Trailer Park Boys is a documentary-stye comedy about the inhabitants of Sunnyvale Trailer Park, located in beautiful Nova Scotia, Canada. Like the show, this graphic novel antholgy follows the exploits of Sunnyvale's most notorious residents, Ricky, Julian, and Bubbles as the attempt to make money through various outrageous and greasy (and mostly illegal) get-rich-quick schemes, hotly pursued by the park's drunken supervisor, Jim Lahey, and his shirtless sidekick Randy. The Trailer Park Boys Get A F#¢*!ng Comic Book! The boys are back, in comic form, for a hilarious, filthy, and totally unpredictable anthology series. There's guns, babes, booze and bud. Plus, meet the Prehistoric Park Boys, see The Green Bastard wrestle and learn the secret origin of Julian's answering machine.

The first of its kind - a heavily illustrated, all-you-need-to-know book about the cult hit TV show, for both rabid fans and anyone who enjoys a hot toasted chicken finger. To the storied and pastoral locales of great Canadian fiction - Leacock' s Mariposa, Lawrence's Manawaka, Montgomery's Avonlea - readers can now add the many splendours of Sunnyvale Trailer Park. With this lovingly designed volume, to grace even the finest toilet-side magazine basket, Ricky, Bubbles, Julian and the whole TPB crew stumble, bewildered and slightly aggravated, from the screen to the page - without spilling a drop of rum and Coke. Working in concert with the show's creators Matthew Sibiga and Don Wininger have developed a wide range of interpretive devices, helpful lists, historical mementoes, legal advice, wrestling, kitty-care and grooming tips, and more, to aid in any fan's appreciation of the show - or substitute for it when the cable is out. Added to these features is a two-page synopsis of every episode, including stats, air dates and best lines. Numerous photos and sidebars scattered throughout include quotes, philosophical gleanings and tidbits from the series. Just in time for new episodes on Netflix (or of yet-another-re-run) of one of the most popular television shows ever created in Canada, The Complete Trailer Park Boys truly will be a resource no fan can do without. Some sample chapter topics: Ricky: -A list of Rickyisms -Map of areas in the park where he has passed out -A detailed pictorial of his car/home Bubbles: -Bubbles's shopping cart chop shop-behind the scenes -Go-cart performance specs -Bubbles eye chart Julian: -Julian's fashion tips (how to match black with black) -Best money-making schemes -T-shirt wearing and the art of seduction -Julian' s bartending mix book Other characters: -J-Roc rap lyrics -Ray's tips on beating the government on disability -Corey and Trevor's gas siphoning tips

As evidenced by the recent proliferation of fan conventions, television show boxed sets, and collectible character figurines, cult TV shows have arguably become the most vital and interesting programming on television. The once-marginal genre manifests itself in a remarkable variety of programs, from the suburban mob drama The Sopranos to the beloved occult fantasy Buffy the Vampire Slayer. The Cult TV Book is a guide to this phenomenon, complete with lively and diverse analyses of the work that goes into conceiving and marketing a cult series, as well as numerous investigations that explore the unique cult appeal of individual programs. Leading scholars, journalists, and writers consider the many aspects of a show — both script-based and visual — that attract the kind of uncompromisingly loyal fan bases that we know as “Trekkies,” for example, or, more recently, “Losties.” The Cult TV Book sheds light on the heretofore under-examined science of addictive TV programming, pinpointing the complex arcs and intentionally inadequate explanations that keep viewers coming back for more. The contributors cover every corner of the cult map, all the while trying to define the elusive genre, to understand the cult TV obsession from the outside in.

The first of its kind – a heavily illustrated, all-you-need-to-know book about the cult hit TV show, for both rabid fans and anyone who enjoys a hot toasted chicken finger. To the storied and pastoral locales of great Canadian fiction – Leacock’ s Mariposa, Lawrence’s Manawaka, Montgomery’s Avonlea – readers can now add the many splendours of Sunnyvale Trailer Park. With this lovingly designed volume, to grace even the finest toilet-side magazine basket, Ricky, Bubbles, Julian and the whole TPB crew stumble, bewildered and slightly aggravated, from the screen to the page – without spilling a drop of rum and Coke. Working in concert with the show’s creators Matthew Sibiga and Don Wininger have developed a wide range of interpretive devices, helpful lists, historical mementoes, legal advice, wrestling, kitty-care and grooming tips, and more, to aid in any fan’s appreciation of the show – or substitute for it when the cable is out. Added to these features is a two-page synopsis of every episode, including stats, air dates and best lines. Numerous photos and sidebars scattered throughout include quotes, philosophical gleanings and tidbits from the series. Just in time for new episodes on Netflix (or of yet-another-re-run) of one of the most popular television shows ever created in Canada, The Complete Trailer Park Boys truly is a resource no fan can do without. Some sample chapter topics: Ricky: -A list of Rickyisms -Map of areas in the park where he has passed out -A detailed pictorial of his car/home Bubbles: -Bubbles’s shopping cart chop shop–behind the scenes -Go-cart performance specs -Bubbles eye chart Julian: -Julian’s fashion tips (how to match black with black) -Best money-making schemes -T-shirt wearing and the art of seduction -Julian’ s bartending mix book Other characters: -J-Roc rap lyrics -Ray’s tips on beating the government on disability -Corey and Trevor’s gas siphoning tips

101 lesser-known stories to delight Canadian cinema and television fans. Do you know who was in the first on-screen nude scene in a Canadian feature film? Or which David Cronenberg film was raided for obscenity? Why was Oliver Reed arrested while shooting The Brood ? Which iconic Canadian television series was syndicated in over fifty different countries? Which Canadian film critic wrote a full-page retraction after reconsidering a positive review he gave a film? And what role did Canada play in the creation of Dennis Hopper’s Easy Rider? With an eye for the unique and the absurd, 101 Fascinating Canadian Film & TV Facts, from one of Canada’s leading film critics, is a lively and humorous look at the best and the worst, the firsts and the lasts, and the groundbreaking truths behind Canada’s film and television industry.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

Canadian Television: Text and Context explores the creation and circulation of entertainment television in Canada from the interdisciplinary perspective of television studies. Each chapter connects arguments about particular texts of Canadian television to critical analysis of the wider cultural, social, and economic contexts in which they are created. The book surveys the commercial and technological imperatives of the Canadian television industry, the shifting role of the CBC as Canada’s public broadcaster, the dynamics of Canada’s multicultural and multiracial audiences, and the function of television’s “star system.” Foreword by The Globe and Mail’s television critic, John Doyle.

Drug prohibition emerged at the same time as the discovery of film, and their histories intersect in interesting ways. This book examines the ideological assumptions embedded in the narrative and imagery of one hundred fictional drug films produced in Britain, Canada, and the U.S. from 1912 to 2006, including Broken Blossoms, Reefer Madness, The Trip, Superfly, Withnail and I, Traffik, Traffic, Layer Cake, Harold and Kumar Go to White Castle, Trailer Park Boys, and more. Boyd focuses on past and contemporary illegal drug discourse about users, traffickers, drug treatment, and the intersection of criminal justice with counterculture, alternative, and stoner flicks. She provides a socio-historical and cultural criminological perspective, and an analysis of race, class and gender representations in illegal drug films. This illuminating work will be an essential text for a wide range of students and scholars in the fields of criminology, sociology, media, gender and women’s studies, drug studies, and cultural studies.

Talking White Trash documents the complex and interwoven relationship between mediated representations and lived experiences of white working-class people—a task inspired by the author’s experiences growing up in a white working-class family and neighborhood and how she came to understand herself through watching films and television shows. The increasing presence of white working-class people in media, particularly within the genre of reality television, and their role in fueling the unprecedented rise of Donald Trump, has made this population a central subject of U.S. cultural discourse. Rather than relying solely on analyses of mediated portrayals, Dunn makes use of personal narratives, interviews, focus groups, textual analysis, and critical autoethnography to specifically analyze how popular media articulates certain ideas about white working-class people, and how those who identify as members of this population, including herself, negotiate such articulations. Dunn’s work provides alternative stories that are rarely, if ever, found in popular media—stories that feature the varied reactions and lived experiences of white working-class people; stories that talk to, talk with, and talk back to mediated representations and dominant cultural ideas; stories that illuminate the multidimensionality of a population that is often portrayed in one-dimensional ways; stories that move inside and outside the white working-class to better understand their role within, and influence upon, U.S. culture.