Eine von der Deutschen Forschungsgemeinschaft getragene Forschergruppe an der Universität Regensburg untersucht seit einigen Jahren im Rahmen einer Neuen Militärgeschichte "Formen und Funktionen des Krieges im Mittelalter". Im März 2004 wurde auf einer international und interdisziplinär ausgerichteten Fachtagung, organisiert von Mitgliedern der Regensburger Forschergruppe zusammen mit dem Hamburger Institut für Sozialforschung, versucht, traditionelle Epochengrenzen, wie sie zwischen Mittelalter und Neuzeit nach wie vor bestehen, zu überwinden. Die Tagungsbeiträge werden in diesem Band veröffentlicht.

The Anglo-Scottish wars of the late Middle Ages have long attracted scholarly attention, but studies focussing on the military aspects of the conflict over the longue durée and from both sides of the border have been lacking. In this collection of essays covering the years between the battles of Dunbar (1296) and Flodden (1513), Andy King and David Simpkin bring together leading historians in the field to consider afresh the armies and soldiers engaged in the wars, while also reflecting on the conflict's impact either side of the border. At a time when military history is undergoing a renaissance, the Anglo-Scottish wars offer a case-study not only of military institutions but also of the contributions made by individuals and communities. Contributors are Amanda Beam, Steve Boardman, Michael Brown, Sean Cunningham, Claire Etty, Jonathan Gledhill, David Grummitt, Andy King, Alastair Macdonald, Iain MacInnes, Gordon Pentland, David Simpkin, Andrew Spencer, Katie Stevenson and Thea Summerfield.

There are many histories of how wars have begun, but very few which discuss how they have ended. This book fills that gap. Beginning with the Stone Age and ending with globalized terrorism, it addresses the specific issue of surrender, rather than the subsequent establishment of peace. At its heart is the individual warrior or soldier, and his or her decision to lay down arms. In the ancient world surrender led in most cases to slavery, but a slave still lived rather than died. In the modern world international law gives the soldiers rights as prisoners of war, and those rights include the prospect of their eventual return home. But individuals can surrender at any point in a war, and without having such an effect that they end the war. The termination of hostilities depends on a collective act for its consequences to be decisive. It also requires the enemy to accept the offer to surrender in the midst of combat. In other words, like so much else in war, surrender depends on reciprocity - on the readiness of one side to stop fighting and of the other to accept that readiness. This volume argues that surrender is the single biggest contributor to the containment of violence in warfare, offering the vanquished the opportunity to survive and the victor the chance to show moderation and magnanimity. Since the rules of surrender have developed over time, they form a key element in understanding the cultural history of warfare.

Essays on aspects of medieval military history, encompassing the most recent critical approaches.

This volume looks at the implications of transcultural humanities in South Asia, which is becoming a crucial area of research within literary and cultural studies. The volume also explores various complex critical dimensions of transculturation, its indeterminate periodisation, its temporal and spatial nonlinearity, its territoriality and intersectionality. Drawing on contributors from around the globe, the entries look at literature and poetics, theory and praxis, borders and nations, politics, Partition, gender and sexuality, the environment, representations in art and pedagogy and the transcultural classroom. Using key examples and case studies, the contributors look at current developments in transcultural and transnational standpoints and their possible educational outcomes. A broad and comprehensive collection, as it also speaks about the value of the humanities and the significance of South Asian contexts, Transcultural Humanities in South Asia will be of particular interest to those working on postcolonial studies, literary studies, Asian studies and more.

A global account of histories of war, from Antiquity to the present day, this thoughtful book shows how the varied modes of representation record political, cultural and social developments as well as military events. Covers all forms of discussion and commemoration from statuary to scholarship, films to novels. Important not only to those interested in the history of war but also to those concerned with culture and history in general. This erudite volume on the theory and practice of military history will interest a wide readership including both professional historians of war and those concerned with its broader philosophical dimension. The author - a well established authority in European history - has provided an informed, rigorous analysis of a difficult topic. It will delight those who seek enlightenment of the historian's craft, military or otherwise.

An examination of written and other responses to conflict in a variety of forms and genres, from the thirteenth to the seventeenth century. War and violence took many forms in medieval and early modern Europe, from political and territorial conflict to judicial and social spectacle; from religious persecution and crusade to self-mortification and martyrdom; from comedic brutality to civil and domestic aggression. Various cultural frameworks conditioned both the acceptance of these forms of violence, and the protest that they met with: the elusive concept of chivalry, Christianity and just wartheory, political ambition and the machinery of propaganda, literary genres and the expectations they generated and challenged. The essays here, from the disciplines of history, art history and literature, explore how violence and conflict were documented, depicted, narrated and debated during this period. They consider manuals created for and addressed directly to kings and aristocratic patrons; romances whose affective treatments of violence invitedprofoundly empathetic, even troublingly pleasurable, responses; diaries and "autobiographies" compiled on the field and redacted for publication and self-promotion. The ethics and aesthetics of representation, as much as the violence being represented, emerge as a profound and constant theme for writers and artists grappling with this most fundamental and difficult topic of human experience. JOANNA BELLIS is the Fitzjames Research Fellow in Oldand Middle English at Merton College, Oxford; LAURA SLATER holds a Postdoctoral Fellowship from The Paul Mellon Centre for Studies in British Art in London. Contributors: Anne Baden-Daintree, Anne Curry, David Grummitt, Richard W. Kaeuper, Andrew Lynch, Christina Normore, Laura Slater, Sara V. Torres, Matthew Woodcock,

For the 21st century, the often-quoted citation ‘past is prologue’ reads the other way around: The global present lacks a historical narrative for the global past. Focussing on a transcultural history, this book questions the territoriality of historical concepts and offers a narrative, which aims to overcome cultural essentialism by focussing on crossing borders of all kinds. Transcultural History reflects critically on the way history is constructed, asking who formed history in the past and who succeeded in shaping what we call the master narrative. Although trained European historians, the authors aim to present a useful approach to global history, showing first of all how a Eurocentric but universal historiography removed or essentialised certain topics in Asian history. As an empirical discipline, history is based on source material, analysed according to rules resulting from a strong methodological background. This book accesses the global past after World War I, looking at the well known stage of the Paris Peace Conferences, observing the multiplication of new borders and the variety of transgressing institutions, concepts, actors, men and women inventing themselves as global subjects, but sharing a bitter experience with almost all local societies at this time, namely the awareness of having relatives buried in far distant places due to globalised wars.

At the intersection of archaeology, history, museum, military and social studies, the volume offers strongly multidisciplinary essays on European cultural heritage in the historical context of World War II, assessing twelve case studies on Finland, France, Greece and Italy.

The Crimean War (1854–56) is widely considered the first modern war with its tactical use of railways, telegraphs, and battleships, its long-range rifles, and its notorious trenches – precursors of the Great War. It is also the first media war: the first to know the impact of a correspondent on the field of battle and the first to be documented in photographs. No one, however, including the French themselves, seems to remember that France was there, fighting in Crimea, losing 95,000 soldiers and leading the Allied campaign to victory. It would seem that the Crimean War has no place in the canon of culturally retained historical events that define modern French identity. Looking at literature, art, theatre, material objects, and medical reports, The Crimean War and Cultural Memory considers how the Crimean War was and was not represented in French cultural history in the second half of the nineteenth century. Ultimately, the book illuminates the forgotten traces that the Crimean War left on the French cultural landscape.