Troy was a vibrant and economically powerful city on the Hudson River during the first half of the 20th century. At night, the city would glow from the heat of the many iron foundries that were located in the south end. These factories employed thousands of Trojans who worked to make everything from cast-iron stoves to bells. The early 1900s were a time of greatness and prosperity for Troy s people and its products. With the growing population, an abundance of stores and retail establishments opened to supply residents with the items that were not being produced locally. The local economy enjoyed an unprecedented growth as a result. In more than 200 photographs, Troy Revisited reveals iconic street scenes, interiors, landmarks, businesses, celebrations and parades, and important Troy nonprofit institutions and government."

In this text, an authority on Homeric texts takes us on a tour of the main localities that Homer paints in his Iliad and Odyssey. Providing numerous photographs of the terrain and quoting liberally from the two epics, J.V. Luce argues that Homer's descriptions of the ancient landscape, far from being poetic fantasies, are accurate in every detail. Luce surveys what Homer tells us about the environs of Troy and Ithaca, applying the developing science of narratology to Homeric depiction of landscape. He also incorporates information about Troy that has been obtained in the past two decades, in particular geophysical information about the alluviation of the Trojan plain and archaeological data about Troy that reveals that the fortified area of the city was ten times as large as previously supposed. Tracing the ebb and flow of the battle as described in the Iliad, Luce shows how Homer's account is consistent with this picture of the plain.

Return to Troy presents essays by American and European classical scholars on the Director’s Cut of Troy, a Hollywood film inspired by Homer’s Iliad. The book addresses major topics that are important for any twenty-first century representation of ancient Greek myth and literature in the visual media, not only in regard to Troy: the portrayals of gods, heroes, and women; director Wolfgang Petersen’s epic technique; anachronisms and supposed mistakes; the fall of Troy in classical literature and on screen; and the place of the Iliad in modern popular culture. Unique features are an interview with the director, a report on the complex filming process by his personal assistant, and rare photographs taken during the original production of Troy.

Patience is a virtue. But what if you wait too long? While Xander Ekman's dream of becoming a successful artist has come true, his love life has gone from bad to worse. Sick of the endless string of one-night stands, he accepts the challenge when his best friend, Erik, bets him that he can't be celibate for a month. Now all he needs is a reminder to keep his distance in the heat of the moment. Troy Moriarty doesn't have time for love. He's too busy trying to keep his recently opened tattoo parlor afloat. Besides, ever since the man who was supposed to be his business partner abandoned him to run the shop on his own, he has a hard time trusting others. When Xander turns to Troy for a tattoo that will remind him to be patient, the attraction is instant. But faced with Xander's month of celibacy, Troy's trust issues, and a nemesis lurking in the background, their relationship may be doomed before it has a chance to begin.

From the palaces of Homeric epic to the ancestral seat of Roman emperors, Troy in antiquity was a place couched in myth. But for nearly four millennia, Troy was also a living city, inhabited by real people. Troy today is therefore a site of major archaeological and historical significance. In the modern world, however, Troy has become as much a symbol as a site. From movies to computer viruses, from condom branding to reggae records, Troy is a word to conjure with. This book explores the significance of Troy in three areas: the mythic, the archaeological, and the cultural, and highlights the continuing importance of the site today. Including a survey of the archaeological remains of Troy as they are currently understood, the volume presents an all-inclusive overview of the site's history, from the Troy of Homer to Classical Antiquity and beyond. The modern day cultural significance of the Trojan War is also discussed, including re-tellings of the stories or representations of the site and myth, and the more abstract use of Troy as a symbol – as a brand for consumer goods, and as a metaphor for contemporary conflicts.

Peplum or "sword-and-sandal" films--an Italian genre of the late 1950s through the 1960s--featured ancient Greek, Roman and Biblical stories with gladiators, mythological monsters and legendary quests. The new wave of historic epics, known as neo-pepla, is distinctly different, embracing new technologies and storytelling techniques to create an immersive experience unattainable in the earlier films. This collection of new essays explores the neo-peplum phenomenon through a range of topics, including comic book adaptations like Hercules, the expansion of genre boundaries in Jupiter Ascending and John Carter, depictions of Romans and slaves in Spartacus, and The Eagle and Centurion as metaphors for America's involvement in the Iraq War.

The Troy Haymakers were a pioneer baseball team legendary for exploits on and off the field. Formed in 1860 in Troy, New York--a rapidly growing industrial city--the team was embraced by the tough-minded Trojans as emblematic of their vigorous boomtown, rivaling larger, better established cities. The Haymakers were a strong amateur club before becoming a charter member of baseball's first major league, the National Association, and subsequently gaining a franchise in the National League. The team rosters were filled with characters and scalawags along with talented players, including four future Hall of Famers. After losing its National League franchise in 1882, Troy fielded minor league teams for 34 years--with a wistful eye to Haymaker history.

A daring and timely feminist retelling of The Iliad from the perspective of the women of Troy who endured it—an extraordinary follow up to The Silence of the Girls from the Booker Prize-winning author of The Regeneration Trilogy and “one of contemporary literature’s most thoughtful and compelling writers" (The Washington Post). Troy has fallen and the victorious Greeks are eager to return home with the spoils of an endless war—including the women of Troy themselves. They await a fair wind for the Aegean. It does not come, because the gods are offended. The body of King Priam lies unburied and desecrated, and so the victors remain in suspension, camped in the shadows of the city they destroyed as the coalition that held them together begins to unravel. Old feuds resurface and new suspicions and rivalries begin to fester. Largely unnoticed by her captors, the one time Trojan queen Briseis, formerly Achilles's slave, now belonging to his companion Alcimus, quietly takes in these developments. She forges alliances when she can, with Priam's aged wife the defiant Hecuba and with the disgraced soothsayer Calchas, all the while shrewdly seeking her path to revenge.

In The History of the Destruction of Troy, Dares the Phrygian boldly claimed to be an eyewitness to the Trojan War, while challenging the accounts of two of the ancient world's most canonical poets, Homer and Virgil. For over a millennium, Dares' work was circulated as the first pagan history. It promised facts and only facts about what really happened at Troy precise casualty figures, no mention of mythical phenomena, and a claim that Troy fell when Aeneas and other Trojans betrayed their city and opened its gates to the Greeks. But for all its intrigue, the work was as fake as it was sensational. From the late antique encyclopedist Isidore of Seville to Thomas Jefferson, The First Pagan Historian offers the first comprehensive account of Dares' rise and fall as a reliable and canonical guide to the distant past. Along the way, it reconstructs the central role of forgery in longstanding debates over the nature of history, fiction, criticism, philology, and myth, from ancient Rome to the Enlightenment.