This well-illustrated book describes the fundamental principles and various aspects of classical architecture, including a detailed, illustrated glossary that is almost a dictionary of classical architecture in itself. Professor James Stevens Curl discusses in clear, straightforward language the origins of classical architecture in Greek and Roman antiquity and outlines its continuous development, through its various manifestations during the Renaissance, its transformations in Baroque and Rococo phases, its reemergence in eighteenth-, nineteenth-, and twentieth-century Neoclassicism, and its survival into the modern era. The text and illustrations celebrate the richness of the classical architectural vocabulary, grammar, and language, and demonstrate the enormous range of themes and motifs found in the subject. All those who wish to look at buildings old and new with an informed eye will find in this book a rich fund of material, and the basis for an understanding of a fecund source of architectural design that has been at the heart of western culture for over two and a half millennia.

The second volume of a massive, illustrated survey of the greater houses of medieval England and Wales, first published in 1996.

This is the third volume of Anthony Emery's magisterial survey, Greater Medieval Houses of England and Wales, 1300–1500, first published in 2006. Across the three volumes Emery has examined afresh and re-assessed over 750 houses, the first comprehensive review of the subject for 150 years. Covered are the full range of leading homes, from royal and episcopal palaces to manor houses, as well as community buildings such as academic colleges, monastic granges and secular colleges of canons. This volume surveys Southern England and is divided into three regions, each of which includes a separate historical and architectural introduction as well as thematic essays prompted by key buildings. The text is complemented throughout by a wide range of plans and diagrams and a wealth of photographs showing the present condition of almost every house discussed. This is an essential source for anyone interested in the history, architecture and culture of medieval England and Wales.

This book explores how societies deal with the effects of war on the historic environment. Written by historians, archaeologists, and conservation professionals, it offers a dramatic perspective on the war in Ukraine. It reveals the truth behind the Kremlin’s ‘just war’ narrative and touches on the complex relationship between war, society and the historic environment with examples of heritage conservation, archaeology and political expediency from Europe to Namibia. Prompted by the Russian invasion of Ukraine in 2022, the first section ‘Frontline Ukraine’ examines the manipulation of history, the use of propaganda, and the decolonisation of Russian memorials in former Soviet states. It highlights how illegal archaeological excavations, looting and the removal of museum collections beginning from seizure of Crimea in 2014 until the present day have contributed to an increasingly implausible Russian narrative which attempts to represent an imperial land grab as a ‘just war’. In the second section ‘Aspects of War’, the authors provide a wider perspective, with chapters on the influence of film, the effect of war on conservation, forensic archaeology, the reconstruction of damaged or destroyed museums as well as the relationship between America and the Hague Convention. Topical and lucid, this volume will be beneficial to students and researchers of history, archaeology, politics and international relations. The chapters in this book were originally published in The Historic Environment: Policy & Practice and are accompanied by an updated introduction and a new conclusion.

This book discusses the lines of standing stones that until now have been the neglected wonders of prehistoric Europe, rows that were foci of rituals in Britain, Ireland and Brittany for over two thousand years. Places such as Carnac in Brittany and Callanish in the Hebrides are visited by many visitors each year, but before now there has been no book that seriously explains the history, significance and background to these impressive sites. Aubrey Burl shows that the settings vary from pairs of isolated stones in the far south-west of Ireland to networks of long lines in Scotland, Dartmoor and Brittany, and describes the types in a sequence of architectural chapters that stress the increasing social and commercial connections between regions hundred of miles apart. He uses information from a wide variety of sources - excavation reports, megalithic art, astronomical analyses and legends - to provide explanations of why the rows were erected, when, and what they may have been used for.