Contemporary philosophy is torn between a reliance on the pragmatic meanings of designated objects and a foundation based on formal theory. This book shows that philosophical knowledge, which no more has a terminal state than an infinite set has a last term, advances when the dialectical relationship between the two approaches is synthesized. The choice of designations is intimately related to theory and the form of theory is intimately related to the character of designated objects. The intimate dialectical relationship between theory and meaning is explored in detail in the area of international theory. The recent emphasis on realism rests on a regressive misunderstanding of the dialectical relationship between theory and practice that loses Newton's acute understanding of it, an understanding that underlies the great advances of physics, and that is lost in the contemporary social sciences.

Transcending Postmodernism: Performatism 2.0 is an ambitious attempt to expand and deepen the theory of performatism. Its main thesis is that, beginning in the mid-1990s, the strategies and norms of postmodernism have been displaced by ones that force readers or viewers to experience effects of aesthetically mediated transcendence. These effects include specific temporal strategies (“chunking”), stylizing separated subjectivity (the genius and the fool being its two main poles) and orienting ethics toward actions taken by centered agents bearing a sacral charge. The book provides a critical overview of other theories of post-postmodernism, and suggests that among five text-oriented theories there is basic agreement on its techniques and strategies.

Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm gathers an introduction and ten chapters concerned with the issue of Transmodernity as addressed by and presented in contemporary novels hailing from various parts of the English-speaking world. Building on the theories of Transmodernity propounded by Rosa María Rodríguez Magda, Enrique Dussel, Marc Luyckx Ghisi and Irena Ateljevic, inter alia, it investigates the links between Transmodernity and such categories as Postmodernity, Postcolonialism and Transculturalism with a view to help define a new current in contemporary literary production. The chapters either follow the main theoretical drives of the transmodern paradigm or problematise them. In so doing, they branch out towards various issues that have come to inspire contemporary novelists, among which: the presence of the past, the ascendance of new technologies, multiculturalism, terrorism, and also vulnerability, interdependence, solidarity and ecology in a globalised context. In so doing, it interrogates the ethics, aesthetics and politics of the contemporary novel in English.

Contemporary philosophy is torn between a reliance on the pragmatic meanings of designated objects and a foundation based on formal theory. This book shows that philosophical knowledge, which no more has a terminal state than an infinite set has a last term, advances when the dialectical relationship between the two approaches is synthesized. The choice of designations is intimately related to theory and the form of theory is intimately related to the character of designated objects. The intimate dialectical relationship between theory and meaning is explored in detail in the area of international theory. The recent emphasis on realism rests on a regressive misunderstanding of the dialectical relationship between theory and practice that loses Newton's acute understanding of it, an understanding that underlies the great advances of physics, and that is lost in the contemporary social sciences.

The Cinema of Wim Wenders: The Celluloid Highway is a new study of the films of this most prominent of German directors, and penetrates the seductive sounds and images for which he is best known. The book analyses the individual films in the context of a preoccupation central to all of Wenders' work and writings: why modern cinema - a recording art, solely composed of sounds and images - naturally developed into a primarily narrative medium, a domain traditionally associated with words and sentences? With its emphasis on analysing the films themselves, this book identifies and critically elucidates Wenders' chief artistic motivation: that the act of seeing can constitute a creative act in its own right.

Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.

Transcendence and History is an analysis of what philosopher Eric Voegelin described as “the decisive problem of philosophy”: the dilemma of the discovery of transcendent meaning and the impact of this discovery on human self-understanding. The world’s major religious and wisdom traditions are built upon the recognition of transcendent meaning, and our own cultural and linguistic heritage has long since absorbed the postcosmological division of reality into the two dimensions of “transcendence” and “immanence.” But the last three centuries in the West have seen a growing resistance to the idea of transcendent meaning; contemporary and “postmodern” interpretations of the human situation—both popular and intellectual—indicate a widespread eclipse of confidence in the truth of transcendence. In Transcendence and History, Glenn Hughes contributes to the understanding of transcendent meaning and the problems associated with it, assisting in the philosophical recovery of the legitimacy of the notion of transcendence. Depending primarily on the treatments of transcendence found in the writings of twentieth-century philosophers Eric Voegelin and Bernard Lonergan, Hughes explores the historical discovery of transcendent meaning and then examines what it indicates about the structure of history. Hughes’s main focus, however, is on clarifying the problem of transcendence in relation to historical existence. Addressing both layreaders and scholars, Hughes applies the insights and analyses of Voegelin and Lonergan to considerable advantage. Transcendence and History will be of particular value to those who have grappled with the notion of transcendence in the study of philosophy, comparative religion, political theory, history, philosophical anthropology, and art or poetry. By examining transcendent meaning as the key factor in the search for ultimate meaning from ancient societies to the present, the book demonstrates how “the decisive problem of philosophy” both illuminates and presents a vital challenge to contemporary intellectual discourse.

Fredric Jameson is one of the most influential literary and cultural critics writing today. He is a theoretical innovator whose ideas about the intersections of politics and culture have reshaped the critical landscape across the humanities and social sciences. Bringing together ten interviews conducted between 1982 and 2005, Jameson on Jameson is a compellingly candid introduction to his thought for those new to it, and a rich source of illumination and clarification for those seeking deeper understanding. Jameson discusses his intellectual and political preoccupations, most prominently his commitment to Marxism as a way of critiquing capitalism and the culture it has engendered. He explains many of his key concepts, including postmodernism, the dialectic, metacommentary, the political unconscious, the utopian, cognitive mapping, and spatialization. Jameson on Jameson displays Jameson’s extraordinary grasp of contemporary culture—architecture, art, cinema, literature, philosophy, politics, psychoanalysis, and urban geography—as well as the challenge that the geographic reach of his thinking poses to the Eurocentricity of the West. Conducted by accomplished scholars from United States, Egypt, Korea, China, Sweden, and England, the interviews elicit Jameson’s reflections on the broad international significance of his ideas and their applicability and implications in different cultural and political contexts, including the present phase of globalization. The volume includes an introduction by Jameson and a comprehensive bibliography of his publications in all languages. Interviewers Mona Abousenna Abbas Al-Tonsi Srinivas Aravamudan Jonathan Culler Sara Danius Leonard Green Sabry Hafez Stuart Hall Stefan Jonsson Ranjana Khanna Richard Klein Horacio Machin Paik Nak-chung Michael Speaks Anders Stephanson Xudong Zhang

Self-Action Leadership (Volumes 1 and 2) provides the first, and only, books of their kind in the academic world today. This two volume set single-handedly carves out a new and unique scholarly niche by providing the first comprehensive and secular manual to holistically address society’s universal need for personal leadership and character education. Its single-minded aim is the global promotion and proliferation of leadership, character, and life skills education in nations, communities, organizations, schools, homes, and individual lives everywhere. The concept of Self-Action Leadership (SAL) is rooted in 30 years of extensive research spanning the fields of self-leadership, leadership, action research, character education, and autoethnography. In addition to drawing on the scholarship of these extant fields, SAL simultaneously builds upon them by introducing an original theory and model that executives, administrators, scholars, teachers, and practitioners alike can universally utilize to their own advantages and to the benefit of their colleagues, subordinates, and students. Volume I—The Self-Action Leadership Theory—contains prefacing material for the combined texts. It also includes the first four book sections of the two volume set.

William Desmond's original and creative work in metaphysics is attracting more and more attention from philosophers of religion. Putting Desmond in conversation with John D. Caputo, an important philosopher of religion from the Continental tradition, Christopher Ben Simpson casts new light on Desmond's complex, multifaceted, and nuanced thought. The comparative approach allows Simpson to get at the core of recent debates in the philosophy of religion. He develops a rich understanding of how ethics and religion are informed by metaphysics, and contrasts this approach to the decidedly anti-metaphysical stance in Continental philosophy. Religion, Metaphysics, and the Postmodern presents a systematic analysis of Desmond's thought as it advances work on Caputo's thinking and on the philosophy of religion.