Trope Tokyo, the fourth volume in the Trope City Editions series highlighting the world's most architecturally compelling cities, is a highly curated collection of photographic images from an active community of urban photographers who have passionately captured their city like never before.

It takes a particular blend of curiosity and courage to dive into a culture foreign to your own. In Across Japan, photographer Eren Sarigul takes us on a wide-eyed journey through the beautiful country that has fascinated him since he was a boy in south London. Born into a family with deep roots in Istanbul, Eren grew up bilingual and frequently visited relatives in Turkey. But it was the Japanese exchange students his family hosted that planted a dream of one day travelling much farther east. Across Japan documents this young photographer's travels from the streets of Tokyo, to the enchanted forests of Yakushima, to the mountains of Nagano and back again. His lifelong love affair with Japan's geography, its cultures, and its people are evident on every page.

Trope Chicago is a highly curated collection of photographic images from an active community of urban photographers who have passionately captured their city like never before.

Trope London, the second volume in the Trope City Editions series highlighting the world's most architecturally compelling cities, is a highly curated collection of photographic images from an active community of urban photographers who have passionately captured their city like never before.

Tropics of Savagery is an incisive and provocative study of the figures and tropes of "savagery" in Japanese colonial culture. Through a rigorous analysis of literary works, ethnographic studies, and a variety of other discourses, Robert Thomas Tierney demonstrates how imperial Japan constructed its own identity in relation both to the West and to the people it colonized. By examining the representations of Taiwanese aborigines and indigenous Micronesians in the works of prominent writers, he shows that the trope of the savage underwent several metamorphoses over the course of Japan's colonial period--violent headhunter to be subjugated, ethnographic other to be studied, happy primitive to be exoticized, and hybrid colonial subject to be assimilated.

Award-winning photographer Tobi Shonibare - Tobi Shinobi to his followers - pushes the boundaries of symmetry and balance in his first book, Equilibrium. From his native London to his current Chicago home, and in far-flung locales around the world, Tobi's photographs explore and deconstruct architecture and nature until they appear as optical illusions. His vertigo-inducing perspectives turn familiar vistas into abstractions, reality into a fantasyland of line and shape. More than 164,000 followers on Instagram experience Tobi's obsessive attention to detail and fascination with the geometry of our world.

Trope Hong Kong, the third volume in the Trope City Editions series, celebrates the juxtaposition of colorful chaos and architectural order of this iconic, constantly changing city. The collection highlights the work of emerging photographers from Hong Kong and around the world. This carefully curated and bound collection offers a unique modern perspective of Hong Kong. Each chapter in Trope Hong Kong is accompanied by a map of the area along with the locations where the photographs were taken. In many cases, there are several photographs of the same location, shot at different times of the day, in different seasons, with different tones. The images here - digitally processed, filtered, toned, de-saturated, sharpened - showcase distinct styles and compelling points of view, with a very urban sensibility. Showcasing old world tradition alongside the modernism of contemporary Hong Kong, the images here reveal distinctive and dramatic visions of one of the world's most multi-faceted cities.

NATIONAL BESTSELLER • A tour de force of love and loneliness, war and art—from one of our greatest writers. • “Exhilarating ... magical.” —The Washington Post When a thirty-something portrait painter is abandoned by his wife, he secludes himself in the mountain home of a world famous artist. One day, the young painter hears a noise from the attic, and upon investigation, he discovers a previously unseen painting. By unearthing this hidden work of art, he unintentionally opens a circle of mysterious circumstances; and to close it, he must undertake a perilous journey into a netherworld that only Haruki Murakami could conjure.

Every photographer knows the moment of truth, and every picture tells a story. Over the past four decades, Paul Natkin has had a front-row seat for music history, attending over 10,000 shows and concerts to chronicle the excitement and excess of the music industry. Since the 1970s, he has photographed most of the major music stars of the last half of the 20th century, shooting album covers for Ozzy Ozbourne and Johnny Winter and countless magazine covers, including Newsweek, People, Spin and Ebony. The Moment of Truth is Natkin's documentary as a witness to the music industry during his illustrious 40-plus years as a photographer and fan.

From computer games to figurines and maid cafes, men called “otaku” develop intense fan relationships with “cute girl” characters from manga, anime, and related media and material in contemporary Japan. While much of the Japanese public considers the forms of character love associated with “otaku” to be weird and perverse, the Japanese government has endeavored to incorporate “otaku” culture into its branding of “Cool Japan.” In Otaku and the Struggle for Imagination in Japan, Patrick W. Galbraith explores the conflicting meanings of “otaku” culture and its significance to Japanese popular culture, masculinity, and the nation. Tracing the history of “otaku” and “cute girl” characters from their origins in the 1970s to his recent fieldwork in Akihabara, Tokyo (“the Holy Land of Otaku”), Galbraith contends that the discourse surrounding “otaku” reveals tensions around contested notions of gender, sexuality, and ways of imagining the nation that extend far beyond Japan. At the same time, in their relationships with characters and one another, “otaku” are imagining and creating alternative social worlds.