As the fight for transgender rights has grown and made incredible strides, so too has a new generation of activists and celebrities stepped forward into the spotlight to promote awareness, sensitivity, and respect for their community. The articles in this book share the stories of dozens of the figures who have been key in the evolving push for greater trans visibility and acceptance. Featuring the lives and words of such prominent figures as Laverne Cox, Jennifer Finley Boylan, and Caitlyn Jenner, these pieces highlight the ways in which prominent individuals living incredibly public lives are changing the conversation around the transgender community and the rights and respect its members deserve.

NAMED A BOOK OF THE YEAR BY THE ECONOMIST AND ONE OF THE BEST BOOKS OF 2021 BY THE TIMES AND THE SUNDAY TIMES "Irreversible Damage . . . has caused a storm. Abigail Shrier, a Wall Street Journal writer, does something simple yet devastating: she rigorously lays out the facts." —Janice Turner, The Times of London Until just a few years ago, gender dysphoria—severe discomfort in one’s biological sex—was vanishingly rare. It was typically found in less than .01 percent of the population, emerged in early childhood, and afflicted males almost exclusively. But today whole groups of female friends in colleges, high schools, and even middle schools across the country are coming out as “transgender.” These are girls who had never experienced any discomfort in their biological sex until they heard a coming-out story from a speaker at a school assembly or discovered the internet community of trans “influencers.” Unsuspecting parents are awakening to find their daughters in thrall to hip trans YouTube stars and “gender-affirming” educators and therapists who push life-changing interventions on young girls—including medically unnecessary double mastectomies and puberty blockers that can cause permanent infertility. Abigail Shrier, a writer for the Wall Street Journal, has dug deep into the trans epidemic, talking to the girls, their agonized parents, and the counselors and doctors who enable gender transitions, as well as to “detransitioners”—young women who bitterly regret what they have done to themselves. Coming out as transgender immediately boosts these girls’ social status, Shrier finds, but once they take the first steps of transition, it is not easy to walk back. She offers urgently needed advice about how parents can protect their daughters. A generation of girls is at risk. Abigail Shrier’s essential book will help you understand what the trans craze is and how you can inoculate your child against it—or how to retrieve her from this dangerous path.

As the fight for transgender rights has grown and made incredible strides, so too has a new generation of activists and celebrities stepped forward into the spotlight to promote awareness, sensitivity, and respect for their community. The articles in this book share the stories of dozens of the figures who have been key in the evolving push for greater trans visibility and acceptance. Featuring the lives and words of such prominent figures as Laverne Cox, Jennifer Finley Boylan, and Caitlyn Jenner, these pieces highlight the ways in which prominent individuals living incredibly public lives are changing the conversation around the transgender community and the rights and respect its members deserve.

Feminist Theory and Pop Culture synthesizes feminist theory with modern portrayals of gender in media culture. This comprehensive and interdisciplinary text includes an introductory chapter written by the editor as well as nine contributor chapters of original content. Included in the text: • Historical illustration of feminist theory • Application of feminist research methods for the study of gender • Feminist theoretical perspectives such as the male gaze, feminist standpoint theory, Black feminist thought, queer theory, masculinity theory, theories of feminist activism and postfeminism • Contributor chapters cover a range of topics from Western perspectives on Belly Dance classes to television shows such as GIRLS, Scandal and Orange is the New Black, as well as chapters which discuss gendered media forms like “chick lit”, comic books and Western perspectives of non-Western culture in film • Feminist theory as represented in the different waves of feminism, including a discussion of a fourth wave • Pedagogical features • Suggestions for further reading on topics covered • Discussion questions for classroom use Feminist Theory and Pop Culture was designed for classroom use and has been written with an eye toward engaging students in discussion. The book’s polished perspective on feminist theory juxtaposes popular culture with theoretical perspectives which have served as a foundation for the study of gender. This interdisciplinary text can serve as a primary or supplemental reading in undergraduate or graduate courses which focus on gender, pop culture, feminist theory or media studies. “This excellent anthology grounds feminism as articulated through four waves and features feminists responding to pop culture, while recognizing that popular culture has responded in complicated ways to feminisms. Contributors proffer lucid and engaging critiques of topics ranging from belly dancing through Fifty Shades of Grey, Scandal and Orange is the New Black. This book is a good read as well as an excellent text to enliven and inform in the classroom.” Dr. Jane Caputi Professor of Women, Gender and Sexuality Studies and Communication & Multimedia at Florida Atlantic University “Feminist Theory and Pop Culture is destined to be as popular as the culture it critiques. The text plays up the paradoxes of contemporary feminism and requires its readers to ask difficult questions about how and why the popular bring us pleasure. It is a contemporary collection that captures this moment in feminist time with diverse analyses of women’s representations across an impressive swath of popular culture. Feminist Theory and Pop Culture is the kind of text that makes me want to redesign my pop culture course. Again.” Dr. Ebony A. Utley, Assistant Professor of Communication at California State University-Long Beach, author of Rap and Religion Adrienne Trier-Bieniek, Ph.D. is a professor of sociology at Valencia College in Orlando, Florida. She is the author of Sing Us a Song, Piano Woman: Female Fans and the Music of Tori Amos (Scarecrow 2013) and the co-editor of Gender & Pop Culture: A Text-Reader (Sense 2014). www.adriennetrier-bieniek.com

In the early 1990s, no one talked about transgender people, and no one knew one. We were not on TV or in movies. What formed the visible part of the transcommunity – overwhelmingly white, urban, and middle class – was also overwhelmingly focused on conferences, surgery or hormones and cisgender acceptance. This was still a determinedly non-political population, often in defensive crouch because it was also constantly under attack by the media, police, local legislatures, feminists and even LGB-but-never-T advocates. We were a group that still thought of ourselves as a collection of separate individuals, not a movement. What made political consciousness so difficult was that there was no “transgender section” of town, where we saw each other regularly. And mainstream society mostly ignored us. And when it didn’t, it usually made clear it despised us. We were freaks. We were gendertrash. We lived in a transient and indoor community that knew itself only a few days at a time during conferences at hotels out on the interstate. But all that was about to change. Even when politics are avoided, bringing despised and marginalized people together is itself a political act. Without realizing or intending it, the community was reaching critical mass. Even in those pre-Internet, pre-cellphone days, enough transpeople were running into one another often enough to begin realizing we could be a force, that we didn’t really need cisgender acceptance. What we needed was our civil rights. This is the inside story of how in just a few years, a handful of trans activists would come together in the face of enormous difficulties and opposition to launch from the very margins of society what would grow into the modern political movement for gender rights.

Too short. Too weird. Too quiet. Not true. Let Internet superstar Jeffrey Marsh help you end those negative thoughts and discover how wonderful you are. An interactive experience, How to Be You invites you to make the book your own through activities such as coloring in charts, answering questions about how you do the things you do, and discovering patterns in your life that may be holding you back. Through Jeffrey's own story of "growing up fabulous in a small farming town"--along with the stories of hero/ines who have transcended the stereotypes of race, age, and gender--you will discover that you are not alone. Learn to deepen your relationship with yourself, boost your self-esteem and self-worth, and find the courage to take a leap that will change your life.

In recent years, celebrity philanthropy and activism has attracted much attention from the media, sparking a great deal of public interest. As exponents and endorsers of the marketisation and corporatisation of philanthropy and activism, globally renowned super-celebrities habitually lend their name, time and energy to a range of causes. They help raise awareness, generate funds and endeavour to evoke social and political responses to crucial societal issues. These can range from domestic violence, cancer prevention, climate change and transgender acceptance, to refugee problems and fighting poverty at home and abroad. But in what ways do (mediated communications about) these celebrities have the power to define what is going wrong in the world, who or what is to blame, how this can be solved and how this is to be evaluated morally and ethically? Does celebrity humanitarianism and activism serve to reinforce postcolonial power relations or does it help solve social problems, advancing traditional views on how society is, and should be, organised? Importantly, more than conceptual and empirical exploration of celebrity philanthropy and activism as such, this book analyses the mediated communication, the mediatised narratives that these endeavours provide. Combining insights from philanthropy and welfare regime studies, international politics and diplomacy, postcolonial studies, but also from marketing, from celebrity, star and fan studies, and from media, communication and cultural studies, this book critically analyses the mediated discourses and debates that celebrity philanthropy and activism provokes, and considers wider ethical and theoretical perspectives. It will be of interest to all scholars and students working in sociology, health and social care and social policy.

Translocas focuses on drag and transgender performance and activism in Puerto Rico and its diaspora. Arguing for its political potential, Lawrence La Fountain-Stokes explores the social and cultural disruptions caused by Latin American and Latinx “locas” (effeminate men, drag queens, transgender performers, and unruly women) and the various forms of violence to which queer individuals in Puerto Rico and the U.S. are subjected. This interdisciplinary, auto-ethnographic, queer-of-color performance studies book explores the lives and work of contemporary performers and activists including Sylvia Rivera, Nina Flowers, Freddie Mercado, Javier Cardona, Jorge Merced, Erika Lopez, Holly Woodlawn, Monica Beverly Hillz, Lady Catiria, and Barbra Herr; television programs such as RuPaul’s Drag Race; films such as Paris Is Burning, The Salt Mines, and Mala Mala; and literary works by authors such as Mayra Santos-Febres and Manuel Ramos Otero. Lawrence La Fountain-Stokes, a drag performer himself, demonstrates how each destabilizes (and sometimes reifies) dominant notions of gender and sexuality through drag and their embodied transgender expression. These performances provide a means to explore and critique issues of race, class, poverty, national identity, and migratory displacement while they posit a relationship between audiences and performers that has a ritual-like, communal dimension. The book also analyzes the murders of Jorge Steven López Mercado and Kevin Fret in Puerto Rico, and invites readers to challenge, question, and expand their knowledge about queer life, drag, trans performance, and Puerto Rican identity in the Caribbean and the diaspora. The author also pays careful attention to transgender experience, highlighting how trans activists and performers mold their bodies, promote social change, and create community in a context that oscillates between glamour and abjection.

Celebrate Pride every day with the teen advocate, trailblazer, and reality show star Jazz Jennings—one of Time Magazine's "25 Most Influential Teens" of the year. In this groundbreaking memoir, she inspires people to accept the differences in others while they embrace their own truths through sharing her very public transgender journey. "Jazz is one of the transgender community's most important activists." —Cosmopolitan "A role model for teens everywhere." —Seventeen At the age of five, Jazz Jennings’s transition to life as a girl put her in the public spotlight after she shared her story on national television. She’s since become one of the most recognizable and prominent advocates for transgender teens, through her TV show, interviews, and social media. Jazz’s openness has led to bullying and mistreatment from those who don’t understand her choices. She’s fought for the right to use the girls’ bathroom and to play on a girls’ soccer team, paving the way for others. And in this book, Jazz faces an even greater struggle—dealing with the physical and social stresses of being a teen. But being on the front lines of trans activism doesn't stop Jazz from experiencing the joys of growing up, from day camp to first dates. Jazz Jennings is one of the youngest and most prominent voices in the national discussion about gender identity. This remarkable memoir is a testament to the power of accepting yourself, learning to live an authentic life, and helping everyone to embrace their own truths.