This innovative volume focuses on tourism through the twin lenses of cultural theory and cultural geography. Presenting a set of innovative case studies on tourist destinations around the world, the contributors explore the paradoxes of the tourist experience and the implications of these paradoxes for our broader understanding of the problems of modernity and identity. The book examines how tourism reveals the paradoxical ways that places are both mobile and rooted, real and fake, inhabited by those who are simultaneously insiders and outsiders, and both subjectively experienced and objectively viewed. The concepts of travel and mobility long have been used to explain modern identity and social behavior, but this work pushes beyond the established literature by considering the ways that place and mobility are inherently related in unexpected, even contradictory ways. Travel, the international cast of authors contends, occurs 'in place' rather than 'between places.' Thus, instead of offering yet another interpretation of the ways modern societies are distinguished by their mobilities-in contrast to the supposed place-bound quality of traditional societies-the chapters here collectively argue for an understanding of modern identity as simultaneously grounded and mobile. This rich blend of empirical and theoretical analysis will be invaluable for cultural geographers, anthropologists, and sociologists of tourism.

Ryan Wasserman explores a range of fascinating puzzles raised by the possibility of time travel, with entertaining examples from physics, science fiction, and popular culture, and he draws out their implications for our understanding of time, tense, freedom, fatalism, causation, counterfactuals, laws of nature, persistence, change, and mereology.

The Hugo Award–winning author of Spin, praised as “a hell of a storyteller” by Stephen King, gives time travel his own mind-bending twist . . . Two events made September 1st a memorable day for Jesse Cullum. First, he lost a pair of Oakley sunglasses. Second, he saved the life of President Ulysses S. Grant. In the near future of Robert Charles Wilson’s Last Year, the technology exists to open doorways into the past—but not our past, not exactly. Each “past” is effectively an alternate world, identical to ours but only up to the date on which we access it. And a given “past” can only be reached once. After a passageway is open, it’s the only road to that particular past; once closed, it can’t be reopened. A passageway has been opened to a version of late 19th-century Ohio. It’s been in operation for most of a decade, but it’s no secret, on either side of time. A small city has grown up around it to entertain visitors from our time, and many locals earn a good living catering to them. But like all such operations, it has a shelf life; as the “natives” become more sophisticated, their version of the “past” grows less attractive as a destination. Jesse Cullum is a native. And he knows the passageway will be closing soon. He’s fallen in love with a woman from our time, and he means to follow her back—no matter whose secrets he has to expose in order to do it. “Wilson’s prose is beautifully constructed in this intelligent and gripping novel.” —Chicago Review of Books

In 2554, the World is Coming to its End, unless an impossible mission through 600 years of time travel succeeds. Maternal instinct knows no boundaries, including the nano-neural-net intravenously installed in Dannia Weston’s mind to repress her identity, allowing her to perform a mission 300 years before her time. Transported to the year 1954, Dannia becomes a woman with a mid-twentieth century persona, college educated with an aptitude for mechanical invention. Due to her work during the war, she is employed by the U.S. government on a secret project. But what no one knows—including Dannia or those who sent her back to tinker with the mechanical past to reduce future pollution—is what might happen should she become emotionally involved in 1954. The 2254 science team programmed the nano-net to prevent the possibility of pregnancy, but each person reacts to strong emotional stimuli differently, and using birth control not available in 1954 is out of the question. When Dannia falls in love with Peter Hersh and becomes pregnant, her hormones erode a small section of the nano-chained network that stabilizes her new identity, triggering a mild memory rebirth...and threatening her mission and the fate of the world.

An introduction to awe-inspiring ideas at the brink of paradox: infinities of different sizes, time travel, probability and measure theory, and computability theory. This book introduces the reader to awe-inspiring issues at the intersection of philosophy and mathematics. It explores ideas at the brink of paradox: infinities of different sizes, time travel, probability and measure theory, computability theory, the Grandfather Paradox, Newcomb's Problem, the Principle of Countable Additivity. The goal is to present some exceptionally beautiful ideas in enough detail to enable readers to understand the ideas themselves (rather than watered-down approximations), but without supplying so much detail that they abandon the effort. The philosophical content requires a mind attuned to subtlety; the most demanding of the mathematical ideas require familiarity with college-level mathematics or mathematical proof. The book covers Cantor's revolutionary thinking about infinity, which leads to the result that some infinities are bigger than others; time travel and free will, decision theory, probability, and the Banach-Tarski Theorem, which states that it is possible to decompose a ball into a finite number of pieces and reassemble the pieces so as to get two balls that are each the same size as the original. Its investigation of computability theory leads to a proof of Gödel's Incompleteness Theorem, which yields the amazing result that arithmetic is so complex that no computer could be programmed to output every arithmetical truth and no falsehood. Each chapter is followed by an appendix with answers to exercises. A list of recommended reading points readers to more advanced discussions. The book is based on a popular course (and MOOC) taught by the author at MIT.

“One cool novel. If the Tardis were a Ford Model A , this might be Doctor Who meets National Treasure.”—F. Paul Wilson, New York Times bestselling author of the Repairman Jack series “GET IN THE CAR, MR. TEAGUE. THE ROAD BECKONS.” The traveler sped through Eli Teague’s life long ago. With her tricorne hat, flintlock rifle, and steampunked Model-A Ford, she was a living anachronism, and an irresistible mystery—and she was gone as soon as she arrived, in a cloud of gunfire and a squeal of tires. So when Eli sees her again, he’s determined that this time, he’s going to get some answers. But his hunt soon yields far more than he bargained for, plunging him headlong into a dizzying world full of competing factions and figures straight out of legend. To make sense of the secret at its heart, he must embark on a breakneck chase across the country and through two centuries of history­—with nothing less than America’s past, present, and future at stake. Praise for Paradox Bound “So good you’ll want to invent time travel and send a copy back to yourself, just so you can read it again for the first time. A tour de force.”—Jason M. Hough, New York Times bestselling author of The Darwin Elevator “A timey-wimey, full-barrel adventure novel that also teaches a nonironic lesson in American civics . . . [featuring] an epithet-wielding, pistol-packing heroine that will capture hearts.”—Kirkus Reviews (starred review) “A fast and resonant time-travel thriller and tour of America, bursting with fun ideas.”—Django Wexler, author of The Shadow Campaigns novels “Lively, likeable, and wonderfully amusing.”—Publishers Weekly (starred review)

"We trust in the linear, forever the same shape of the past, until eternity. But the diffrences between the past, presence and future are nothing but an illusion."

“Time travel, murder, corruption, restless baby dinosaurs, and a snarky robot named Ruby collide in this excellent, noir-inflected, humor-infused, science-fiction thriller.”—The Boston Globe An impossible crime. A detective on the edge of madness. The future of time travel at stake. From the author of The Warehouse . . . ONE OF THE BEST BOOKS OF THE YEAR: NPR, Kirkus Reviews January Cole’s job just got a whole lot harder. Not that running security at the Paradox was ever really easy. Nothing’s simple at a hotel where the ultra-wealthy tourists arrive costumed for a dozen different time periods, all eagerly waiting to catch their “flights” to the past. Or where proximity to the timeport makes the clocks run backward on occasion—and, rumor has it, allows ghosts to stroll the halls. None of that compares to the corpse in room 526. The one that seems to be both there and not there. The one that somehow only January can see. On top of that, some very important new guests have just checked in. Because the U.S. government is about to privatize time-travel technology—and the world’s most powerful people are on hand to stake their claims. January is sure the timing isn’t a coincidence. Neither are those “accidents” that start stalking their bidders. There’s a reason January can glimpse what others can’t. A reason why she’s the only one who can catch a killer who’s operating invisibly and in plain sight, all at once. But her ability is also destroying her grip on reality—and as her past, present, and future collide, she finds herself confronting not just the hotel’s dark secrets but her own. At once a dazzlingly time-twisting murder mystery and a story about grief, memory, and what it means to—literally—come face-to-face with our ghosts, The Paradox Hotel is another unforgettable speculative thrill ride from acclaimed author Rob Hart.

Time travel is metaphysically possible. Nikk Effingham contends that arguments for the impossibility of time travel are not sound. Focusing mainly on the Grandfather Paradox, Effingham explores the ramifications of taking this view, discusses issues in probability and decision theory, and considers the potential dangers of travelling in time.

Hilarious, deeply moving, mind-bending, original, romantic, and surprising, this debut teen novel by Emil Ostrovski will appeal to fans of John Green, Chris Crutcher, and Andrew Smith. Gary Shteyngart, author of the New York Times bestseller Super Sad True Love Story, says: "Do yourself a favor and get inside a car with Emil Ostrovski immediately! The Paradox of Vertical Flight is an amazing road trip. You're in for one heck of a ride." An Indie Next Pick! On the morning of his eighteenth birthday, Jack Polovsky kidnaps his own baby, names him Socrates, stocks up on baby supplies at Walmart, and hits the road with his best friend, Tommy, and with the baby's mother, Jess. As they head to Grandma's house (eluding the police at every turn), Jack tells baby Socrates the Greek myths—because all stories spring from those stories, really. Even this one. By turns funny, heart wrenching, and wholly original, this debut novel by Emil Ostrovski explores the nature of family, love, friendship, fatherhood, and myth. "Shares a sense of humor and philosophical bent with such YA authors as John Green and Chris Crutcher. But the story and likable characters are Ostrovsky's own, a delightful mix of quirky, intelligent, naive, well-intentioned, and just plain dumb teens. A delightful success."—ALA Booklist