The definitive source on trees whose characteristics make them especially useful in relation to buildings and outdoor spaces, this beautiful, jargon-free book will appeal to homeowners as well as professionals. It contains full-page photographs of major species in both summer and winter.

"Any landscape architect worth their soil should pick up The Architecture of Trees, an all-encompassing atlas of all things tree-related."—The Architect's Newspaper Gorgeous, large format volume shows each hand-drawn illustration in stunning detail. The Architecture of Trees is the result of over twenty years of dedicated study by landscape architects Cesare Leonardi and Franca Stagi. This new edition preserves the original magnificent illustrations and text, translated into English for the first time. Features more than 550 exquisite quill-pen drawings. Each of the 212 tree species are drawn to a scale of 1:100, with and without foliage. Complete with tables of seasonal color variation and projections of shadows cast during the hours of daylight and season by season, no other book contains such detailed and scientific drawings of trees. A legendary and unsurpassed botanical masterwork. Considered a standard in many landscape architecture firms, the drawings, essays, and detailed charts are essential for large scale landscaping projects and a helpful tool for backyard renovations. Landscape designers will think in new ways about the effect of seasons and the time of day on trees, and anyone interested in nature and trees will be captivated by the stunning illustrations. "This book could be considered the Bible for tree lovers."—Western Art & Architecture

This hands-on guidebook provides practical, applied information on design considerations, site planning and understand-ing, plant selection, installation, and maintenance of trees in challenging urban environments.

"A valuable resource for both student and practitioner. The text and photos are clear, concise, and informative. A valuable addition to any library, the general public as well."--Kenneth S. Nakaba, FASLA, Professor, California State Polytechnic University, Pomona "This is the treed landscape knowledge source, and the design and management tool we have all been hoping to see for decades. Bridging horticulture and design, it spans without judgment native specifics, introduced "near-native," and "not-so-near-native" trees. It provides the much asked-for design settings as well as the species characteristics in all their delight and imagery. This exhaustive treatise on California trees even sets the context for the big issues of climate, geomorphic, topographic and hydrologic effects, and how we design with trees so as to be true partners in the best future for California."--Joe Brown, Principal, EDAW, Inc. "I find the concept for Chuck's book quite exciting and envision it will be used both by those involved with urban landscapes as well as those involved with restoration of native habitats. It is a well-researched compendium that will aid anyone who is interested in trees and their use in a wide variety of situations. The photographs in the book are an excellent aid in tree identifications and the single volume will reduce the need carry around multiple references for identification of both native as well as non-native trees. It is my hope that Chuck's book will stimulate greater use of California's drought tolerant native trees in landscape plantings because of their reduced water requirements and ecological compatibility with other native plants and animals."--Monty Knudsen, Assistant Project Leader, USDI Fish & Wildlife Service "Trees of the California Landscape is a masterful combination of those native and non-Californian species that have importance in wildlands or the designed landscape or both. Each of the 468-plus pages is devoted to a single species, with photographs of the tree, the bark, and leafy branches accompanied by an amazingly efficient text that summarizes the natural distribution, key identification traits, tree architecture, longevity, and suitable habitats for planting, all in a very readable style. Charles Hatch has created an excellent reference for forest ecologists, landscape designers, horticulturalists, and restoration specialists--not only in California, but throughout the United States."--Michael G. Barbour, Professor of Plant Ecology, University of California, Davis "This richly illustrated book provides a much needed resource for students, educators and practitioners."--Margarita M. Hill, Head, Landscape Architecture Department, California Polytechnic State University, San Luis Obispo

Announcing the new revised edition of the classic industry reference! Landscape Graphics is the architect’s ultimate guide to all the basic graphics techniques used in landscape design and landscape architecture. Progressing from the basics into more sophisticated techniques, this guide offers clear instruction on graphic language and the design process, the basics of drafting, lettering, freehand drawing and conceptual diagramming, perspective drawing, section elevations, and more. It also features carefully sequenced exercises, a complete file of graphic symbols for sections and perspectives, and a handy appendix of conversions and equivalents.

"The idea for Plants in Design emerged from Brad E. Davis' and David Nichols' love for plants and well-designed landscapes, and a frustration with the lack of concise information organized for those creating plant compositions. Most landscape and garden design texts focus either on design principles or on plant materials. The unique design of this book provides a palette of options organized by mature size and scale, covering many genres of plants from grasses to herbaceous perennials, woody shrubs and trees, and even annuals and interior plants. All of these genres are necessary for consideration when composing a well-designed landscape. Plants in Design combines two fundamental components of landscape and garden design: (1) principles and uses of plant material (color, line, texture, etc.) in design, and (2) resource information for analyzing and selecting a broad range of plant materials, from annuals and ground covers to shrubs and trees, for Southern landscapes (USDA hardiness zones 6 to 9). Introductory chapters will discuss plants and their uses in creating outdoor landscapes in settings ranging from small-scale applications (courtyards, walkways, etc.) to medium- and large-scale projects (streetscapes, parks etc.). The book includes many native species that should be used more in designs to benefit native wildlife and also points out the dangers of many non-native plants widely used in the past and now threatening natural ecosystems. A large audience of designers and homeowners will be interested in a well-organized book on designing with plants, without the confusing obscurities found in so many horticultural books that list cultivars and varieties impossible to locate in the nursery industry. The text features 500 Southern landscape plants organized into 13 categories, ranging from large trees to ferns and flowering annuals. Plant accounts include such things as scientific and common names, hardiness zones, flowers and fruit, growing conditions, and pests and diseases. Color photographs (approximately 1,750) will depict plant shape, form, characteristics, and landscape use, both for identification and to envisions how individual plants might appears in a composition. The book includes more than black-and-white drawings, a hardiness zone map, glossary, bibliography, index and design use table for quick reference"--

From their early use as protective shelter to the felling of thousands of trees to harvest wood and create farmland, to more recent attempts at conservation, trees remain one of mankind's greatest resources. But aside from their purely practical uses, trees are appreciated for their beauty and have long served as important elements in designed landscapes. Tree Gardens is the first book to focus on what author Gina Crandell calls the "largest living architectural structures"—masses of trees that form expressive spaces on sites all over the world. Each case study—from the grand park at Versailles, to New York City's 9/11 Memorial Forest—explains how the scale, context, species, and spacing of trees on a particular site establish its expressive structure. Featuring engaging text and beautiful images, this much-needed book combines useful how-to aspects of tree planting with theoretical discourse on tree garden design and will be an important resource for students, landscape architects, and horticulturists alike.

This practical source book is crammed with essential data and analysis of all the factors affecting trees in towns and cities. It is the first book to look at planting techniques from a systematic stand point and, by bringing together a wide range of tree data into one volume, will provide an essential practical tool to ensure success for practitioners.

A call for landscape architects to leave the office and return to the garden. Addressing one of the most repressed subjects in landscape architecture, this book could only have been written by someone who is both an experienced gardener and a landscape architect. With Overgrown, Julian Raxworthy offers a watershed work in the tradition of Ian McHarg, Anne Whiston Spirn, Kevin Lynch, and J. B. Jackson. As a discipline, landscape architecture has distanced itself from gardening, and landscape architects take pains to distinguish themselves from gardeners or landscapers. Landscape architects tend to imagine gardens from the office, representing plants with drawings or other simulations, whereas gardeners work in the dirt, in real time, planting, pruning, and maintaining. In Overgrown, Raxworthy calls for the integration of landscape architecture and gardening. Each has something to offer the other: Landscape architecture can design beautiful spaces, and gardening can enhance and deepen the beauty of garden environments over time. Growth, says Raxworthy, is the medium of garden development; landscape architects should leave the office and go into the garden in order to know growth in an organic, nonsimulated way. Raxworthy proposes a new practice for working with plant material that he terms “the viridic” (after “the tectonic” in architecture), from the Latin word for green, with its associations of spring and growth. He builds his argument for the viridic through six generously illustrated case studies of gardens that range from “formal” to “informal” approaches—from a sixteenth-century French Renaissance water garden to a Scottish poet-scientist's “marginal” garden, barely differentiated from nature. Raxworthy argues that landscape architectural practice itself needs to be “gardened,” brought back into the field. He offers a “Manifesto for the Viridic” that casts designers and plants as vegetal partners in a renewed practice of landscape gardening.

A long-awaited second book from the Miami-based landscape architect lauded by the Wall Street Journal for “dreaming up dense, thickly forested canopies that give way to modern high rises and million-dollar residences.” Color and texture burst forth at every turn in gardens by landscape architect Raymond Jungles. Sculptural bromeliads, swaying palms, delicate epiphytes, and vibrant orchids combine to immerse visitors in rich, lush environments that captivate the eye with layer upon layer of interest. Taking cues first from a site’s topography and conditions, Jungles combines tapestries of plants with unique water elements that enhance what nature has offered—swaths of grasses and succulents direct the eye toward unspeakably romantic Caribbean vistas, intriguingly pitted and mossy oolitic limestone monoliths create trickling waterfalls and hidden grottoes, and innovative combinations of native trees surround sinuous and calming infinity pools. The Cultivated Wild shows Jungles expanding to such diverse locales as Big Timber, Montana; Monterrey, Mexico; St. Kitts and Nevis in the West Indies; Abacos, Bahamas; and even the temporary Brazilian Modern Orchid Show for the New York Botanical Garden—as well as responding creatively to sites unique to his adopted hometown: rooftop gardens and pools including the penthouse Sky Garden atop the now-iconic Herzog & de Meuron–designed parking garage at 1111 Lincoln Road, along with its famous pedestrian promenade. Jungles presents 21 gardens here in glorious full color, many accompanied by highly personal hand-drawn plans, general and thumbnail plans, sections, sketches, and design details that reveal the creative process. Packed with inspiration for gardeners in warm zones and those interested in creating subtropical gardens of their own, The Cultivated Wild reveals a firm working at the height of its talents.