"Trots and Bonnie is hilarious, poignant, raunchy, gorgeously drawn, and more relevant than ever. Shary Flenniken is an absolute genius." —Roz Chast In the 1970s and 1980s, National Lampoon was home not only to some of the funniest humor writing in America but also to many of its best cartoons. One of the greatest was Trots and Bonnie by Shary Flenniken, a comic strip that followed the adventures and mishaps of the guileless teenager Bonnie and her wisecracking dog, Trots. Bonnie stumbles through the mysteries of adulthood, as Flenniken—one of the few female contributors to National Lampoon—dissects the harsh realities of American life. Dating, sex, politics, and violence are all confronted with fearlessness and outrageous humor, rendered in Flenniken’s timeless, gorgeous artwork. After all these years, they have lost none of their power to shock and amuse. This collection, handpicked by Flenniken and with an introduction by the New Yorker cartoonist Emily Flake, is the first book of Trots and Bonnie ever published in America, a long-overdue introduction to some of the most stunning and provocative comics of the twentieth century.

The new graphic novel from the team behind bestseller Man-Eaters is a terrifying, sexy, and thought-provoking espionage thriller-that also happens to be laugh-out-loud funny! The world's best spies keep watch over the Bermuda Triangle from a mysterious island outpost teeming with supernatural intrigue, monsters, and evil villains set on global domination. The best of these spies is named Nora Freud (no relation). She knows eighty-seven ways to kill someone with a cocktail toothpick, and she's used thirty-two of them. Lately though, Nora has started to feel like she's going through the motions. Close the temporal portal. Assassinate the genocidal maniac. Have sex with the MI-6 agent. Plus, the island has gotten kind of touristy. She agrees to one last mission. But when Nora's troubled marine cryptozoologist sister shows up unexpectedly, warning of mermaid attacks, Nora realizes that boredom is not her biggest problem. Laugh-out-loud funny, terrifying, sexy, and philosophical, Spy Island is the perfect comic book for anyone who enjoys travel, chardonnay, krakens, Atlantis, volcanos, scuba diving, mermaids, ghost pirates, tropical espionage, secret agents, and/or island-casual Sean Connery.* *Sponsored by the Bermuda Triangle Chamber of Commerce. Spy Island was created by NYT best-selling author, Chelsea Cain, writer of the Archie Sheridan/Gretchen Lowell thrillers, as well as One Kick, which was adapted for television starring Chris Noth. Her previous comics include Man-Eaters (Image) and Mockingbird (Marvel), both nominated for Eisner Awards. Spy Island is co-created by Lia Miternique--cocreator of Man-Eaters and illustrator of The Hippie Handbook (Chronicle), Does This Cape Make Me Look Fat (Chronicle), and Confessions of a Teen Sleuth (Bloomsbury). Spy Island also reunites the entire Man-Eaters creative team, including Elise McCall, Rachelle Rosenberg, Joe Caramagna, Eliza Fantastic Mohan, Stella Greenvoss, Emily Powell, and Liv Osborn.

Afrofuturism, a movement that began in the Black community during the early 20th Century as an escape from racial hostility, economic turmoil, and aggressive policing, is enjoying a renaissance witnessed by the record-breaking success of creative projects, including the Oscar-winning Marvel Studios film, Black Panther; Regina King’s Emmy-winning HBO superhero tale, Watchmen; Janelle Monae’s hit album, Dirty Computer; Jordan Peele’s provocative feature Get Out; Octavia Butler’s famed science fiction novel, Kindred; and Beyonce’s visual album Black Is King. Now comes Afrofuturist Tim Fielder’s beautifully written and rendered INFINITUM. In INFINITUM, King Aja Ọba and Queen Lewa are revered across the African continent for their impressive political and military skills. Yet the future of their kingdom is in jeopardy, for the royal couple do not have an heir of their own. When the King kidnaps his son born to a concubine, Obinrin, she curses Ọba with the “gift” of immortality. After enjoying long, wonderful lives both, Queen Lewa and the crown prince die naturally, leaving the ageless bereaved King Ọba heartbroken and alone. Taking advantage of Ọba’s vulnerability, enemy nations rise to power and kill the king – or so they think. King Aja Ọba survives the fatal attack, finally realizing the bitter fruit of Obinrin’s curse. For millennia, the immortal Ọba wanders the earth, mourning his lost subjects and searching for a new kingdom. His journey leads him across time, allowing him to witness the trans-Atlantic slave trade, the New World, and the American Civil Rights Movement. The expansion of global technology brings about intergalactic travel, first contact with an alien species, and conflicts within and ultimately outside the known universe. Thrust into these seminal events, Ọba, now known by many as “John,” faces harrowing decisions that will determine mankind’s physical and spiritual trajectory. In 280 plus stunningly emotional and evocative full-color images, INFINITUM presents a unique cosmic experience, addressing issues of racism, classism, gender inequity, the encroachment of technology and the spiritual cost of war, while exposing the history behind ancient mysteries.

Jasmine James is thrilled at the thought of taking her first real jumping class at Pine Hollow Stables. She and her pony, Outlaw, have done some jumping before, but now they're going to learn the correct way to get over those fences. During her first lesson, Jasmine makes a mistake, and her pony stumbles. Jasmine falls. She isn't hurt, but she is scared - very scared. Jasmine says she'll never jump again, ever! Now May and Corey have to persuade Jasmine to give her pony, and herself, another chance.

"Trots and Bonnie is hilarious, poignant, raunchy, gorgeously drawn, and more relevant than ever. Shary Flenniken is an absolute genius." —Roz Chast In the 1970s and 1980s, National Lampoon was home not only to some of the funniest humor writing in America but also to many of its best cartoons. One of the greatest was Trots and Bonnie by Shary Flenniken, a comic strip that followed the adventures and mishaps of the guileless teenager Bonnie and her wisecracking dog, Trots. Bonnie stumbles through the mysteries of adulthood, as Flenniken—one of the few female contributors to National Lampoon—dissects the harsh realities of American life. Dating, sex, politics, and violence are all confronted with fearlessness and outrageous humor, rendered in Flenniken’s timeless, gorgeous artwork. After all these years, they have lost none of their power to shock and amuse. This collection, handpicked by Flenniken and with an introduction by the New Yorker cartoonist Emily Flake, is the first book of Trots and Bonnie ever published in America, a long-overdue introduction to some of the most stunning and provocative comics of the twentieth century.

The ultimate biography of "National Lampoon" and its cofounder Doug Kenney, this book offers the first complete history of the immensely popular magazine and its brilliant and eccentric characters.

A complete narrative history of the weird and wonderful world of Underground Comix! In the 1950s, comics meant POW! BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their “comix,” spelled that way to distinguish the work from their dime-store contemporaries, presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries. Author Brian Doherty weaves together the stories of R. Crumb, Art Spiegelman, Trina Robbins, Spain Rodriguez, Harvey Pekar, and Howard Cruse, among many others, detailing the complete narrative history of this movement. Through dozens of new interviews and archival research, Doherty chronicles the scenes that sprang up around the country in the 1960s and ’70s, beginning with the artists’ origin stories and following them through success and strife, and concluding with an examination of these creators’ legacies, Dirty Pictures is the essential exploration of a truly American art form that recontextualized the way people thought about war, race, sex, gender, and expression.

This accessible, up-to-date textbook covers the history of comics as it developed in the US in all of its forms: political cartoons and newspaper comic strips, comic books, graphic novels, minicomics, and webcomics. Over the course of its six chapters, this introductory textbook addresses the artistic, cultural, social, economic, and technological impacts and innovations that comics have had in American history. Readers will be immersed in the history of American comics—from its origins in 18th-century political cartoons and late 19th-century newspaper strips to the rise of the wildly popular comic book, the radical, grassroots collectives that grew out of the underground comix movement of the 1960s and 1970s, all the way through contemporary longform graphic novels, the vibrant self-publishing scene, and groundbreaking webcomics. The Routledge Introduction to American Comics guides students, researchers, archivists, and even fans of the medium through a contemporary history of comics, attending to how a diverse range of creators and researchers have advanced the art form in key ways since its inception as a foundational art of American popular culture. In this way, it is uniquely suited to readers engaged in the study of comics, as well as those interested in the creation of comics and graphic narratives.

Given in memory of Ethel A. Tsutsui, Ph. D. and Minoru Tsutsui, Ph. D.

The latest installment of the most significant comics anthology of the 21st century includes comics by R. Crumb, as well as many other masters of the form. Eighteen of the very best cartoonists in the world are contributing new pieces to this oversized volume, including Anna Haifich, Noel Frieberg, Adam Buttrick, Archer Prewitt, Lale Westvind, Will Sweeney, Dash Shaw, James Turek, Rick Altergott, CF, Aisha Franz, Kim Deitch, Ron Regé Jr., and John Pham. There's a contribution from editor Sammy Harkham, as well.