Eleven-year-old Samuel was born as Master Hackler’s slave, and working the Kentucky farm is the only life he’s ever known—until one dark night in 1859, that is. With no warning, cranky old Harrison, a fellow slave, pulls Samuel from his bed and, together, they run. The journey north seems much more frightening than Master Hackler ever was, and Samuel’s not sure what freedom means aside from running, hiding, and starving. But as they move from one refuge to the next on the Underground Railroad, Samuel uncovers the secret of his own past—and future. And old Harrison begins to see past a whole lifetime of hurt to the promise of a new life—and a poignant reunion— in Canada. In a heartbreaking and hopeful first novel, Shelley Pearsall tells a suspenseful, emotionally charged story of freedom and family. Trouble Don't Last includes an historical note and map.

Making moonshine, working blue-collar jobs, picking fights in bars, chasing women, and living hardscrabble lives . . . Clayton and Saford Hall were born in the backwoods of Virginia in 1919, in a place known as The Hollow. Incredibly, they became legends in their day, rising from mountain-bred poverty to pickin’ and yodelin’ all over the airwaves of the South in the 1930s and 1940s, opening shows for the Carter Family, Roy Rogers, the Sons of the Pioneers, and even playing the most coveted stage of all: the Grand Ole Opry. They accomplished a lifetime’s worth of achievements in less than five years—and left behind only a few records to document their existence. Fortunately, Ralph Berrier, Jr., the grandson of Clayton Hall and a reporter for the Roanoke Times, brings us their full story for the first time in IF TROUBLE DON'T KILL ME. He documents how the twins’ music spread like wildfire when they moved from The Hollow to Roanoke at age twenty, and how their popularity was inflamed by their onstage zaniness, their roguish offstage shenanigans, and, above all, their ability to play old-time country music. But just as they arrived on the brink of major fame, World War II dashed their dreams. Berrier follows the Hall twins as they travel overseas, leaving behind their beloved music, and are thrust into the cauldron of a war that reshaped their lives and destinies. Through the brothers’ experiences, the story of World War II unfolds—Saford fought from the shores of North Africa to Sicily and Europe and finally into Germany; Clayton fought the Japanese in the brutal Pacific theater until the savage, final battle on Okinawa. They returned home after the war to find that the world had changed, music had changed . . . and they had, too. IF TROUBLE DON'T KILL ME paints a loving portrait of a vanishing yet exalted southern culture, shows us the devastating consequences of war, and allows us to experience the mountain voices that not only influenced the history of music but that also shaped the landscape of America.

Desperate to escape her abusive marriage, Lilly Crawford files for divorce, then slips away from her small east Texas hometown with little more than the clothes on her back. She points her twelve-year-old car east, hoping to find a new beginning. When her car breaks down in Louisiana, Lilly finds unexpected employment as the caregiver for a wealthy neurosurgeon named Adam Wakefield, who lost his sight in a recent carjacking. At first, this handsome, brooding man reminds her too much of the angry husband she left behind and she reminds him of how far he has fallen from the self-assured man he once was. But as the two spend long days together, an unexpected bond develops---one that will be deeply tested. For Lilly must confront her violent husband before she can ever hope to move on and truly discover a second chance at life and love. This stunning story is gripping and unforgettable tale told with Francis Ray's trademark emotion and passion.

“Henry Smith’s father told him that if you build your house far enough away from Trouble, then Trouble will never find you.” But Trouble comes careening down the road one night in the form of a pickup truck that strikes Henry’s older brother, Franklin. In the truck is Chay Chouan, a young Cambodian from Franklin’s preparatory school, and the accident sparks racial tensions in the school—and in the well-established town where Henry’s family has lived for generations. Caught between anger and grief, Henry sets out to do the only thing he can think of: climb Mt. Katahdin, the highest mountain in Maine, which he and Franklin were going to climb together. Along with Black Dog, whom Henry has rescued from drowning, and a friend, Henry leaves without his parents’ knowledge. The journey, both exhilarating and dangerous, turns into an odyssey of discovery about himself, his older sister, Louisa, his ancestry, and why one can never escape from Trouble.

“Racism will never end.” “Drug dealing and gang banging will never stop.” “I hope for God to come and take us away from all this because if things go on the way they are, there’s not much hope for humankind.” These are some of the comments from twenty African American teenagers coming of age in Chicago at the close of the 20th century. These comments raise challenging questions: - What expectations do African American youth hold concerning racial injustice? - What expectations do black youth hold about other issues that are important to them, such as violence? - How relevant is the black church to the issues that circumscribe the lives of urban black youth? - How is the black church instrumental in confronting racial injustice that black youth experience? - What signs of hope do black youth identify as being offered by the black church? - Can the church fashion black adolescent spirituality rooted in Christian hope and action? Parker seeks to answer these questions, critically examining African American adolescent spirituality and offering congregations a new theological framework for ministry with African American adolescents in the face of injustice and hopelessness. What results is the formation of a wholesome spirituality.

"When Aaron willingly signs on to be the pretend father of Hannah's unborn baby, he is looking for redemption from a past that has a stranglehold on him. Hannah, more simply, needs support in the absence of the real father, but she'll discover so much more"--

"Parker hasn't spoken since he watched his father die five years ago. He communicates through writing on slips of paper and keeps track of his thoughts by journaling. A loner, Parker has little interest in school, his classmates, or his future. But everything changes when he meets Zelda, a mysterious young woman with an unusual request: 'treat me like a teenager'"--

Maya's friend Bailey loves to talk about everything and everyone. At first, Maya thinks Bailey is funny. But when Bailey's talk leads to harmful rumors and hurt feelings, Maya begins to think twice about their friendship. In her fourth book for children, relational aggression expert Trudy Ludwig acquaints readers with the damaging consequences of "trouble talk"-talking to others about someone else's troubles in order to establish connection and gain attention. Includes additional resources for kids, parents, and teachers, as well as advice from Trudy about how to combat trouble talk. Trudy Ludwig's books have sold more than 50,000 copies. Includes foreword by Dr. Charisse L. Nixon, author of Girl Wars: 12 Strategies That Will End Female Bullying.

NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD LONGLIST • “A masterpiece” (NPR) about marriage, divorce, and the bewildering dynamics of ambition Coming soon as an FX limited series on Hulu, starring Claire Danes, Jesse Eisenberg, Lizzy Caplan, and Adam Brody ONE OF THE TEN BEST BOOKS OF THE YEAR—Entertainment Weekly, The New York Public Library ONE OF THE BEST BOOKS OF THE YEAR—The New York Times Book Review, Time, The Washington Post, USA Today Vanity Fair, Vogue, NPR, Chicago Tribune, GQ, Vox, Refinery29, Elle, The Guardian, Real Simple, Financial Times, Parade, Good Housekeeping, New Statesman, Marie Claire, Town & Country, Evening Standard, Thrillist, Booklist, Kirkus Reviews, BookPage, BookRiot, Shelf Awareness Toby Fleishman thought he knew what to expect when he and his wife of almost fifteen years separated: weekends and every other holiday with the kids, some residual bitterness, the occasional moment of tension in their co-parenting negotiations. He could not have predicted that one day, in the middle of his summer of sexual emancipation, Rachel would just drop their two children off at his place and simply not return. He had been working so hard to find equilibrium in his single life. The winds of his optimism, long dormant, had finally begun to pick up. Now this. As Toby tries to figure out where Rachel went, all while juggling his patients at the hospital, his never-ending parental duties, and his new app-assisted sexual popularity, his tidy narrative of the spurned husband with the too-ambitious wife is his sole consolation. But if Toby ever wants to truly understand what happened to Rachel and what happened to his marriage, he is going to have to consider that he might not have seen things all that clearly in the first place. A searing, utterly unvarnished debut, Fleishman Is in Trouble is an insightful, unsettling, often hilarious exploration of a culture trying to navigate the fault lines of an institution that has proven to be worthy of our great wariness and our great hope. Alma’s Best Jewish Novel of the Year • Finalist for the National Book Critics Circle’s John Leonard Prize for Best First Book

Argues that the economic debate is often won with faulty messages and personification of the economy, leading to uncertainty as to what the economy actually is.