Have you ever worn silk? Eaten Rice? Used a calendar? All these things came from ancient China. More than two thousand years ago, the ancient Chinese invented tools and treasures that still shape our lives. Find out where the ancient Chinese lived, what their lives were like, and what happened to them. Discover how they changed the world!

From the 1790s until World War I, Western museums filled their shelves with art and antiquities from around the world. These objects are now widely regarded as stolen from their countries of origin, and demands for their repatriation grow louder by the day. In The Compensations of Plunder, Justin M. Jacobs brings to light the historical context of the exodus of cultural treasures from northwestern China. Based on a close analysis of previously neglected archives in English, French, and Chinese, Jacobs finds that many local elites in China acquiesced to the removal of art and antiquities abroad, understanding their trade as currency for a cosmopolitan elite. In the decades after the 1911 Revolution, however, these antiquities went from being “diplomatic capital” to disputed icons of the emerging nation-state. A new generation of Chinese scholars began to criminalize the prior activities of archaeologists, erasing all memory of the pragmatic barter relationship that once existed in China. Recovering the voices of those local officials, scholars, and laborers who shaped the global trade in antiquities, The Compensations of Plunder brings historical grounding to a highly contentious topic in modern Chinese history and informs heated debates over cultural restitution throughout the world.

Describes and interprets the spectacular works of art presented in the exhibition lent to 5 American museums by China. Not only describes some of the most important recent archaeological discoveries in China, but provides information about 1500 year Chinese.

Over 400 full-color photographs describing over 340 legendary landmarks of China; along with the history and stories behind such sites as the Stone Forest, the Great Wall, Jilin Cathedral, and the Xuankong Monastery.

Join the Chinese admiral and his crew as they battle pirates and raging storms in this beautifully illustrated Chinese history book for kids. Did you know that 85 years before Columbus discovered America, Chinese ships longer than a football field sailed thousands of miles through unknown oceans and visited more than 30 nations? It's true! Adventures of the Treasure Fleet: China Discovers that World is the amazing story of these seven epic voyages and their larger-than-life commander, Admiral Zheng He. Beginning in 1405, Admiral Zheng He led more than 300 gigantic, brightly-painted ships across the South China Sea to the Indian Ocean and all the way to the distant coast of Africa. The admiral and his crew battled pirates and raging storms and were amazed by the people and ways of life in distant lands. At each port, Chinese goods were traded for pearls, precious stones, herbs and medicines which were given as tribute to China's powerful emperor when the ships' returned home. Filled with historical facts, Adventures of the Treasure Fleet brings a fantastic piece of history to life. Gracefully told and beautifully illustrated, the story's fast pace will keep young ones captivated while offering enough information to satisfy curious readers of all ages.

Thanks to Salem sea captains, Gilded Age millionaires, curators on horseback and missionaries gone native, North American museums now possess the greatest collections of Chinese art outside of East Asia itself. How did it happen? The China Collectors is the first full account of a century-long treasure hunt in China from the Opium Wars and the Boxer Rebellion to Mao Zedong's 1949 ascent. The principal gatherers are mostly little known and defy invention. They included "foreign devils" who braved desert sandstorms, bandits and local warlords in acquiring significant works. Adventurous curators like Langdon Warner, a forebear of Indiana Jones, argued that the caves of Dunhuang were already threatened by vandals, thereby justifying the removal of frescoes and sculptures. Other Americans include George Kates, an alumnus of Harvard, Oxford and Hollywood, who fell in love with Ming furniture. The Chinese were divided between dealers who profited from the artworks' removal, and scholars who sought to protect their country's patrimony. Duanfang, the greatest Chinese collector of his era, was beheaded in a coup and his splendid bronzes now adorn major museums. Others in this rich tapestry include Charles Lang Freer, an enlightened Detroit entrepreneur, two generations of Rockefellers, and Avery Brundage, the imperious Olympian, and Arthur Sackler, the grand acquisitor. No less important are two museum directors, Cleveland's Sherman Lee and Kansas City's Laurence Sickman, who challenged the East Coast's hegemony. Shareen Blair Brysac and Karl E. Meyer even-handedly consider whether ancient treasures were looted or salvaged, and whether it was morally acceptable to spirit hitherto inaccessible objects westward, where they could be studied and preserved by trained museum personnel. And how should the US and Canada and their museums respond now that China has the means and will to reclaim its missing patrimony?

Text and lavish photographs present the artistic treasures of Ch'in Shih Huang-ti, first Chinese emperor, and his successors.