Transcultural Insights into Contemporary Irish Literature and Society examines the transcultural patterns that have been enriching Irish literature since the twentieth century and engages with the ongoing dialogue between contemporary Irish literature and society. Driven by the growing interest in transcultural studies in the humanities, this volume provides an insightful analysis of how Irish literature handles the delicate balance between authenticity and folklore, and uniformisation and diversity in an increasingly globalised world. Following a diachronic approach, the volume includes critical readings of canonical Irish literature as an uncharted exchange of intercultural dialogues. The text also explores the external and internal transcultural traits present in recent Irish literature, and its engagement with social injustice and activism, and discusses location and mobility as vehicles for cultural transfer and the advancement of the women’s movement. A final section also includes an examination of literary expressions of hybridisation, diversity and assimilation to scrutinise negotiations of new transcultural identities. In the light of the compiled contributions, the volume ends with a revisitation of Irish studies in a world in which national identity has become increasingly problematic. This volume presents new insights into the fictional engagement of contemporary Irish literature with political, social and economic issues, and its efforts to accommodate the local and the global, resulting in a reshaping of national collective imaginaries.

This Companion brings together leading scholars in the field of Irish studies to explore the significance of twenty-first-century Irish writing and its flourishing popularity worldwide. Focusing on Irish writing published or performed in the 21st-century, this volume explores genres, modes, and styles of writing that are current, relevant, and distinctive in today’s classrooms. Examining a host of innovative, key writers, including Sally Rooney, Marion Keyes, Sebastian Barry, Paul Howard, Claire Kilroy, Micheal O’Siadhail, Donal Ryan, Marina Carr, Enda Walsh, Martin McDonagh, Colette Bryce, Leanne Quinn, Sinéad Morrissey, Paula Meehan, Ailbhe Ní Ghearbhuigh, and Doireann Ni Ghríofa. This text investigates the socio-cultural and theoretical contexts of their aesthetic achievements and innovations. Furthermore, The Routledge Companion to Twenty-First-Century Irish Writing traces the expansion of Irish writing, offering fresh insight to Irish identities across the boundaries of race, class, and gender. With its distinctive contemporary contexts and comprehensive scope, this multifaceted volume provides the first significant literary history of 21st century Irish literature.

THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE An insightful guide to the exploration of modern British and Irish literature The Wiley Blackwell Companion to Contemporary British and Irish Literature is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature. Written in four parts, The Wiley Blackwell Companion to Contemporary British and Irish Literature includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more. A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set: Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters. Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction Features a broad range of writers and topics covered by distinguished academics Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former. The Wiley Blackwell Companion to Contemporary British and Irish Literature provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.

Modern Irish Autobiography provides the first comprehensive critical analysis of the Irish autobiographical tradition from the early nineteenth century to the present day. This pioneering collection offers readers a stimulating and provocative introduction to the principal themes, modes and narrative strategies of Irish autobiographers.

Putting forward a new theory of fetishism - alternative fetishism - this book provides an up-to-date examination of the work of Jeanette Winterson, offering fresh perspectives and new insights on the topics of gender, sexuality, and identity in her writing. Combining contemporary theories in psychoanalytical and cultural studies, it proposes that a rethinking of fetishism allows Winterson's works to be brought into sharper critical focus by repositioning fetishism as a daily practice in society. In so doing, it argues that Winterson's work challenges orthodox, normative, and contemporary views of fetishism to reveal her own alternative version. Containing the transcript of an email Q&A with Winterson herself and covering the majority of Winterson's oeuvre, from her first novel, Oranges Are Not the Only Fruit (1985), up to the most recent, Frankissstein (2019), the book is divided into three main chapters that each discuss a particular theme in Winterson's fiction: bodily fetishism, food fetishism, and sexual fetishism. While the book's focus is on Winterson, the theoretical framework it proposes can be applied to other authors and disciplines in the Arts and Humanities, such as theatre and film, offering new ways of thinking about topics such as fetishism, feminism, psychoanalytical theory, postmodernism, gender, and sexuality.

This collection brings together the latest research from international scholars working on medieval Irish, Welsh, Cornish and Breton literature, making it a reader for courses on medieval Celtic literatures. Featured texts include early Welsh poetry, the Ulster Cycle, the 'Mabinogi', and the work of Dafydd ap Gwilym. John Koch Why was Welsh literature first written down? - John Carey The legendary history of Ireland - David Dumville Writers, scribes and readers in Brittany~ - Robin Chapman Stacy Law and literature in medieval Ireland and Wales - Kaarina Hollo Laments and lamenting in early medieval Ireland - Oliver Padel Oral and literary culture in medieval Cornwall - Joseph Falaky Nagy The 'Acallam na Senórach' - Esther Freer & Nerys Ann Jones The early career of Llywarch Brydydd y Moch - Thomas Owen Clancy Court, king and justice in the Ulster Cycle - Kristen Lee Over Transcultural change: Welsh and French romance - Erich Poppe Narrative structure of medieval Irish adaptations - Helen Fulton The 'Mabinogi' and the education of princes - ~Morgan T. Davies Dafydd ap Gwilym and the shadow of colonialism

This book examines and compares the religious experience of an African group with a European one. It offers an ethnographical investigation of the Jukun of north central Nigeria. The author also organically weaves into the narrative the Christianization of the Irish in a comparative fashion. Throughout, he makes the case for an African Christianity connected to a Celtic Irish Christianity and vice-versa -- as different threads in a tapestry. This work is a product of a synthesis of archival research in three continents, interviews with surviving first-generation Christians who were active practitioners of the Jukun indigenous religion, and with former missionaries to the Jukun. On the Irish side, it draws from extant primary sources and interviews with scholars in Celtic Irish studies. In addition, pictures, diagrams, and excerpts from British colonial and missionary journals provide a rich contextual understanding of Jukun religious life and practices. The author is among the emerging voices in the study of World Christianity who advocate for the reality of "poly-centres" for Christianity. This perspective recognizes voices from the Global South in the expansion of Christianity. This book serves as a valuable resource for historians, anthropologists, theologians, and those interested in missions studies, both scholars and lay readers seeking to deepen their understanding of World Christianity.

As Europe becomes more integrated at the economic and political level, attempts are being made to harmonize education policies as well. This volume offers an important contribution in that the authors examine, for the first time,the politics and practices of social anthropology education across Europe. They look at a wide variety of current developments, including new teaching initiatives, the use of participatory teaching materials, film and video, fieldwork studies, applied anthropology, student perspectives, the educational role of museums, distance learning and the use of new technologies.

Now available in paperback, this pioneering collection of essays deals with the topic of how Irish literature responds to the presence of non-Irish immigrants in Celtic-Tiger and post-Celtic-Tiger Ireland. The book assembles an international group of 18 leading and prestigious academics in the field of Irish studies from both sides of the Atlantic, including Declan Kiberd, Anne Fogarty and Maureen T. Reddy, amongst others. Key areas of discussion are: what does it mean to be ‘multicultural’ and what are the implications of this condition for contemporary Irish writers? How has literature in Ireland responded to inward migration? Have Irish writers reflected in their work (either explicitly or implicitly) the existence of migrant communities in Ireland? If so, are elements of Irish traditional culture and community maintained or transformed? What is the social and political efficacy of these intercultural artistic visions?

Ireland and Buddhism have a long history. Shaped by colonialism, contested borders, religious wars, empire and massive diasporas, Irish people have encountered Asian Buddhism in many ways over fourteen centuries. From the thrill of travellers' tales in far-off lands to a religious alternative to Christianity, from the potential of anti-colonial solidarity to fears of 'going native', and from recent immigration to the secular spread of Buddhist meditation, Buddhism has meant many different things to people in Ireland. Knowledge of Buddhist Asia reached Ireland by the seventh century, with the first personal contact in the fourteenth - a tale remembered for five hundred years. The first Irish Buddhists appeared in the political and cultural crisis of the nineteenth century, in Dublin and the rural West, but also in Burma and Japan. Over the next hundred years, Buddhism competed with esoteric movements to become the alternative to mainstream religion. Since the 1960s, Buddhism has exploded to become Ireland's third-largest religion. Buddhism and Ireland is the first history of its subject, a rich and exciting story of extraordinary individuals and the journey of ideas across Europe and Asia.