Literary scholars largely agree that the Romantic period altered the definition of tragedy, but they have confined their analyses to Western European authors. Maksim Hanukai introduces a new, illuminating figure to this narrative, arguing that Russia’s national poet, Alexander Pushkin, can be understood as a tragic Romantic poet, although in a different mold than his Western counterparts. Many of Pushkin’s works move seamlessly between the closed world of traditional tragedy and the open world of Romantic tragic drama, and yet they follow neither the cathartic program prescribed by Aristotle nor the redemptive mythologies of the Romantics. Instead, the idiosyncratic and artistically mercurial Pushkin seized upon the newly unstable tragic mode to develop multiple, overlapping tragic visions. Providing new, innovative readings of such masterpieces as The Gypsies, Boris Godunov, The Little Tragedies, and The Bronze Horseman, Hanukai sheds light on an unexplored aspect of Pushkin’s work, while also challenging reigning theories about the fate of tragedy in the Romantic period.

Page Smith was one of America's greatest historians. After studying with Samuel Eliot Morison at Harvard, Smith went on to a distinguished academic career that culminated with him being the founding Provost of Cowell College, the first college of the new campus of the University of California at Santa Cruz. But he made his mark with a history of the United States published in eight volumes, each volume carrying the subtitle "A People's History of the United States. These were ground–braking histories, composed as a long continuous narrative loosely organized around the themes present in each age or period. There were sourced almost entirely in contemporaneous accounts of the events covered, and they set the ground for a whole new approach to history, that perhaps culminated in the work of Howard Zinn. During the last years of his life, Smith concentrated on composing a history of Native Americans after the first European contact. This manuscript was discovered unpublished after his death. Using his wonderful technique of narrative, discovering in the events of each period the thematic overview of that period, he again turns to contemporaneous documents to provide the structure and substance of his story. From Jamestown to Wounded Knee, the story of these Native peoples from coast to coast is explored, granting these oppressed and nearly destroyed people a chance to tell their own broad story. We know of no other similar attempt, and this book will surely caution and intrigue readers as they are offered a new slant on a very old subject.

For over four decades, events in Palestine-Israel have provoked raging conflicts within British universities around issues of free speech, 'extremism', antisemitism and Islamophobia. But why is this conflict so significant for student activists living at such a geographical distance from the region itself? And what role do emotive, polarised communications around Palestine-Israel play in the life of British academic institutions committed to the ideal of free expression? This book draws on original ethnographic research with student activists on different sides of this conflict to initiate a conversation with students, academics and members of the public who are concerned with the transnational politics of Palestine-Israel and with the changing role of the public university. It shows how, in an increasingly globalised world that is shaped by entangled histories of European antisemitism and colonial violence, ethnography can open up ethical responses to questions of justice

This extraordinary investigation of the death of the author's grandson yields a powerful memoir of addiction, grief, and the stories we choose to tell our families and ourselves. Jared Kindred left his home and family at the age of eighteen, choosing to wander across America on freight train cars and live on the street. Addicted to alcohol most of his short life, and withholding the truth from many who loved him, he never found a way to survive. Through this ordeal, Dave Kindred's love for his grandson has never wavered. Leave Out the Tragic Parts is not merely a reflection on love and addiction and loss. It is a hard-won work of reportage, meticulously reconstructing the life Jared chose for himself--a life that rejected the comforts of civilization in favor of a chance to roam free. Kindred asks painful but important questions about the lies we tell to get along, and what binds families together or allows them to fracture. Jared's story ended in tragedy, but the act of telling it is an act of healing and redemption. This is an important book on how to love your family, from a great writer who has lived its lessons.

This is the first study considering the reception of Greek tragedy and the transformation of the tragic idea in Hellenistic poetry. The focus is on third-century Alexandria, where the Ptolemies fostered tragedy as a theatrical form for public entertainment and as an official genre cultivated by the Pleiad, whereas the scholars of the Museum were commissioned to edit and comment on the classical tragic texts. More importantly, the notion of the tragic was adapted to the literary trends of the era. Released from the strict rules established by Aristotle about what makes a good tragedy, the major poets of the Alexandrian avant-garde struggled to transform the tragic idea and integrate it into non-dramatic genres. Tragic Failures traces the incorporation of the tragic idea in the poetry of Callimachus and Theocritus, in Apollonius’ epic Argonautica, in the iambic Alexandra, in late Hellenistic poetry and in Parthenius’ Erotika Pathemata. It offers a fascinating insight into the new conception of the tragic dilemmas in the context of Alexandrian aesthetics.

A mythogeography of South Devon and how to walk it

A portrait of the nation through tales of travelers who have traversed the breadth and depth of America the beautiful.

An introduction to Civil War military history focusing on the evolution of warfare from the Napoleonic wars, the Mexican War, and Crimean War before dealing with specific Civil War technologies. Hattaway (history, U. of Missouri-Kansas City) discusses the impact of land and sea mines, minesweepers, hand grenades, automatic weapons, the Confederate submarine, and balloons. Although the core of the history is rooted in these discussions, the author uniquely connects them with anecdotes about the period and military leadership, reviewing recent scholarship and providing new insights which enliven the thesis. Includes photographs. Annotation copyrighted by Book News, Inc., Portland, OR

The death of Michael Brown at the hands of a white Ferguson police officer has uncovered an apparent legitimacy crisis at the heart of American policing. Some have claimed that de-policing may have led officers to become less proactive. How exactly has the policing of gangs and violence changed in the post-Ferguson era? This book explores this question, drawing on participant observation field notes and in-depth interviews with officers, offenders, practitioners, and community members in a Southern American state. As demands for police reform have once again come into focus following George Floyd’s death, this crucial book informs future policing practice to promote effective crime prevention and gain public trust.