Travel Writing in an Age of Global Quarantine is an anthology of travel accounts, by a diverse range of writers and academics. Challenging conventional academic ‘authority’, each contributor writes, from memory during the Covid-19 lockdown, about a place they have previously visited, ‘accompanied’ by an historical traveller who published an account of the same place. As immobility is forced upon us, at least for the immediate future, we have the chance to reflect. Travel Writing in an Age of Global Quarantine presents opportunities to approach a text as a scholar differently. We break with the traditional academic ‘rules’ by inserting ourselves into the narrative and foregrounding the personal, subjective elements of literary scholarship. Each contributor critiques an historical description of a place about which, simultaneously, they write a personal account. The travel writer, Philip Marsden, posits a fundamental difference between traditional ‘academic’ writing and travel writing in that travel narratives do not, or ought not anyway, begin by assuming a scholarly authoritative understanding of the places they describe. Instead, they attempt to say what they found and how they felt about it. The very good point we think Marsden makes, and the one this book tries to demonstrate, is that, as a matter of form, the first-person narrative has the ability to expose the research process: to allow the reader to see when and how a scholarly transformation takes place; to give the scholar the opportunity to openly foreground their own subjectivity and say ‘this is the personal journey that led me to my conclusions’; to problematize the unchallenged authority of the scholar. Travel Writing in an Age of Global Quarantine challenges the idea of scholarly authority by embracing the subjective nature of research and the first-person element. We address a problematic distance between travel writing practice and travel writing scholarship, in which the latter talks about the former without ever really talking to it. Defining travel writing as a genre has often proved more difficult than it might seem, but Peter Hulme has suggested that it is ethically necessary for the writer to have visited the place described. Hulme asserts that ‘travel writing is certainly literature, but it is never fiction’. If this seems obvious, Travel Writing in an Age of Global Quarantine asks the reader to consider the idea that if visiting the place described is necessary for the writer to claim they have produced a travel account, might it also be necessary, or at least advantageous and valuable, for the writer of a scholarly critique of that account to have done the same.

Recent figures suggest that there will be 1.6 billion arrivals at world airports by the year 2020. Extreme Pursuits looks at the new conditions of global travel and the unease, even paranoia, that underlies them---at the opportunities they offer for alternative identities and their oscillation between remembered and anticipated states. Graham Huggan offers a provocative account of what is happening to travel at a time characterized by extremes of social and political instability in which adrenaline-filled travelers appear correspondingly determined to take risks. It includes discussions of the links between tourism and terrorism, of contemporary modes of disaster tourism, and of the writing that derives from these; but it also confirms the existence of more responsible forms of travel/writing that demonstrate awareness of a chronically endangered world. Extreme Pursuits is the first study of its kind to link travel writing explicitly with structural changes in the global tourist industry. The book makes clear that travel writing can no longer take refuge in the classic distinctions (traveler versus tourist, foreigner versus native) on which it previously depended. Such distinctions---which were dubious in the first place---no longer make sense in an increasingly globalized world. Huggan argues accordingly that the category "travel writing" must include experimental ethnography and prose fiction; that it should concern itself with other kinds of travel practices, such as those related to Holocaust deportation and migrant labor; and that it should encompass representations of travelers and "traveling cultures" that appear in popular media, especially TV and film. Graham Huggan is Professor of Commonwealth and Postcolonial Literatures at the University of Leeds. He is the coauthor, with Patrick Holland, of Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing (University of Michigan Press) and coauthor, with Helen Tiffin, of Postcolonial Ecocriticism (Routledge). Illustration: "Shadow Wall," 2006 © Shaun Tan.

The 2020 COVID-19 pandemic imposed immobility on large sectors of the world’s population, with confinement becoming an everyday reality. The lives of those who previously enjoyed the privileges of being ‘fast castes’ ground to a halt, while at the same time the displacement of more vulnerable populations along well-established migration corridors has been radically reduced. The result has been a recalibration of the scale of journeying, with travellers slowing down their journeys and readjusting their relationship to the proximate and nearby. This situation has provided an opportunity for those who study travel and travel writing to rethink their objects of study and approaches to them. This volume explores and historicizes the phenomenon of ‘microtravel’, designating slower journeys within a limited radius which allow, and sometimes necessitate, new forms of experiencing the world.

In The Best Women’s Travel Writing, Volume 10: True Stories from Around the World, thirty celebrated and emerging writers invite you to ride shotgun as they travel the globe to discover new places, people, and facets of themselves. The essays are as diverse as the destinations, the common thread being fresh, compelling storytelling that will make you laugh, weep, wish you were there, or thank your lucky stars you weren’t. The Best Women’s Travel Writing speaks to the reasons why we travel—and how travel changes our lives. In The Best Women’s Travel Writing, Volume 10: True Stories from Around the World, you’ll: Study the ancient art of belly dancing in Egypt Go day-drinking with a sea captain in Croatia Scuba dive through an underground cave in Mexico Run from massive exploding balloons in Burma Embed with the military in Afghanistan Experience a different kind of time in Argentina Go dogsledding in Finland Confront heartache, pain, and a deadly creature in Indonesia Negotiate with smugglers in Mongolia Marry a stranger at Burning Man ... and much, much more.

The Best Travel Writing, Volume 9 is the latest in the annual Travelers' Tales series launched in 2004 to celebrate the world's best travel writing — from Nobel Prize winners to emerging new writers. The points of view and perspectives are global, and themes encompass high adventure, spiritual growth, romance, hilarity and misadventure, service to humanity, and encounters with exotic cuisines and cultures.

As a professional travel writer and editor for the past 40 years, Don George has been paid to explore the world. Through the decades, his articles have been published in magazines, newspapers, and websites around the globe and have won more awards than almost any other travel writer alive, yet his pieces have never been collected into one volume. The Way of Wanderlust: The Best Travel Writing of Don George fills this void with a moving and inspiring collection of tales and reflections from one of America’s most acclaimed and beloved travel writers. From his high-spirited account of climbing Mount Kilimanjaro on a whim when he was 22 years old to his heart-plucking description of a home-stay in a muddy compound in Cambodia as a 61-year-old, this collection ranges widely. As renowned for his insightful observations as for his poetic prose, George always absorbs the essence of the places he’s visiting. Other stories here include a moving encounter with Australia’s sacred red rock monolith, Uluru; an immersion in country kindness on the Japanese island of Shikoku; the trials and triumphs of ascending Yosemite’s Half Dome with his wife and children; and a magical morning at Machu Picchu.

The Best Travel Writing 2011 is the eighth volume in the annual Travelers' Tales series launched in 2004 to celebrate the world's best travel writing — from Nobel Prize winners to emerging new writers. The points of view and perspectives are global, and themes encompass high adventure, spiritual growth, romance, hilarity and misadventure, service to humanity, and encounters with exotic cuisine. Sweat, suffer, and fall in love in Guyana, meet a traveler who conducts his own detente in Russian baths, and encounter the light of a stranger in Burma. Further tales include methods on comprehending the nuances of bargaining in Senegal and an archaeologist who digs up her own past in Greece.

LONGLISTED FOR THE ANGLO-HELLENIC LEAGUE RUNCIMAN AWARD 2022 ‘Peter Fiennes’s road trip around Greece [is] engagingly described’ Mary Beard, TLS ‘Fiennes is a brilliant and generous guide through Greece’ Observer What do the Greek myths mean to us today? It’s now a golden age for these tales – they crop up in novels, films and popular culture. But what’s the modern relevance of Theseus, Hera and Pandora? Were these stories ever meant for children? And what’s to be seen now at the places where heroes fought and gods once quarrelled? Peter Fiennes travels to the sites of some of the most famous Greek myths, on the trail of hope, beauty and a new way of seeing what we have done to our world. Fiennes walks through landscapes – stunning and spoiled – on the trail of dancing activists and Arcadian shepherds, finds the ‘most beautiful beach in Greece’, consults the Oracle, and loses himself in the cities, remote villages and ruins of this storied land.

Whether you want to be the next Bill Bryson, set up a brilliant blog or simply make the best of your travel journal, this book will lead you along the travel writer’s way. The Travel Writer’s Way takes a ground-breaking approach to the craft of travel writing, with a 12-step programme of ‘creative journeys’ specially tailored to develop your writing skills. Whether you want to write for pleasure or for publication, for friends or for the wider world, you’ll find this book as inspiring as it is useful. It also contains invaluable advice from a galaxy of the finest travel writers, editors and bloggers, the first guide to gather insights from so many acclaimed experts. Paul Theroux, William Dalrymple, Colin Thubron, Geoff Dyer, Pico Iyer, Levison Wood, Dervla Murphy, Chris Stewart, Sara Wheeler and Simon Calder all share their top tips. Furthermore, there is practical information on establishing your blog, writing your book and submitting your articles to travel editors. Jonathan Lorie has more than 20 years’ experience as travel writer, travel-magazine editor and travel-writing tutor. His is the ultimate guide for those who want to turn their travels into stories. - Advice from 40 of the world’s top travel-writing experts - Practical, 12-step programme to improve your writing - How to publish and market your work as blogs, books or articles