When is the last time you sat down for a meal, to break bread with other people, and experienced peace? Throughout the arc of the scriptural narrative the word “shalom” is used as a way to speak of the way of peace. This word shalom embodies the depiction of creation where all things would glorify to the Triune God as well as bear the image of the Triune God who seamlessly embraces love and belonging. What if the universal space at a table is where shalom is experienced relationally? What if the longing people have for love and belonging can be extended through hospitality at a table? Unification can happen when invitations are extended to come, participate, and communicate at the table as a reflection of the Imago Dei.

In the tradition of Guns, Germs, and Steel and Sapiens, a winner of the Royal Society Prize for Science Books shows how four tools enabled has us humans to control the destiny of our species "A wondrous, visionary work." --Tim Flannery, scientist and author of the bestselling The Weather Makers What enabled us to go from simple stone tools to smartphones? How did bands of hunter-gatherers evolve into multinational empires? Readers of Sapiens will say a cognitive revolution -- a dramatic evolutionary change that altered our brains, turning primitive humans into modern ones -- caused a cultural explosion. In Transcendence, Gaia Vince argues instead that modern humans are the product of a nuanced coevolution of our genes, environment, and culture that goes back into deep time. She explains how, through four key elements -- fire, language, beauty, and time -- our species diverged from the evolutionary path of all other animals, unleashing a compounding process that launched us into the Space Age and beyond. Provocative and poetic, Transcendence shows how a primate took dominion over nature and turned itself into something marvelous.

The next novel in bestselling author R.A. Salvatore’s second DemonWars saga, Transcendence is an extraordinary adventure that introduces a remarkable new hero—and explores the mysteries of enlightenment and the art of war in a dazzling epic of imagination. Brave and beautiful Brynn Dharielle has ventured on a daring mission to free her beloved homeland from tyrannical rule. But she cannot imagine the depths of chaos and betrayal that seethes amid a ruthless sect of warrior priests led by an evil chieftain who conceals a dark, age-old secret. For Brynn and her trusted elven companion, the way to Behren turns into a fierce and illuminating voyage. But by the time Brynn reaches the land where she once saw her parents murdered, the seeds of revolution are already flourishing. The first salvo of a sweeping battle has begun—one that will threaten to destroy the heart and soul of her world. In book six of the DemonWars saga, #1 New York Times bestselling author R.A. Salvatore continues the second trilogy of the saga in what Booklist raves “outstanding…Brynn Dharielle is a first-rate female high-fantasy protagonist.”

The Zardalu were the greatest menace ever known to the worlds of the spiral arm, enslaving entire races and exterminating others, guided by an unswerving belief in their own supremacy. Then their slaves rose up against them, and for eleven thousand years the Zardalu had been extinct and the spiral arm had known a kind of peace. But now the Zardalu are back . . . The search for the Builders, the legendary alien race whose unfathomable constructs continued to perplex scholars and explorers alike, had led Builder expert Darya Lang, adventurer Hans Rebka, and treasure hunters Louis Nenda and Atvar H'sial to an unknown Builder artifact far outside the spiral arm. There they found the Zardalu - just a few who had been trapped in stasis all those millennia, held there for purposes known only to the Builders. And in the struggle that ensued the Zardalu had been set loose, transported by Builder technology to to galactic parts unknown - free to ravage any world and any race within their grasp. The only chance to eliminate the Zardalu threat was to find them and wipe them out before they had time to breed back up to strength and once again threaten civilized beings everywhere. The problem was that no one believed the story. Only Darya Land and her companions had actually seen the aliens - and no evidence existed to support their claims. And so the course seemed clear: get a ship themselves and search out the Zardalu. But the way would not be easy. Even once they managed to locate the Zardalu, they still had the Builders to deal with. For the closer they got to their quarry, the more clear it became that the Zardalu and their world were closely entwined with the fate - and the plans - of the Builders themselves.

The question of the transcendence of God has traditionally been thought in terms of the difference between pantheism, which affirms that God is wholly "within" the world, and theism, which affirms that God is both "within" and "outside" the world, both immanent and transcendent. Against Heidegger's critique of onto-theology and the general postmodern concern for respecting and preserving the difference of the other, Merold Westphal seeks to rethink divine transcendence in relation to modes of human self-transcendence. Touching upon Spinoza, Hegel, Augustine, Pseudo-Dionysius, Aquinas, Barth, Kierkegaard, Levinas, Derrida, and Marion, Westphal's work centers around a critique of onto-theology, the importance of alterity, the decentered self, and the autonomous transcendental ego. Westphal's phenomenology of faith sets this book into the main currents of Continental philosophy of religion today.

In this definitive book on the scientifically proven health and stress-relieving benefits of Transcendental Meditation, a renowned psychiatrist and researcher explores why TM works, what it can do, and how to use it for maximum effect.

Transcendence is the long-awaited, career-spanning monograph of American landscape painter Richard Mayhew. For over half a century, Richard Mayhew has been reinventing the genre of landscape painting. His luminous work evokes not only physical vistas but also emotions, sounds, and the pure experience of color. He's known for his masterful use of color and for his unique creative process, inspired by improvisational jazz, which involves pouring paint directly onto the canvas and shaping it into lush, emotional "moodscapes." • This monograph features 70+ of his most striking works. • Includes an exclusive interview with the artist, an introduction by his gallerist Mikaela Sardo Lamarche, and an essay by Andrew Walker, director of the Amon Carter Museum of American Art • Through engaging with his work, readers are invited into deep explorations of their own inner landscapes. Transcendence is a richly rewarding celebration of an iconic artist that will make you rethink everything you know about landscape painting. Mayhew's distinctive style emerges from his roots as a jazz musician, his immersion in the Abstract Expressionist movement, his African American, Cherokee, and Shinnecock heritage, and his unique affinity for the landscapes of the American West—but his paintings transcend boundaries of location and identity. • Great for lovers of fine art, landscape painting, Abstract Expressionism, as well as those who are interested in the intersection of art, music, and emotion • A lush celebration of Richard Mayhew's work, and an ideal introductory book for new fans • Add it to the collection of books like Abstract Expressionism by Carter Ratcliff, Jeremy Lewison, Susan Davidson, and David Anfam; California Landscapes: Richard Diebenkorn / Wayne Thiebaud by John Yau; and The Art of Richard Mayhew: A Critical Analysis with Interviews by Janet Berry Hess.

“Phenomenal . . . A must read for us who desire to topple the dictatorship of relativism and culture of death and replace it with the only alternative” (The Imaginative Conservative). Especially concerned with the public nature of religion, historian Glenn W. Olsen—author of Christian Marriage: A Historical Study and On the Road to Emmaus: The Catholic Dialogue with American and Modernity—sets forth an exhaustively researched and persuasive account of how religion has been reshaped in the modern period. The Turn to Transcendence traces both the loss of transcendence and attempts to recover it while making its own proposals. Neither reactionary nor modernist, it questions how—under conditions of modern life—some form of the sacred and some form of the secular might both flourish at the same time. But it also provides a warning that a religion unable to maintain itself with its own overt architecture, language, and calendars against an enveloping secular culture is destined for oblivion. “Glenn Olsen’s book could hardly be more pivotal or insightful. Confronting the growing amnesia regarding culture’s religious origin and transcendent purpose, Olsen proves both a masterful cartographer of modernity and a visionary of a culture that encourages and enables us to seek beyond ourselves.” —Carl A. Anderson, Supreme Knight of the Knights of Columbus “A brilliant book. It rests on an amazing amount of scholarship that is wide-ranging in history, literature, art, science, music, theology, and philosophy.” —James Hitchcock, professor of history, St. Louis University

Argues that contemporary discussion about God has a mistaken understanding of the classical Christian doctrines of God

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.