Trixie Belden and her friends help to solve some mysterious misdeeds at the Pirate's Inn.

On a vacation trip to a Minnesota horse-breeding ranch with her best friend, Honey Wheeler, Trixie investigates the connection between a stolen racehorse and the sighting of a phantom rider.

While on a trip to St. Louis, fourteen-year-old Trixie Belden discovers some mysterious papers in her hotel room and soon realizes that she and her friends are being followed as they cruise in a towboat down the Mississippi River.

Thirteen-year-old Trixie Belden and her friends search for hidden treasure in a mysterious mansion owned by an old miser.

Participating in an archaeological dig on an Indian burial ground, Trixie suspects a greedy, treasure-hunting college student of burglarizing several mansions in the area.

The Beldens discover an unknown baby in their doghouse.

Girls' Series Fiction and American Popular Culture examines the ways in which young female heroines in American series fiction have undergone dramatic changes in the past 150 years, changes which have both reflected and modeled standards of behavior for America’s tweens and teen girls. Though series books are often derided for lacking in imagination and literary potency, that the majority of American girls have been exposed to girls’ series in some form, whether through books, television, or other media, suggests that this genre needs to be studied further and that the development of the heroines that girls read about have created an impact that is worthy of a fresh critical lens. Thus, this collection explores how series books have influenced and shaped popular American culture and, in doing so, girls’ everyday experiences from the mid nineteenth century until now. The collection interrogates the cultural work that is performed through the series genre, contemplating the messages these books relay about subjects including race, class, gender, education, family, romance, and friendship, and it examines the trajectory of girl fiction within such contexts as material culture, geopolitics, socioeconomics, and feminism.

When Meg stays with her Uncle Hal in Williamsburg, she investigates the theft of a group of valuable toys.

Uncle Andrew needs Trixie's help. While Trixie and the Bob-Whites are spending spring break at his farm in Iowa, his sheep keep disappearing. He thinks they're being stolen! Trixie may not know sheep, but she does know thieves. And she has an idea where to start looking for them-near the mysterious flickering lights in dark, dangerous Walnut Woods! Book jacket.