In every hospital emergency department there is a room reserved for trauma. It is a place where life and death are separated by the thinnest of margins. A place where some families celebrate the most improbable of victories while others face the most devastating of losses. A place where what matters the most in this life is revealed. Trauma Room Two is just such a place. In this collection of short stories, Dr. Green takes the reader inside the hidden emotional landscape of emergency medicine. Based on fifteen years of experience as an ER physician, he reveals the profound moments that often occur in emergency rooms for patients, their families, and the staff that work there.

Get the Summary of Philip Allen Green's Trauma Room Two in 20 minutes. Please note: This is a summary & not the original book. "Trauma Room Two" is a poignant and intense exploration of the human condition as witnessed through the eyes of emergency room physician Philip Allen Green. The narrative delves into the lives of various patients who enter the ER, each with their own unique story and circumstances. From a wealthy businessman and his sister attending to their dying father, to a high school athlete's tragic encounter with a drunk driver, Green provides a vivid account of the contrasting realities that converge in the small-town emergency room...

The doctors who tried to save President John F. Kennedy at Parkland Hospital in November of 1963 agreed-either out of respect or fear-not to publish what they had seen, heard, and felt. Then in 1990, one of the Dallas surgeons who worked on JFK in Trauma Room One, Dr. Charles Crenshaw, decided after much deliberation that the American people ought to know the truth. "The wounds to Kennedy's head and throat that I examined were caused by bullets that struck him from the front, not the back, as the public has been led to believe," says Crenshaw. When the first edition of this book was published in 1992, under the title JFK: Conspiracy of Silence, Crenshaw revealed what he never had to opportunity to tell the Warren Commission. In the aftermath, the Journal of the American Medical Association (JAMA) called Crenshaw's book "a fabrication." But JAMA's claim did not hold up in court and Crenshaw subsequently prevailed in a defamation suit against JAMA. In the process, a number of new medical disclosures and discoveries have emerged on the startling medical cover-up of the JFK assassination. CHARLES A. CRENSHAW, M.D. (1933-2001), a Texas native, was Chairman Emeritus of the Department of Surgery and a member of the Board of Directors of the Tarrant County Hospital District in Fort Worth. He received his BS from Southern Methodist University and his MS from East Texas State University. He worked on his Ph.D. at Baylor University Graduate Research Institute in 1957 and, in 1960, he earned his M.D. from the University of Texas Southwestern Medical School in Dallas. He interned at Veteran's Administration Hospital and completed his residency at Dallas's Parkland Memorial Hospital, where he worked for five years. He taught at many institutions, including the UT Southwestern Medical School. He was honored with inclusions in numerous medical and professional societies and was published extensively.

In this pulse-pounding medical memoir, trauma surgeon James Cole takes readers straight into the ER, where anything can and does happen. TRAUMA is Dr. Cole's harrowing account of his life spent in the ER and on the battlegrounds, fighting to save lives. In addition to his gripping stories of treating victims of gunshot wounds, stabbings, attempted suicides, flesh-eating bacteria, car crashes, industrial accidents, murder, and war, the book also covers the years during Cole's residency training when he was faced with 120-hour work weeks, excessive sleep deprivation, and the pressures of having to manage people dying of traumatic injury, often with little support. Unlike the authors of other medical memoirs, Cole trained to be a surgeon in the military and served as a physician member of a Marine Corps reconnaissance unit, United States Special Operations Command (USSOCOM), and on a Navy Reserve SEAL team. From treating war casualties in Afghanistan and Iraq to his experiences as a civilian trauma surgeon treating alcoholics, drug addicts, criminals, and the mentally deranged, TRAUMA is an intense look at one man's commitment to his country and to those most desperately in need of aid.

Klein argues that adult success is often established in the developmental preschool years. She shares advice for parents on how to promote such success-driving positive attributes as resilience, self-regulation, and empathy.

NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.

"Rendezvous in Dallas chronicles the events surrounding the assassination of President Kennedy ... This is not a conspiracy book. In the opinion of the author, the preponderance of evidence indicates that Lee Harvey Oswald, acting alone, assassinated President Kennedy. Two days later, Jack Ruby, also acting alone, shot and killed Oswald in an impulsive fashion. While the reader may disagree with the theories proposed in this book, it is hoped the book will be both educational and entertaining."--The prologue

Master of suspense Christopher Hyde takes us to Dallas in November of 1963, where Homicide Detective Ray Duval is about to collide with history. His girlfriend’s mother used to talk about the wisdom of the bones: “When you’re close to dying, you can see the truth.” Now, with six months left to live, Duval is putting that wisdom to the test. He’s trying to save one last life before he loses his own to a terminal heart condition. But the President’s assassination has sent shockwaves of panic throughout the city. The killer has kidnapped another girl. And unless Duval can break the pattern, she’ll be dead in forty-eight hours. “Hyde’s storytelling is pure genius.”—New York Daily News “[Hyde] draws tension with the skill of a surgeon.”—New York Times bestselling author Michael Connelly

Named One of the Top 20 Books of 2009 by Cleveland Plain Dealer Medical school taught John Rich how to deal with physical trauma in a big city hospital but not with the disturbing fact that young black men were daily shot, stabbed, and beaten. This is Rich's account of his personal search to find sense in the juxtaposition of his life and theirs. Young black men in cities are overwhelmingly the victims—and perpetrators—of violent crime in the United States. Troubled by this tragedy—and by his medical colleagues' apparent numbness in the face of it—Rich, a black man who grew up in relative safety and comfort, reached out to many of these young crime victims to learn why they lived in a seemingly endless cycle of violence and how it affected them. The stories they told him are unsettling—and revealing about the reality of life in American cities. Mixing his own perspective with their seldom-heard voices, Rich relates the stories of young black men whose lives were violently disrupted—and of their struggles to heal and remain safe in an environment that both denied their trauma and blamed them for their injuries. He tells us of people such as Roy, a former drug dealer who fought to turn his life around and found himself torn between the ease of returning to the familiarity of life on the violent streets of Boston and the tenuous promise of accepting a new, less dangerous one. Rich's poignant portrait humanizes young black men and illustrates the complexity of a situation that defies easy answers and solutions.