Why are some species admired or beloved while others are despised? An eagle or hawk circling overhead inspires awe while urban pigeons shuffling underfoot are kicked away in revulsion. Fly fishermen consider carp an unwelcome trash fish, even though the trout they hope to catch are often equally non-native. Wolves and coyotes are feared and hunted in numbers wildly disproportionate to the dangers they pose to humans and livestock. In Trash Animals, a diverse group of environmental writers explores the natural history of wildlife species deemed filthy, unwanted, invasive, or worthless, highlighting the vexed relationship humans have with such creatures. Each essay focuses on a so-called trash species—gulls, coyotes, carp, cockroaches, magpies, prairie dogs, and lubber grasshoppers, among others—examining the biology and behavior of each in contrast to the assumptions widely held about them. Identifying such animals as trash tells us nothing about problematic wildlife but rather reveals more about human expectations of, and frustrations with, the natural world. By establishing the unique place that maligned species occupy in the contemporary landscape and in our imagination, the contributors challenge us to look closely at these animals, to reimagine our ethics of engagement with such wildlife, and to question the violence with which we treat them. Perhaps our attitudes reveal more about humans than they do about the animals. Contributors: Bruce Barcott; Charles Bergman, Pacific Lutheran U; James E. Bishop, Young Harris College; Andrew D. Blechman; Michael P. Branch, U of Nevada, Reno; Lisa Couturier; Carolyn Kraus, U of Michigan–Dearborn; Jeffrey A. Lockwood, U of Wyoming; Kyhl Lyndgaard, Marlboro College; Charles Mitchell, Elmira College; Kathleen D. Moore, Oregon State U; Catherine Puckett; Bernard Quetchenbach, Montana State U, Billings; Christina Robertson, U of Nevada, Reno; Gavan P. L. Watson, U of Guelph, Ontario, Canada.

Reluctant readers will love the gross-out factor these books bring to learning about biological processes.

These animal facts are sure to make just about everyone smile and sometimes go "awwwe!" Little readers will learn a cute or funny fact about some of their favorite animals. A colorful, full-bleed photograph will accompany each fact and will certainly attract reluctant readers too. Complete with a table of contents, glossary, index, and even more facts!

Aria the Albatross and her seabird friends have a problem: They keep throwing up garbage. When she sets out on a long-distance flight across the Pacific Ocean to find out why, she meets other wildlife having trouble with trash. Monk Seal is trapped by a strapping band, Humpback Whale is hopelessly tangled in a ghost fishing net, and Sea Turtle is choking on a plastic bag he thought was a jellyfish. Once-beautiful beaches, reefs and open oceans are littered by discarded fishing gear, disposable lighters, plastic bags and bottle caps, creating unimaginable hazards for the creatures that live there. As Aria learns, humans are both the cause-and the solution-to the ever-increasing problem of marine pollution. With its imagery-laden prose, emotional poetry, and delightful illustrations, Garbage Guts becomes a call for action to preserve some of our planet's most fragile habitats for the wildlife that depends on them.

“Is the tick a machine or a machine operator? Is it a mere object or a subject?” With these questions, the pioneering biophilosopher Jakob von Uexküll embarks on a remarkable exploration of the unique social and physical environments that individual animal species, as well as individuals within species, build and inhabit. This concept of the umwelt has become enormously important within posthumanist philosophy, influencing such figures as Heidegger, Merleau-Ponty, Deleuze and Guattari, and, most recently, Giorgio Agamben, who has called Uexküll “a high point of modern antihumanism.” A key document in the genealogy of posthumanist thought, A Foray into the Worlds of Animals and Humans advances Uexküll’s revolutionary belief that nonhuman perceptions must be accounted for in any biology worth its name; it also contains his arguments against natural selection as an adequate explanation for the present orientation of a species’ morphology and behavior. A Theory of Meaning extends his thinking on the umwelt, while also identifying an overarching and perceptible unity in nature. Those coming to Uexküll’s work for the first time will find that his concept of the umwelt holds new possibilities for the terms of animality, life, and the framework of biopolitics.

The critically acclaimed debut from the National Book Award–winning author of Blackouts. In this award-winning, groundbreaking novel, Justin Torres plunges us into the chaotic heart of one family, the intense bonds of three brothers, and the mythic effects of this fierce love on the people we must become. “A tremendously gifted writer whose highly personal voice should excite us in much the same way that Raymond Carver’s or Jeffrey Eugenides’s voice did when we first heard it.” —The Washington Post Three brothers tear their way through childhood—smashing tomatoes all over each other, building kites from trash, hiding out when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn—he’s Puerto Rican, she’s white—and their love is a serious, dangerous thing that makes and unmakes a family many times. Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one another. From the intense familial unity felt by a child to the profound alienation he endures as he begins to see the world, this beautiful novel reinvents the coming-of-age story in a way that is sly and punch-in-the-stomach powerful. “We the Animals is a dark jewel of a book. It’s heartbreaking. It’s beautiful. It resembles no other book I’ve read.” —Michael Cunningham “A fiery ode to boyhood. . . A welterweight champ of a book.” —NPR, Weekend Edition NOW A MAJOR MOTION PICTURE

"Do animals really eat barf and poop? They sure do! Full-color photography and funny facts will engage young readers in learning about the biological processes of living things"--

The author of The Hive Detectives presents “a unique and often fascinating book on ocean currents, drifting trash, and the scientists who study them” (Booklist). Aided by an army of beachcombers, oceanographer Dr. Curtis Ebbesmeyer tracks trash in the name of science. From sneakers to hockey gloves, Curt monitors the watery fate of human-made cargo that has spilled into the ocean. The information he collects is much more than casual news; it is important scientific data. And with careful analysis, Curt, along with a community of scientists, friends, and beachcombers alike, is using his data to understand and protect our ocean. In engaging text and unforgettable images, readers meet the woman who started it all (Curt’s mother!), the computer program that makes sense of his data (nicknamed OSCURS), and several scientists, both on land and on the sea, who are using Curt’s discoveries to preserve delicate marine habitats and protect the creatures who live in them. A Boston Globe-Horn Book Award Honor Book for Nonfiction “Even kids not remotely interested in science might find this work captivating.”—Newsday “Loaded . . . with information, insight, and intellectual twists.”—Natural History Magazine “The well-written narration will keep readers engaged, and it’s excellent for reports. The science is clearly explained, and the vivid and lively photographs and well-labeled charts and diagrams help to create interest and build understanding. This title will get readers thinking and possibly acting on these problems.”—School Library Journal (starred review) “Scientific information builds from chapter to chapter, creating a natural detective story.”—Horn Book

A fascinating and unprecedented ethnography of animal sanctuaries in the United States In the past three decades, animal rights advocates have established everything from elephant sanctuaries in Africa to shelters that rehabilitate animals used in medical testing, to homes for farmed animals, abandoned pets, and entertainment animals that have outlived their “usefulness.” Saving Animals is the first major ethnography to focus on the ethical issues animating the establishment of such places, where animals who have been mistreated or destined for slaughter are allowed to live out their lives simply being animals. Based on fieldwork at animal rescue facilities across the United States, Elan Abrell asks what “saving,” “caring for,” and “sanctuary” actually mean. He considers sanctuaries as laboratories where caregivers conceive and implement new models of caring for and relating to animals. He explores the ethical decision making around sanctuary efforts to unmake property-based human–animal relations by creating spaces in which humans interact with animals as autonomous subjects. Saving Animals illustrates how caregivers and animals respond by cocreating new human–animal ecologies adapted to the material and social conditions of the Anthropocene. Bridging anthropology with animal studies and political philosophy, Saving Animals asks us to imagine less harmful modes of existence in a troubled world where both animals and humans seek sanctuary.