The treasures include the Rosetta Stone, the Sutton Hoo ship burial, the Elgin Marbles, the Isle of Lewis chessmen, the Portland Vase, the Aztec turquoise mosaics, relics of the royal cemetery at Ur and the bronze Bodhisattva Tara.

The objects unearthed in 1939 from an Anglo-Saxon ship-burial at Sutton Hoo, Suffolk, rank among the most splendid treasures in the collection of the British Museum. Bringing together fine craftsmanship from England, Germany, Scandinavia, Alexandria and far Byzantium, the spectacular finds included gold and garnet jewellery, silverware, drinking vessels with silver-gilt fittings, a lyre and a sceptre, as well as the iconic helmet, all deliberately buried in the early seventh century as grave-goods for an important, though unidentified, warrior. The Sutton Hoo ship-burial was one of the most exciting discoveries ever made in British archaeology. This beautifully designed introduction to the treasure details the most significant pieces contained within it and explores the circumstances of its burial, discovery and excavation, as well as its lasting legacy and fame.

The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century bce. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context. Ian Jenkins offers an account of the history of the Parthenon and its architectural refinements. He introduces the sculptures as architecture--pediments, metopes, Ionic frieze--and provides an overview of their subject matter and possible meaning for the people of ancient Athens. Accompanying photographs focus on the pediment sculptures that filled the triangular gables at each end of the temple; the metopes that crowned the architrave surmounting the outer columns; and the frieze that ran around the four sides of the building, inside the colonnade. Comparative images, showing the sculptures in full and fine detail, bring out particular features of design and help to contrast Greek ideas with those of other cultures. The book further reflects on how, over 2,500 years, the cultural identity of the Parthenon sculptures has changed. In particular, Jenkins expands on the irony of our intimate knowledge and appreciation of the sculptures--a relationship far more intense than that experienced by their ancient, intended spectators--as they have been transformed from architectural ornaments into objects of art.

For the past two centuries and more, the West has acquired the treasures of antiquity to fill its museums, so that visitors to the British Museum in London, the Louvre in Paris and the Metropolitan in New York - to name but a few - can wonder at the ingenuity of humanity throughout the ages. However, in the opinion of most people, many of these items are looted property and should be returned immediately. In 'Keeping Their Marbles', Tiffany Jenkins tells the intriguing and sometimes bloody story of how the West came to acquire these treasures. Originally published: 2016.

This new and updated edition includes many recent acquisitions and new discoveries, such as Picasso's stunning Vollard Suite and the intriguing Vale of York Viking hoard, and showcases a selection of more than 250 of the most beautiful and important objects drawn from across the Museum. Each object is presented with its own fascinating story and is strikingly illustrated in full colour. From the Warren Cup to Durers Rhinoceros, the Lewis Chessmen to the Aztec turquoise serpent and the Gayer-Anderson Cat, the iconic objects of the British Museum are here presented in an exciting and accessible new way, highlighting the superb craftsmanship and ingenuity of those who created each of these splendid pieces.