He had accidentally traveled back to the ancient times and only wanted to be a teacher, but in the end, he had become a Great Saint Master who was admired by many.Shangguan Wan'er: I am the first student of Xiao Wen Sheng ShiZhuge Liang: Don't call me the God of War, my Xiao Wen Sheng is the real God of War.Wu Zetian: I was able to become an ancient female emperor all because of the careful nurturing of Xiao Wen Sheng Shi.Hua Tuo: My medical skills were taught to me by my Saint Xiao Wen.Qin Shi Huang: Master Xiao Wen Sheng is a god-like person. He can create all kinds of impossible miracles!Liu Bang: I am honored, Xiao Wen Sheng is the teacher of my country.Li Shimin: Master Xiao Wen Sheng is the person I admire the most, not one of them.

A year after the battle at the Holy Amalgamate Mountains, Yi Ping had finally known of his true destiny. Forced by destiny to transmigrate to the Celestial Realm or forced to face the Divine Wrath, Yi Ping has to find more fragments of the Heavenly Relics. But what awaits them in the Celestial Realm isn't what they are expecting! Synopsis ""It is said that when a martial exponent reached the highest state of divinity of their arts, they be able to transcend into Celestials, overcoming the limitation of life and death. And as Celestials, they have to overcome seven celestial divinity, Genesis, Enlighten, Emotion, Transverse, Seventh Sense, Crisis and Ascend in order to transcend to the Heavens."" It is said that the Stellar Sanctuary is created by the first person that has ever ascended as an immortal being and the Astronomic Stellar Formation is the only place that is possible to transmigrate to the Gods' Realm.

The two volumes together may be described as search for the original ideational foundations of Indian Culture. In one way this work recalls the tradition of Coomaraswamy but seeks to join it to the mainstream of critical history. It argues that the living continuity of Indian Culture is rooted in a unique spiritual vision and social experience. Indian Culture is neither the result of merely accidental happenings through the centuries, nor a mere palimpsest of migrations and invasions. It is, in its essence, a development of foundational ideas constituting a creative matrix. Behind its changing historical forms lies a deep and persistent source of creativity which is spiritual in character. The Present volume I deals with the spiritual vision and symbolic forms. Here is has been upheld that the spiritual vision of India had two original aspects, the integral or synoptic vision of the Vedas, and the Sramanic vision of Transcendence. Purnata and Sunyata constituted the two poles round which Indian spirituality revolved. The author not only elucidates this bipolar matrix of Indian spirituality revolved. The author not only elucidates this bipolar matrix of Indian spiritual praxis or sadhana, but also traces its intricate ancient history. He goes on to trace the great symbolic forms-language, myth, science, literature and art-in which this basic vision expressed itself. In all these areas he brings out the basic general principles expressive of inner consciousness rather than present a mere selection of well-known details.