This book offers a unique mapping of Mediterranean cultures and histories in transnational contexts. A diverse collection of diasporic scholars stage a critical examination of transmediterranean subjects across a broad spectrum of geopolitical spaces that encompasses India, Greece, Palestine, Sudan, Australia, the Netherlands, Italy and Libya. Focusing on the transnational dispersions and heterogeneous embodiments of Mediterranean cultures, this book examines how these cultures, geopolitical spaces and subjects are caught within flows of exchange, contestation and reconfiguration. Working in the interstices of global formations, the essays in this volume proceed to articulate transmediterranean affiliations that challenge the borders and limits of the nation-state.

This volume contains a selection of fourteen papers presented at the Red Sea VI conference held at Tabuk University, Kingdom of Saudi Arabia in 2013. It sheds light on many aspects related to the environmental and biological perspectives, history, archaeology and human culture of the Red Sea, opening the door to more interdisciplinary research in the region. It stimulates a new discourse on different human adaptations to, and interactions with, the environment. With contributions by Andre Antunes, K. Christopher Beard, Ahmed Hussein, Emad Khalil, Solène Marion de Procé, Abdirachid Mohamed, Ania Kotarba-Morley, Sandra Olsen, Andrew Peacock, Eleanor Scerri, Pierre Schneider, Marijke Van Der Veen and Chiara Zazzaro.

This collection of essays on Trans-Mediterranean Francospheres offers an original examination of cultural production and the flows between urban capitals and capital in and of a selection of Mediterranean cities and sites. In three parts, the book covers both familiar and overlooked terrain, in chapters which examine writing the city, the transit between different poles, film and EU designated cultural capitals. The collection therefore brings together texts and their critical readings in new comparative ways. Following Jacques Derrida's peregrinations in L'Autre Cap (1991), the volume interrogates the what of Europe; the when or where of Paris; the who of the Mediterranean. Or might the Mediterranean fall under the rubric of paleonomy, that is, as Michael Naas recalls Derrida's words in Positions: the 'strategic' necessity that requires the occasional maintenance of an old name in order to launch a new concept. Taking this forward, we understand the Mediterranean as an old name to launch a new concept and the essays in the book each reflect on this in different ways. Issues concerning identity are challenged, since a Metropolitan, European, Arab or African identity may be preferred over a Mediterranean one. As borders become reinforced in the region, trans-Mediterranean bridging narratives may be thwarted, especially by those who write across Europe, Africa and the Middle East, in the face of the contemporary refugee crisis. Finally, chapters explore what it means to define a Mediterranean city-such as Marseille as European Capital of Culture-and interrogate how this feeds into the cultural production of a city whose multi-ethnic identities are as outward-looking towards North Africa as they are inward towards the French capital.

The first examination of the importance of NATO's Mediterranean Initiative for the security and stability of the Euro-Mediterranean area, this book discusses the challenges, risks, and possible threats to NATO member states which may stem from the southern and eastern Mediterranean.

This collective volume concentrates on the concept of transposition, exploring its potential as a lens through which to examine recent Francophone literary, cinematic, theatrical, musical, and artistic creations that reveal multilingual and multicultural realities. The chapters are composed by leading scholars in French and Francophone Studies who engage in interdisciplinary reflections on the ways transcontinental movement has influenced diverse genres. It begins with the premise that an attentiveness to migration has inspired writers, artists, filmmakers, playwrights and musicians to engage in new forms of translation in their work. Their own diverse backgrounds combine with their awareness of the itineraries of others to have an impact on the innovative languages that emerge in their creative production. These contemporary figures realize that migratory actualities must be transposed into different linguistic and cultural contexts in order to be legible and audible, in order to be perceptible - either for the reader, the listener, or the viewer. The novels, films, plays, works of art and musical pieces that exemplify such transpositions adopt inventive elements that push the limits of formal composition in French. This work is therefore often inspiring as it points in evocative ways toward fluid influences and a plurality of interactions that render impossible any static conception of being or belonging.

From Yiddish-speaking Russian-Lithuanian feather handlers in South Africa to London manufacturers and wholesalers, from New York's Lower East Side to entrepreneurial farms in the American West, this text explores the details of a remarkably vibrant yet ephemeral culture.