Carmel is a microcosm of California's architectural heritage, sited at one of the most scenic meetings of land and sea in the world. Mission San Carlos Borromeo became a root building for California's first regional building style, the Mission Revival. "Carmel City," as it was called in the 1880s, was marketed as a seaside resort for Catholics. Its pine-studded sand dunes survived the imposition of a standard American gridiron street pattern, with a Western, false-front main street, to become "Carmel-by-the-Sea." Artists, academics, and writers embraced the arts-and-crafts aesthetic of handcrafted homes built from native materials, informally sited in the landscape. In the mid-1920s, Tudor Revival and Spanish Romantic Revival styles enhanced the storybook quality of the community. Carmel's architectural character is primarily the product of working builders. Its design traditions have been interpreted and modified for modern times by noted architects, building designers, and craftsmen. Individual expression continues as an ongoing aesthetic theme.

A must-have guide to one of the most fertile regions for the development of Mid-Century Modern architecture This handbook - the first ever to focus on the architectural wonders of the West Coast of the USA - provides visitors with an expertly curated list of 250 must-see destinations. Discover the most celebrated Modernist buildings, as well as hidden gems and virtually unknown examples - from the iconic Case Study houses to the glamour of Palm Springs' spectacular Modern desert structures. Much more than a travel guide, this book is a compelling record of one of the USA's most important architectural movements at a time when Mid-Century style has never been more popular. First-hand descriptions and colour photography transport readers into an era of unparalleled style, glamour, and optimism.

Featuring over 200 photographs, this stunning book by renowned television historian Dan Cruickshank tells the history of architecture through the stories of 100 iconic buildings

In a continuously running stream of events, The History of Architecture pieces together humankind's building prowess from 10,000 BCE, when humans began creating basic shelters from twigs and leaves, through to the wondrous feats of today, visible in futuristic skyscrapers and towers of concrete, steel and glass. It covers religious and secular architecture, including places of worship, royal buildings, forts, commercial complexes, bridges, industrial buildings, transportation hubs and residences. Discover styles and sub-styles, ranging across civilisations and geographies through biographies, with great masters like Brunelleschi and Frank Lloyd Wright, whose works are considered landmarks of architectural achievement. A famous architect once said, 'Ideally all buildings should be visited'. Practically impossible as that is, many of the more stupendous edifices can be `visited' through the pages of this book.

In this exquisite volume, author Maria Luisa Lobo Montalvo presents the architecture and history of Havana - part of which has been declared a UNESCO World Heritage Site - in an accessible and engaging text and specially commissioned color photographs."--BOOK JACKET.

Does the way in which buildings are looked at, and made sense of, change over the course of time? How can we find out about this? By looking at a selection of travel writings spanning four centuries, Anne Hultzsch suggests that it is language, the description of architecture, which offers answers to such questions. The words authors use to transcribe what they see for the reader to re-imagine offer glimpses at modes of perception specific to one moment, place and person. Hultzsch constructs an intriguing patchwork of local and often fragmentary narratives discussing texts as diverse as the 17th-century diary of John Evelyn, Daniel Defoe's Robinson Crusoe (1719) and an 1855 art guide by Swiss art historian Jacob Burckhardt. Further authors considered include 17th-century collector John Bargrave, 18th-century novelist Tobias Smollett, poet Johann Wolfgang von Goethe, critic John Ruskin as well as the 20th-century architectural historian Nikolaus Pevsner. Anne Hultzsch teaches at the Bartlett School of Architecture, University College London.

Travel is a powerful force in shaping the perception of the modern world and plays an ever-growing role within architectural and urban cultures. Inextricably linked to political and ideological issues, travel redefines places and landscapes through new transport infrastructures and buildings. Architecture, in turn, is reconstructed through visual and textual narratives produced by scores of modern travellers - including writers and artists along with architects themselves. In the age of the camera, travel is bound up with new kinds of imaginaries; private records and recollections often mingle with official, stereotyped views, as the value of architectural heritage increasingly rests on the mechanical reproduction of its images. Whilst students often learn about architectural history through image collections, the place of the journey in the formation of the architect itself shifts. No longer a lone and passionate antiquarian or an itinerant designer, the modern architect eagerly hops on buses, trains, and planes in pursuit of personal as well as professional interests. Increasingly built on a presumption of mobility, architectural culture integrates travel into cultural debates and design experiments. By addressing such issues from a variety of perspectives, this collection, a special Architectural Histories issue on travel, prompts us to rethink the mobile conditions in which architecture has historically been produced and received.

In half a century Toledo was transformed from a fever-ridden swamp into a prosperous town with all the amenities of a major Midwestern city. The 1890s signaled the beginning of Toledos greatest architectural era, with new-fangled skyscrapers being constructed up and down Madison Avenue (without any power tools), grand theaters, a new luxury hotel, and the most lavish mansions in the Old West End. New inventions gave Toledoans more time to visit Walbridge Park, shop at Tiedtkes, or attend a Mud Hens game at Swayne Field. Toledo: A History in Architecture 18901914 looks at the cities most notable buildings and at the personalities and institutions of a long vanished era. Innovations like steel framed and reinforced concrete construction were revolutionizing architecture, and Toledos architects were working overtime on what would be their most important commissions, including the Nasby Building, Valentine Theater, and Lucas County Courthouse. Elegant churches rose on Collingwood Avenue, and in 1912 the white marble Toledo Museum of Art, the citys glittering jewel, was built.

A bestselling author offers a highly entertaining and insightful look at the meaning and importance of style to architecture. This is a book brimming with sharp observations as it shows the connection between architecture, interior decoration, and fashion. 10 line illustrations.