Before Saturday March 26th 2005, "Doctor Who" had been off the air as a regular, new TV series for more than fifteen years; until a production team led by Russell T. Davies re-imagined the programme so successfully, so triumphantly, that it's become an instant Christmas tradition, a BAFTA winner, an international 'superbrand' and a number one rated show. It's even been credited with reinventing family TV. This is the first full-length book to explore the 'new Who' phenomenon through to the casting of Matt Smith as the new Doctor. It explores "Doctor Who" through contemporary debates in TV Studies about quality TV and how can we define TV series as both 'cult' and 'mainstream'. Further, the book challenges assumptions in focusing on the importance of breath-taking, dramatic moments along with narrative structures, and in analysing the significance of Murray Gold's music as well as the series' visual representations. Matt Hills is a lifelong "Who" fan and he also considers the role of fandom in the show's return. He investigates too the multi-generic identity, the monster-led format, and the time-travelling brand of BBC Wales' 'Doctor Who'. In the twenty-first century, TV is changing, but the last of the Time Lords has been more than ready: he's been fantastic.

Before Saturday March 26th 2005, "Doctor Who" had been off the air as a regular, new TV series for more than fifteen years; until a production team led by Russell T. Davies re-imagined the programme so successfully, so triumphantly, that it's become an instant Christmas tradition, a BAFTA winner, an international 'superbrand' and a number one rated show. It's even been credited with reinventing family TV. This is the first full-length book to explore the 'new Who' phenomenon through to the casting of Matt Smith as the new Doctor. It explores "Doctor Who" through contemporary debates in TV Studies about quality TV and how can we define TV series as both 'cult' and 'mainstream'. Further, the book challenges assumptions in focusing on the importance of breath-taking, dramatic moments along with narrative structures, and in analysing the significance of Murray Gold's music as well as the series' visual representations. Matt Hills is a lifelong "Who" fan and he also considers the role of fandom in the show's return. He investigates too the multi-generic identity, the monster-led format, and the time-travelling brand of BBC Wales' 'Doctor Who'. In the twenty-first century, TV is changing, but the last of the Time Lords has been more than ready: he's been fantastic.

'Every story ever told really happened...' (The Doctor, 'Hell Bent', 2015) Stories are, fundamentally what Doctor Who is all about. In Once Upon a Time Lord, Ivan Phillips explores a wide range of perspectives on these stories and presents a lively and richly-varied analysis of the accumulated tales that constitute this popular modern mythology. Concerned equally with 'classic' and 'new' Who, Phillips looks at how aspects of the Time Lord's story have been developed on television and beyond, tracing lines of connection and divergence across various media. He discusses Doctor Who as a mythology that has drawn on its own past in often complex ways, at the same time reworking elements from many other sources, whether literary, cinematic, televisual or historical. Once Upon A Time Lord offers an original take on this singular hero's journey, reading the unsettled enigma of the Doctor in relation to the characters, narratives and locations that he has encountered across more than half a century.

This collection of fresh essays addresses a broad range of topics in the BBC science fiction television series Doctor Who, both old (1963-1989) and new (2005-present). The book begins with the fan: There are essays on how the show is viewed and identified with, fan interactions with each other, reactions to changes, the wilderness years when it wasn't in production. Essays then look at the ways in which the stories are told (e.g., their timeliness, their use of time travel as a device, etc.). After discussing the stories and devices and themes, the essays turn to looking at the Doctor's female companions and how they evolve, are used, and changed by their journey with the Doctor.

For the first time ever, Titan Comics proudly presents the Daleks! Part of the BBC’s epic multi-platform crossover event, Time Lord Victorious, Eisner-nominated writer Jodie Houser (Supergirl) and fan-favorite artist Roberta Ingranata (Witchblade) send the Tenth Doctor (as played by David Tennant) on another spectacular adventure! After awakening in an alternate reality where the Time War never took place, the Tenth Doctor is recruited by his deadly nemeses, the Daleks, to defeat a terror that even they fear. Can the Doctor make peace with his enemies in order to stop this unknown monster from the Dark Times as it seeks to extinguish all life in the universe?! Jump aboard the incredible time-travelling experience everyone’s talking about! Collects Doctor Who: Time Lord Victorious #1-2. “I can’t praise the team of Jody Houser and Roberta Ingranata enough… 10 out of 10.” – Flickering Myth

"From Gifs to vids, from tourist attractions to digital costuming, from Trekkers to Inspector Spacetime, Media Play illuminates the multiple economic, cultural, and social links between fans and the media industries"--

Powerful Prophetic Vision for the Church Amid the Current Global Tumult We are living in one of the most violent, chaotic, and permissive times in history--and each year the darkness looms larger. In the face of such overwhelming evil, how can we, the church, even begin to overcome? In this empowering and practical book, Chuck Pierce--one of the most accurate prophets ministering today--shows believers how to embrace their prophetic destiny in the midst of these tumultuous times. Offering a glimpse into what lies ahead, specifically the years 2017-2026, he explains · China's and Russia's crucial roles in the end times · how the Antichrist system is aligning with existing government structures · Israel's pivotal role in world events · prophecies fulfilled through the blood moons · changing alliances among nations and what these mean · the coming harvest in the church · the culmination of a new world order in 2026 Many kingdoms in this age are vying to rule. We must understand what it means to stand strong as believers in Jesus Christ--and what spiritual forces we are facing. The stage is set; the battle is waging. It's time to fight as never before. And it's time for God's Kingdom to triumph.

"Analyzes paratextual board games--particularly games based on film, television, and books--as unique media texts"--

The Doctor may have regenerated on many occasions, but so too has Doctor Who. Moving with the times, the show has evolved across fifty years...New Dimensions of Doctor Who explores contemporary developments in Doctor Who's music, design and representations of technology, as well as issues of showrunner authority and star authorship. Putting these new dimensions in context means thinking about changes in the TV industry such as the rise of branding and transmedia storytelling. Along with its faster narrative pace, and producer/fan interaction via Twitter, 'new Who' also has a new home at Roath Lock Studios, Cardiff Bay. Studying the 'Doctor Who Experience' in its Cardiff setting, and considering audience nostalgia alongside anniversary celebrations, this book explores how current Doctor Who relates to real-world spaces and times. New Directions of Doctor Who is the scholarly equivalent of a multi-Doctor story, bringing together the authors of Triumph of a Time Lord and TARDISbound, as well as the editors of Time and Relative Dissertations in Space, Impossible Worlds, Impossible Things, Torchwood Declassified and Doctor Who, The Eleventh Hour. It also features contributions from experts on TV brands, bioethics, transmedia and cultural icons. As 'new Who' creates ongoing mysteries and poses exciting questions, this collection demonstrates the vitality of Doctor Who studies.

That Men Would Praise the Lord breaks apart the process of mass conversion in the sixteenth century to explain why the Reformation occurred, using Nîmes, the most Protestant town in France, as a case study. Protestantism was overwhelmingly successful in Nîmes (since most people converted), but the process culminated in two bloody massacres of Nîmes's remaining Catholics. Beginning in 1559, Nîmes went through a revolutionary period comparable to 1789 in its intensity. Townspeople flocked to hear Protestant preachers and then took over Catholic churches, destroyed statues and stained glass, and zealously took part in the Wars of Religion, which convulsed France beginning in 1562. As the Protestant movement grew, it had to adapt to changing circumstances. Nîmes's first Protestants were attracted to Calvin's theology. Later converts believed that the Church needed to be cleansed of its excesses to encourage moral reform and to assist the royal treasury. Iin the end, many converted because of peer pressure or under duress. Thus rather than argue that one factor - whether religious, economic, or political - explains the Reformation, Tulchin emphasizes that the Protestant movement was the result of compromises forged among its members. The conclusion extends his arguments to the rest of France. That Men Would Praise the Lord marries techniques from the social sciences, anthropology, and cultural history in an analytic narrative, resulting in a new, interdisciplinary theory of the Reformation.