helen's murder on August 22. Though Moore confessed to Sherriff Brown, doubt of his guilt lingers and many Southerners feared that justice had not, in fact, been served. Author Anne Chesky Smith weaves together varying accounts of the murder and investigation to expose a complex and disturbing chapter in Asheville's history.

The crime that shocked post-Civil War America and inspired the folk song that became The Kingston Trio’s hit, “Tom Dooley.” At the conclusion of the Civil War, Wilkes County, North Carolina, was the site of the nation’s first nationally publicized crime of passion. In the wake of a tumultuous love affair and a mysterious chain of events, Tom Dooley was tried, convicted and hanged for the murder of Laura Foster. This notorious crime became an inspiration for musicians, writers and storytellers ever since, creating a mystery of mythic proportions. Through newspaper articles, trial documents and public records, Dr. John E. Fletcher brings this dramatic case to life, providing the long-awaited factual account of the legendary murder. Join the investigation into one of the country’s most enduring thrillers. “Fletcher has spent a great deal of time researching almost all of the characters involved with the Foster homicide and has gone further than any researcher I know in establishing the relationships—blood, marriage and social—between the major actors in the tragedy.”—Statesville Record & Landmark

Avery Andres has just been downsized from her job in a law office in a North Carolina city and has returned to her small home town to lick her wounds and consider, with hesitation, trying to set up a law practice there. She quickly gets a client or two, and immediately the company building owned by one is destroyed by arson, and the body found inside was quite probably murdered. Meanwhile, an old high-school classmate has told the entire county that he is hopelessly in love with Avery and makes several attempts at spectacular suicides, each one of them carefully set up not to work. All in all, Avery finds that small-town life is not nearly so dull as she feared. And sometimes wishes it were.

Tom Dula's trial unveiled a sordid story of sexual immorality, resentment, jealousy and bitterness, and he was convicted and hanged before a huge crowd in Statesville, an event that drew national attention. The story lived on, in time becoming entwined with myth and legend, because it inspired a ballad that was sung throughout the mountains.

The Gory Stories Behind The Murder Ballads Cheerfully vulgar, revelling in gore, and always with an eye on the main chance, murder ballads are tabloid newspapers set to music, carrying word of the latest ‘orrible murders to an insatiable public. Victims are bludgeoned, stabbed or shot in every verse and killers often hanged, but the songs themselves never die. Instead, they mutate – morphing to suit local place names as they criss cross the Atlantic and continue to fascinate each generation’s biggest musical stars. Paul Slade traces this fascinating genre’s history through eight of its greatest songs. Stagger Lee’s “biographers” alone include Duke Ellington, James Brown, Bob Dylan, Dr John, The Clash and Nick Cave. No two tell his story in quite the same way. Covering eight classic murder ballads, including “Knoxville Girl”, “Tom Dooley” and “Frankie & Johnny”, Slade investigates the real-life murder which inspired each song and traces its musical development down the decades. Billy Bragg, The Bad Seeds’ Mick Harvey, Laura Cantrell, Rennie Sparks of The Handsome Family and a host of other leading musicians add their own insights.

Guns, liquor, racial strife, divisive politics, and war come together in ten well-documented, true-crime stories of nineteenth-century families in the western North Carolina mountains.

The “riveting”* true story of the fiery summer of 1970, which would forever transform the town of Oxford, North Carolina—a classic portrait of the fight for civil rights in the tradition of To Kill a Mockingbird *Chicago Tribune On May 11, 1970, Henry Marrow, a twenty-three-year-old black veteran, walked into a crossroads store owned by Robert Teel and came out running. Teel and two of his sons chased and beat Marrow, then killed him in public as he pleaded for his life. Like many small Southern towns, Oxford had barely been touched by the civil rights movement. But in the wake of the killing, young African Americans took to the streets. While lawyers battled in the courthouse, the Klan raged in the shadows and black Vietnam veterans torched the town’s tobacco warehouses. Tyson’s father, the pastor of Oxford’s all-white Methodist church, urged the town to come to terms with its bloody racial history. In the end, however, the Tyson family was forced to move away. Tim Tyson’s gripping narrative brings gritty blues truth and soaring gospel vision to a shocking episode of our history. FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD “If you want to read only one book to understand the uniquely American struggle for racial equality and the swirls of emotion around it, this is it.”—Milwaukee Journal Sentinel “Blood Done Sign My Name is a most important book and one of the most powerful meditations on race in America that I have ever read.”—Cleveland Plain Dealer “Pulses with vital paradox . . . It’s a detached dissertation, a damning dark-night-of-the-white-soul, and a ripping yarn, all united by Tyson’s powerful voice, a brainy, booming Bubba profundo.”—Entertainment Weekly “Engaging and frequently stunning.”—San Diego Union-Tribune

Legions of bluegrass fans know the name Otto Wood (1893–1930) from a ballad made popular by Doc Watson, telling the story of Wood's crimes and violent death. However, few know the history of this Appalachian figure beyond the larger-than-life version heard in song. Trevor McKenzie reconstructs Wood's life, tracing how a Wilkes County juvenile delinquent became a celebrated folk hero. Throughout his short life, Wood was jailed for numerous offenses, stole countless automobiles, lost his left hand, and made eleven escapes from five state penitentiaries, including four from the North Carolina State Prison after a 1923 murder conviction. An early master of controlling his own narrative in the media, Wood appealed to the North Carolina public as a misunderstood, clever antihero. In 1930, after a final jailbreak, police killed Wood in a shootout. The ballad bearing his name first appeared less than a year later. Using reports of Wood's exploits from contemporary newspapers, his self-published autobiography, prison records, and other primary sources, Trevor McKenzie uses this colorful story to offer a new way to understand North Carolina—and arguably the South as a whole—during this era of American history.