Are you one of the few individuals capable of understanding and attaining Transconsciousness? Dante, Hegel and Philip K. Dick were pioneers in this field. Can you join the greats?

Acknowledgements Introduction 1: The Intellectual Landscape 2: The Transmodern Frontier 3: The Hunter Myth 4: Jaws: Faces of the Shadow 5: The Deer Hunter: The End of Innocence 6: The Manchurian Candidate: The Human as Weapon 7: Blade Runner: On the Edge 8: The Terminator: Future-Perfect Tense 9: Terminator 2: Judgment Day: Effacing the ShadowConclusion Notes Index Copyright © Libri GmbH. All rights reserved.

Written by nationally and internationally known homileticians and preachers, this book offers a fascinating survey of the significant developments in preaching, beginning with the Old Testament, moving through the history of preaching, and concluding with a look into the future, all while offering practical suggestions for meeting the challenges that lie ahead. In a unique way, it addresses both the academic issues raised during each period and the practical implications for preaching today and in the future.

Vibrant worship services, argues creative and provocative author Graham Standish, are those in which the congregation obviously asks questions such as: Does our worship help people experience God? Does our worship open people to the presence of Christ? Does our worship encourage people to become available to the Holy Spirit? Unfortunately, he observes, too many worship services are perfunctory, suggesting that most churches don't think much about how to connect people with God. In God's Presence makes the case that congregations must restore intentionality and authenticity to worship in a way that will open people to the Holy. Intentionality, he says, reflects a deep understanding of what tradition has attempted to do, what contemporary people are hungry for, what is going on in our culture, and how to connect the three. Standish advocates what he calls an 'integrated' approach to worship, one that maintains the distinctiveness of each element of worship as a counterpoint to other elements. He first explores the problem of worship in the current church. Then he looks at ways to reconceive worship with an emphasis on restoring the Holy to worship. Finally, he looks at ways to lead a congregation to consider new ways of worshiping. This book is about how to open people to an encounter with the Holy in worship, how to follow God in this pursuit, and how to lead those who have no interest in the Holy.

In contemporary America, myths find expression primarily in film. What's more, many of the highest-grossing American movies of the past several decades have been rooted in one of the most fundamental mythic narratives, the hero quest. Why is the hero quest so persistently renewed and retold? In what ways does this universal myth manifest itself in American cinema? And what is the significance of the popularity of these modern myths? The Hero and the Perennial Journey Home in American Film by Susan Mackey-Kallis is an exploration of the appeal of films that recreate and reinterpret this mythic structure. She closely analyzes such films as E.T., the Star Wars trilogy, It's a Wonderful Life, The Wizard of Oz, The Lion King, Field of Dreams, The Piano, Thelma and Louise, and 2001: A Space Odyssey. Elements of the quest mythology made popular by Joseph Campbell, Homer's Odyssey, the perennial philosophy of Aldous Huxley, and Jungian psychology all contribute to the compelling interpretive framework in which Mackey-Kallis crafts her study. She argues that the purpose of the hero quest is not limited to the discovery of some boon or Holy Grail, but also involves finding oneself and finding a home in the universe. The home that is sought is simultaneously the literal home from which the hero sets out and the terminus of the personal growth he or she undergoes during the journey back. Thus the quest, Mackey-Kallis asserts, is an outward journey into the world of action and events which eventually requires a journey inward if the hero is to grow, and ultimately necessitates a journey homeward if the hero is to understand the grail and share it with the culture at large. Finally, she examines the value of mythic criticism and addresses questions about myth currently being debated in the field of communication studies.

In Northrop Frye and the Phenomenology of Myth, Glen Robert Gill compares Frye's theories about myth to those of three other major twentieth-century mythologists: C.G. Jung, Joseph Campbell, and Mircea Eliade. Gill explores the theories of these respective thinkers as they relate to Frye's discussions of the phenomenological nature of myth, as well as its religious, literary, and psychological significance. Gill substantiates Frye's work as both more radical and more tenable than that of his three contemporaries. Eliade's writings are shown to have a metaphysical basis that abrogates an understanding of myth as truly phenomenological, while Jung's theory of the collective unconscious emerges as similarly problematic. Likewise, Gill argues, Campbell's work, while incorporating some phenomenological progressions, settles on a questionable metaphysical foundation. Gill shows how, in contrast to these other mythologists, Frye's theory of myth – first articulated in Fearful Symmetry (1947) and culminating in Words with Power (1990) – is genuinely phenomenological. With excursions into fields such as literary theory, depth psychology, theology, and anthropology, Northrop Frye and the Phenomenology of Myth is essential to the understanding of Frye's important mythological work.

An examination of man's relationship with the living world he shares. Offering a radical analysis of consumerist attitudes, the author applies the fundamental Buddhist message of non-violence in an attempt to draw out a middle way between destructiveness and sentimentality.

"The book is a follow-up to Eslinger's earlier A New Hearing, the standard text on the varieties of homiletical method since its publication in 1987."--BOOK JACKET.