"Focusing on the last twelve years of James Henry Lane's life, Spurgeon delves into key aspects of his career such as his time as an Indiana congressman, his role in Kansas's constitutional conventions, and his evolving stance on slavery to challenge prevailing views on Lane's place in history"--Provided by publisher.

Two men, twenty miles apart, are killed in the same strange way on a quiet summer morning in the Florida Keys. Forensic photographer Alex Rutledge finds that he may be the only person interested in pursuing justice, especially when his brother becomes a key suspect.Alex connects the current-day murders to a thirty-year-old scam amidst revenge smoldering since the Nixon years. He races time to thwart a final killing and, if possible, to prove his brother's innocence.Tom Corcoran once again delivers a deftly plotted and gripping mystery with all of the flavor and intrigue that Key West can offer.

. . . In Cold Blood, The Electric Kool-Aid Acid Test, Fear and Loathing in Las Vegas, Slouching Towards Bethlehem, The Armies of the Night . . . Starting in 1965 and spanning a ten-year period, a group of writers including Tom Wolfe, Jimmy Breslin, Gay Talese, Hunter S. Thompson, Joan Didion, John Sack, and Michael Herr emerged and joined a few of their pioneering elders, including Truman Capote and Norman Mailer, to remake American letters. The perfect chroniclers of an age of frenzied cultural change, they were blessed with the insight that traditional tools of reporting would prove inadequate to tell the story of a nation manically hopscotching from hope to doom and back again—from war to rock, assassination to drugs, hippies to Yippies, Kennedy to the dark lord Nixon. Traditional just-the-facts reporting simply couldn’t provide a neat and symmetrical order to this chaos. Marc Weingarten has interviewed many of the major players to provide a startling behind-the-scenes account of the rise and fall of the most revolutionary literary outpouring of the postwar era, set against the backdrop of some of the most turbulent—and significant—years in contemporary American life. These are the stories behind those stories, from Tom Wolfe’s white-suited adventures in the counterculture to Hunter S. Thompson’s drug-addled invention of gonzo to Michael Herr’s redefinition of war reporting in the hell of Vietnam. Weingarten also tells the deeper backstory, recounting the rich and surprising history of the editors and the magazines who made the movement possible, notably the three greatest editors of the era—Harold Hayes at Esquire, Clay Felker at New York, and Jann Wenner at Rolling Stone. And finally Weingarten takes us through the demise of the New Journalists, a tragedy of hubris, miscalculation, and corporate menacing. This is the story of perhaps the last great good time in American journalism, a time when writers didn’t just cover stories but immersed themselves in them, and when journalism didn’t just report America but reshaped it. “Within a seven-year period, a group of writers emerged, seemingly out of nowhere—Tom Wolfe, Jimmy Breslin, Gay Talese, Hunter S. Thompson, Joan Didion, John Sack, Michael Herr—to impose some order on all of this American mayhem, each in his or her own distinctive manner (a few old hands, like Truman Capote and Norman Mailer, chipped in, as well). They came to tell us stories about ourselves in ways that we couldn’t, stories about the way life was being lived in the sixties and seventies and what it all meant to us. The stakes were high; deep fissures were rending the social fabric, the world was out of order. So they became our master explainers, our town criers, even our moral conscience—the New Journalists.” —from the Introduction

"This richly illustrated book provides an in-depth natural history of the most poisonous plants on earth, covering everything from the lethal effects of hemlock and deadly nightshade to the uses of such plants in medicine, ritual, and chemical warfare"--Dust jacket.

Gene Lees is regarded by many as the best jazz essayist in America. The book that consolidated his reputation was "Singers and the Song", which appeared in 1987. Here, this classic work is released in an expanded edition with new essays.