A scholarly edition of Nicolas Malebranche's Treatise on Nature and Grace by Patrick Riley. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Extract from Augustine's Retractions (Book II, Chapter 42): At that time also there came into my hands a certain book of Pelagius', in which he defends, with all the argumentative skill he could muster, the nature of man, in opposition to the grace of God whereby the unrighteous is justified and we become Christians. The treatise which contains my reply to him, and in which I defend grace, not indeed as in opposition to nature, but as that which liberates and controls nature, I have entitled On Nature and Grace. In this work sundry short passages, which were quoted by Pelagius as the words of the Roman bishop and martyr, Xystus, were vindicated by myself as if they really were the words of this Sixtus. For this I thought them at the time; but I afterwards discovered, that Sextus the heathen philosopher, and not Xystus the Christian bishop, was their author. This treatise of mine begins with the words: 'The book which you sent me.'"

"At that time also there came into my hands a certain book of Pelagius', in which he defends, with all the argumentative skill he could muster, the nature of man, in opposition to the grace of God whereby the unrighteous is justified and we become Christians. The treatise which contains my reply to him, and in which I defend grace, not indeed as in opposition to nature, but as that which liberates and controls nature, I have entitled On Nature and Grace. In this work sundry short passages, which were quoted by Pelagius as the words of the Roman bishop and martyr, Xystus, were vindicated by myself as if they really were the words of this Sixtus. For this I thought them at the time; but I afterwards discovered, that Sextus the heathen philosopher, and not Xystus the Christian bishop, was their author. This treatise of mine begins with the words: 'The book which you sent me.'"

Augustine, the man with upturned eye, with pen in the left hand, and a burning heart in the right (as he is usually represented), is a philosophical and theological genius of the first order, towering like a pyramid above his age, and looking down commandingly upon succeeding centuries. He had a mind uncommonly fertile and deep, bold and soaring; and with it, what is better, a heart full of Christian love and humility. He stands of right by the side of the greatest philosophers of antiquity and of modern times. We meet him alike on the broad highways and the narrow footpaths, on the giddy Alpine heights and in the awful depths of speculation, wherever philosophical thinkers before him or after him have trod. As a theologian he is facile princeps, at least surpassed by no church father, schoolman, or reformer. With royal munificence he scattered ideas in passing, which have set in mighty motion other lands and later times. He combined the creative power of Tertullian with the churchly spirit of Cyprian, the speculative intellect of the Greek church with the practical tact of the Latin. He was a Christian philosopher and a philosophical theologian to the full.

By his writings, the surviving bulk of which exceeds that of any other ancient author, Augustine came to influence not only his contemporaries but also the West since his time. This Very Short Introduction traces the development of Augustine's thought, discussing his reaction to the thinkers before him, and themes such as freedom, creation, and the trinity. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Christopher Ryan's study of Dante and Aquinas, touching on issues of nature and grace, of explicit and implicit faith, and of desire and destiny, is intended to mark the difference between them in key areas of theological sensibility. Re-shaped and revised by John Took on the basis of papers made available to him from Christopher Ryan's estate, it seeks to deepen our understanding of one of the great cultural encounters in European letters.

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