Like other international cities, Tehran is filled with the religious, the irreligious and the indifferent. This work provides essays and picture stories to bring the city to life. It celebrates the country's long tradition of artistic and cultural resistance that has influenced young Iranians.

What do ad agencies look for when casting TV commercials? This insider's guide, written by a former actor turned ad agency exec, has the answers. It provides step—by—step instructions to help actors understand and master the entire process, from assessing one's looks and personality to the agency preproduction process, from reading scripts and understanding storyboards to preparing for the audition, doing the shoot, and more.

Previous edition: published as by Patricia L. Baker and Hilary Smith. 2009.

"Relaying Cinema in Midcentury Iran investigates how the cultural translation of cinema has been shaped by the physical translation of its ephemera. Kaveh Askari examines film circulation and its effects on Iranian film cultures in the period before foreign studios established official distribution channels and before Iran became a notable site of so-called world cinema. This transcultural history draws on cross-archival comparison of films, distributor memos, licensing contracts, advertising schemes, and audio recordings. Askari meticulously tracks the fragile and sometimes forgotten material of film as it circulated through the Middle East into Iran and shows how this material was rerouted, reengineered, and reimagined in the process. "--

#1 NEW YORK TIMES BESTSELLER • We all have dreams—things we fantasize about doing and generally never get around to. This is the story of Azar Nafisi’s dream and of the nightmare that made it come true. For two years before she left Iran in 1997, Nafisi gathered seven young women at her house every Thursday morning to read and discuss forbidden works of Western literature. They were all former students whom she had taught at university. Some came from conservative and religious families, others were progressive and secular; several had spent time in jail. They were shy and uncomfortable at first, unaccustomed to being asked to speak their minds, but soon they began to open up and to speak more freely, not only about the novels they were reading but also about themselves, their dreams and disappointments. Their stories intertwined with those they were reading—Pride and Prejudice, Washington Square, Daisy Miller and Lolita—their Lolita, as they imagined her in Tehran. Nafisi’s account flashes back to the early days of the revolution, when she first started teaching at the University of Tehran amid the swirl of protests and demonstrations. In those frenetic days, the students took control of the university, expelled faculty members and purged the curriculum. When a radical Islamist in Nafisi’s class questioned her decision to teach The Great Gatsby, which he saw as an immoral work that preached falsehoods of “the Great Satan,” she decided to let him put Gatsby on trial and stood as the sole witness for the defense. Azar Nafisi’s luminous tale offers a fascinating portrait of the Iran-Iraq war viewed from Tehran and gives us a rare glimpse, from the inside, of women’s lives in revolutionary Iran. It is a work of great passion and poetic beauty, written with a startlingly original voice. Praise for Reading Lolita in Tehran “Anyone who has ever belonged to a book group must read this book. Azar Nafisi takes us into the vivid lives of eight women who must meet in secret to explore the forbidden fiction of the West. It is at once a celebration of the power of the novel and a cry of outrage at the reality in which these women are trapped. The ayatollahs don’ t know it, but Nafisi is one of the heroes of the Islamic Republic.”—Geraldine Brooks, author of Nine Parts of Desire

From the controversial expert who brought Iran's nuclear program to the attention of the world in 2002 comes a searing exposé of the inner workings and plans of Iran's mullahs. With access to dissident groups inside Iran, Alireza Jafarzadeh traces President Ahmadinejad's radical roots and involvement in terror attacks to his impact on Iran's weapons program. He reveals new details on Iran's meddling in Iraq and its broader goals for the future of the Middle East. This is the most authoritative account to date of the looming threat Iran poses to the United States and the Gulf region. Readers will learn for the first time: *President Ahmadinejad's radical past as a feared torturer of political prisoners and his zealous mission to deliver the regime its first nuclear bomb *The chilling trend of the military's increasing control of the nuclear program *How Ahmadinejad was handpicked by Iran's mullahs to help create an Islamic Republic in Iraq *The latest covert actions to bury nuclear facilities in tunnels *The story of the front companies Iran used to buy its nuclear technology undetected *The author's original and insightful policy options to end the Iranian threat

Russians in Iran seeks to challenge the traditional narrative regarding Russian involvement Iran and to show that whilst Russia's historical involvement in Iran is longstanding it is nonetheless much misunderstood. Russia's influence in Iran between 1800 and the middle of the twentieth century is not simply a story of inexorable intrusion and domination: rather, it is a complex and interactive process of mostly indirect control and constructive engagement. Drawing on fresh archival material, the contributors provide a window into the power and influence wielded in Iran not just by the Russian government through it traditional representatives but by Russian nationals operating in Iran in a variety of capacities, including individuals, bankers, and entrepreneurs. Russians in Iran reveals the multifaceted role that Russians have played in Iranian history and provides an original and important contribution to the history and international relations of Iran, Russia and the Middle East.

2011 Updated Reprint. Updated Annually. Iran Mining Laws and Regulations Handbook