In this sequel to Killer of Enemies, Lozen and her family, on the run from the tyrants who once held them hostage, embark on a journey along a perilous trail once followed by her ancestors, where they meet friends and foes alike. In the sequel to the award-winning Killer of Enemies, Apache teen Lozen and her family are looking for a place of refuge from the despotic Ones who once held them captive and forced Lozen to hunt genetically engineered monsters. Lozen and her allies travel in search of a valley where she and her family once found refuge. But life is never easy in this post-apocalyptic world. When they finally reach the valley, they discover an unpleasant surprise awaiting them-and a merciless hunter following close behind. Hally, their enigmatic Bigfoot friend, points them to another destination-a possible refuge. But can Lozen trust Hally? Relying on her wits and the growing powers that warn her when enemies are near, Lozen fights internal sickness to lead her band of refugees to freedom and safety. Alongside family, new friends, and Hussein, the handsome young man whose life she saved, Lozen forges a path through a barren land where new recombinant monsters lurk and the secrets of this new world will reveal themselves to her ... whether she wants them to or not.

As a null, Scarlett Bernard possesses a rare ability to counteract the supernatural by instantly neutralizing spells and magical forces. For years she has used her gift to scrub crime scenes of any magical traces, helping the powerful paranormal communities of Los Angeles stay hidden. But after LAPD detective Jesse Cruz discovered Scarlett's secret, he made a bargain with her: solve a particularly grisly murder case, and he would stay silent about the city's unearthly underworld. So when two witches are found dead a few days before Christmas, Scarlett is once again strong-armed into assisting the investigation. She soon finds a connection between the murders and her former mentor, Olivia, a null who mysteriously turned into a vampire, who harbors her own sinister agenda. Now Scarlett must revisit her painful past to find Olivia--unless the blood-drenched present claims her life first.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

These stories of vampire legends and gruesome nineteenth-century practices is “a major contribution to the study of New England folk beliefs” (The Boston Globe). For nineteenth-century New Englanders, “vampires” lurked behind tuberculosis. To try to rid their houses and communities from the scourge of the wasting disease, families sometimes relied on folk practices, including exhuming and consuming the bodies of the deceased. Folklorist Michael E. Bell spent twenty years pursuing stories of the vampire in New England. While writers like H.P. Lovecraft, Henry David Thoreau, and Amy Lowell drew on portions of these stories in their writings, Bell brings the actual practices to light for the first time. He shows that the belief in vampires was widespread, and, for some families, lasted well into the twentieth century. With humor, insight, and sympathy, he uncovers story upon story of dying men, women, and children who believed they were food for the dead. “A marvelous book.” —Providence Journal Includes an updated preface covering newly discovered cases.

A post-Apocalyptic YA novel with a steampunk twist, based on an Apache legend.

Features a chronicle of America's only known national parks serial killer, Gary Michael Hilton. This title explores the crimes with co-operation from the victim families and brings readers into what makes a serial killer through interviews with those who know him.

This is a new release of the original 1941 edition.

Winner of the 2021 National Jewish Book Award for Con­tem­po­rary Jew­ish Life and Prac­tice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.