Whither the life of online images?

Cuts across perceptual psychology, art, television, film, literature, advertising, and political communication to give the reader critical insight into the holistic logic and emotional power of the images that dominate our lives.

Solid State Physics

The three-volume work Perceiving in Depth is a sequel to Binocular Vision and Stereopsis and to Seeing in Depth, both by Ian P. Howard and Brian J. Rogers. This work is much broader in scope than the previous books and includes mechanisms of depth perception by all senses, including aural, electrosensory organs, and the somatosensory system. Volume 1 reviews sensory coding, psychophysical and analytic procedures, and basic visual mechanisms. Volume 2 reviews stereoscopic vision. Volume 3 reviews all mechanisms of depth perception other than stereoscopic vision. The three volumes are extensively illustrated and referenced and provide the most detailed review of all aspects of perceiving the three-dimensional world. Volume 1 starts with a review of the history of visual science from the ancient Greeks to the early 20th century with special attention devoted to the discovery of the principles of perspective and stereoscopic vision. The first chapter also contains an account of early visual display systems, such as panoramas and peepshows, and the development of stereoscopes and stereophotography. A chapter on the psychophysical and analytic procedures used in investigations of depth perception is followed by a chapter on sensory coding and the geometry of visual space. An account of the structure and physiology of the primate visual system proceeds from the eye through the LGN to the visual cortex and higher visual centers. This is followed by a review of the evolution of visual systems and of the development of the mammalian visual system in the embryonic and post-natal periods, with an emphasis on experience-dependent neural plasticity. An account of the development of perceptual functions, especially depth perception, is followed by a review of the effects of early visual deprivation during the critical period of neural plasticity on amblyopia and other defects in depth perception. Volume 1 ends with accounts of the accommodation mechanism of the human eye and vergence eye movements.

This scholarly anthology presents a new framework for understanding early cinema through its usage outside the realm of entertainment. From its earliest origins until the beginning of the twentieth century, cinema provided widespread access to remote parts of the globe and immediate reports on important events. Reaching beyond the nickelodeon theatres, cinema became part of numerous institutions, from churches and schools to department stores and charitable organizations. Then, in 1915, the Supreme Court declared moviemaking a “busines, pure and simple,” entrenching the film industry’s role as a producer of “harmless entertainment.” In Beyond the Screen, contributors shed light on how pre-1915 cinema defined itself through institutional interconnections and publics interested in science, education, religious uplift, labor organizing, and more.

The notion of «exposure» underlies much modern thinking about identity, representation, ethics, desire and sexuality. This provocative notion is explored in a collection of essays selected from, and inspired by, the proceedings of a conference held in the Department of French at the University of Cambridge in 2002. The authors engage with exposure as both object and mode of representation in a range of cultural media: literature, critical theory, visual art and film. They analyse a variety of works from the medieval, early-modern, and modern periods, examining not only canonical texts such as Montaigne's Essais but also lesser-studied works such as the psychoanalytic theory of Didier Anzieu, the photomontage self-portraits of Claude Cahun, and the novel La Nouvelle Pornographie by Marie Nimier. This volume thus both illustrates and, more importantly, interrogates the richness of the term «exposure», in a way that is stimulating for students and researchers alike.

Citizens of the World investigates an area of eighteenth-century cultural, intellectual, and day-to-day life that many have seen but few have explored: adaptation. Throughout the long eighteenth century, adaptation happened repeatedly and in diverse forms: in the experience of travelers, merchants, and expatriates who made their way in foreign lands; in the adjustment of ancient literary norms to modern themes, concerns, and expectations; in the development of scientific apparatus for the probing of newly-discovered phenomena; in translating; in the adjusting of familiar architecture for new environments; in speculating about and making provision for the future reception of contemporary works; in the tempering and symphonizing of musical instruments; and in dozens of other no less important ways. The eight essays in this book, composed by scholars from Europe, Asia, and North America, provide the first panoramic view of adaptation during the Enlightenment. Essays delve into such diverse forms of adaptation as the representation of cultural interchange on porcelain serving pieces; the attempt to come to terms with the demands of air travel through the often cumbersome technology of ballooning; the relevance of the English Enlightenment to present-day Caribbean literature; piracy as a form of recalibration; Vietnamese verse; Georgic envisioning of ecological stability; and the uncanny interactions of French provincial architecture with both eighteenth-century dwellers and their descendants. Cumulatively, the essays illuminate the process by which eighteenth-century thinkers, artists, and adventurers elevated adaptation from a mere necessity to a stimulating, happily unending cultural project.

Thermomechanics and Infra-Red Imaging represents one of eight volumes of technical papers presented at the Society for Experimental Mechanics Annual Conference on Experimental and Applied Mechanics, held at Uncasville, Connecticut, June 13-16, 2011. The full set of proceedings also includes volumes on Dynamic Behavior of Materials, Mechanics of Biological Systems and Materials, Mechanics of Time-Dependent Materials and Processes in Conventional and Multifunctional Materials, MEMS and Nanotechnology; Optical Measurements, Modeling and, Metrology; Experimental and Applied Mechanics, and Engineering Applications of Residual Stress.

The Science of Crime Scenes, Second Edition offers a science-based approach to crime scenes, emphasizing that understanding is more important than simply knowing. Without sacrificing technical details, the book adds significantly to the philosophy and theory of crime scene science. This new edition addresses the science behind the scenes and demonstrates the latest methods and technologies with updated figures and images. It covers the philosophy of the crime scene, the personnel involved at a scene (including the media), the detection of criminal traces and their reconstruction, and special crime scenes, such as mass disasters and terroristic events. Written by an international trio of authors with decades of crime scene experience, this book is the next generation of crime scene textbooks. This volume will serve both as a textbook for forensic programs, and as an excellent reference for forensic practitioners and crime scene technicians with science backgrounds. - Includes in-depth coverage of disasters and mass murder, terror crime scenes and CBRN (Chemical, biological, radioactive and nuclear) – topics not covered in any other text - Includes an instructor site with lecture slides, images and links to resources for teaching and training