The Bellamy Mansion in Wilmington, North Carolina, is the setting of Tragic Souls of Love and War in the pre-Civil War era, during the Civil War, and after the war. The story is heavily based on facts of four strong women: Sarah Sampson, the Bellamy family’s slave cook; Belle Bellamy, the oldest Bellamy daughter; Mrs. Eliza Bellamy, the wife of Dr. John Bellamy; and Harriet Foote Hawley, the wife of Union general Joseph Roswell Hawley. She was an abolitionist and a first cousin of Harriet Beecher Stowe. The mix of these four women and the fictional and extraordinarily charismatic Braxton Scott twist into a story that captures the loves and sorrows of a tragic time in our history that resembles the classic Gone with the Wind and reminds us of the sad reality of inequality that still exists today.

War is a timeless force in the human imagination—and, indeed, in daily life. Engaged in the activity of destruction, its soldiers and its victims discover a paradoxical yet profound sense of existing, of being human. In A Terrible Love of War, James Hillman, one of today’s most respected psychologists, undertakes a groundbreaking examination of the essence of war, its psychological origins and inhuman behaviors. Utilizing reports from many fronts and times, letters from combatants, analyses by military authorities, classic myths, and writings from great thinkers, including Twain, Tolstoy, Kant, Arendt, Foucault, and Levinas, Hillman’s broad sweep and detailed research bring a fundamentally new understanding to humanity’s simultaneous attraction and aversion to war. This is a compelling, necessary book in a violent world.

Thomas Kyd’s highly influential and popular revenge play is now available in a richly documented and critically engaging Norton Critical Edition. The freshly edited and annotated text comes with a full introduction and illustrative materials intended for student readers. The Spanish Tragedy was well known to sixteenth-century audiences, and its central elements—a play-within-a-play and a ghost bent on revenge—are widely believed to have influenced Shakespeare’s Hamlet. This volume includes a generous selection of supporting materials, among them Kyd’s likely sources (Virgil, Jacques Yver, and the anonymous “The Earl of Leicester Betrays His Own Servant”), Thomas Nashe’s satiric criticism of Kyd, Michel de Montaigne and Francis Bacon on revenge, and “The Ballad of The Spanish Tragedy,” which suggests the play’s initial reception. “Criticism” is thematically organized to provide readers with a clear sense of the play’s major themes. Contributors include Michael Hattaway, Jonas A. Barish, Donna B. Hamilton, G. K. Hunter, Lorna Hutson, Molly Smith, J. R. Mulryne, T. McAlindon, and Andrew Sofer. A Selected Bibliography is also included.

Selfhood and the Soul is a collection of new and original essays in honour of Christopher Gill, Emeritus Professor of Ancient Thought at the University of Exeter. All of the essays in the volume contribute to a shared project - the exploration of ancient concepts of self and soul, understood in a broad sense - and, as in the work of the honorand himself, they are distinguished by a diversity of approach and subject matter, ranging widely across disciplinary boundaries to cover ancient philosophy, psychology, medical writing, and literary criticism. They can be read separately or together, taking the reader on a journey through topics and themes as varied as money, love, hope, pleasure, rage, free will, metempsychosis, Roman imperialism, cookery, and the Underworld, yet all committed to examining central issues about the experience of being a person and the question of how best to live. The international line-up of contributors includes many established figures in the disciplines of classical literature, ancient philosophy, and ancient medicine, as well as several younger scholars. All have been inspired by Christopher Gill's contributions to scholarly research in these fields and their collective work aspires to honour through imitation his remarkable combination of range with focus.

'The Soul of Tragedy' brings together scholars to offer perspectives on the Greek tragedy. The collection pays homage to this genre by offering an exploration into the oldest form of dramatic expression.

This book is a companion book to another book by Philip Gibbs that is already in the library, namely Now It Can Be Told[1]. Together, both books constitute the war-time memoirs of British war-correspondent Philip Gibbs, one of the few officially accredited journalists allowed on the British sector of the Western front. He covered the war from beginning to end. The Soul of the War is the first part of his memoirs, published in 1915, Now It Can Be Told is the second part, but published immediately after the war. Taken together, both books are amongst the most important and influential books published in English during the Great War, being in no small part responsible for the emergence of the "Lost Generation" myth of the 1920's. A pre-war best-selling author and journalist, Philip Gibbs was one of the most outstanding British war-time reporters and writers. Like many reporters in the opening months of the war, Philip Gibbs and his companions seemed to posses the knack for being in the wrong place at the wrong time, following armies across northern France in the vain hope of being on hand to witness battle. He never really succeeded during the first year, aside from joining a British volunteer ambulance service on the Ypres front in late 1914. But while other reporters unashamedly spruced up their reporting, dramatizing and glorifying small insignificant incidents and passing occurrences of no import, Gibbs knew how to talk to soldiers coming from or going to the front lines, how to convey their thoughts and fears and vividly describe their battle experiences. Gibbs was a very serious writer, and extremely proficient at his trade. He knew how to get to the essence of things, to describe the feel of the times, the general attitude, and the hopes and fears of both fighting men and civilians. Not only is this voluminous book a brilliantly written commentary on the opening months of the war, it is also infused with an inner sadness that could well be considered a precursor to the post-war "lost generation" myth, which is yet another indicator at how well Gibbs could gage the feel of the times and assess its impact on future developments in society.